Photographers:
Connections:
Photo outlets
Metropolitan Museum of Art
 
1000 Fifth Avenue
New York City, NY 10028-0198
USA

www.metmuseum.org
Tel: 212 535 7710

 
Some random images from this collection.
 
Lightbox > Examples
   
Unidentified photographer / collagist, 1850s-1890s, Collaged portrait, [Album of collaged portraits], Albumen silver print, Metropolitan Museum of Art, LL/95774
Auguste Salzmann, 1854, Jérusalem, Saint-Sépulcre, Détails de la porte, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79839
Gustave Le Gray, 1857, La Messe au Camp de Châlons [Mass at Camp de Châlons], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40416
J.E. Mayall, 1846-1852, [Copy of the Rosetta Stone], Daguerreotype, Metropolitan Museum of Art, LL/104098
G.R. Lambert & Co., 1870s, Backmark for "G. R. Lambert and Co. - Singapore, Carte de visite, back, Metropolitan Museum of Art, LL/129924
J.A. Palmer, 1882, The Wilde Woman of Aiken [Detail], [Aiken and Vicinity], Albumen silver print, from glass negative, detail, Metropolitan Museum of Art, LL/113884
Hill & Adamson, 1843-1847, St. Andrews. North Street, Fishergate, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/73957
Auguste Salzmann, 1854, Jérusalem, Mosquée d'Omar, côté Nord, Intérieur de l'enceinte, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79841
Auguste Salzmann, 1854, Jérusalem, croix en argent ciselé, donnée par Louis XIII à l'Eglise du Saint Sépulcre, [Jerusalem], Salted paper print, from paper negative, Imprimerie photographique de Blanquart-Évrard, Metropolitan Museum of Art, LL/69148
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Karnak (Thèbes), Premier Pylône - Ruines de la Porte et des Colosses, Vues du Point E, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69222
Francis Bedford, 1870s, Gosceau Rock and the Croft, Albumen silver print, Metropolitan Museum of Art, LL/50946
Brassaï, 1931-1932 (taken) 1960s (print), Brassaï Photographing, Boulevard Saint-Jacques, Gelatin silver print, Metropolitan Museum of Art, LL/45178
Alphonse Bertillon, 1893 (ca), Measurement of Left Middle Finger, Albumen silver prints, Metropolitan Museum of Art, LL/113477
John Moran, 1871, Tropical Scenery, View Near Chipigana, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/95801
Joseph-Philibert Girault de Prangey, 1842, Ruins and Foreground, Acropolis, Athens, Daguerreotype, Metropolitan Museum of Art, LL/85455
Hill & Adamson, 1843-1847, Edinburgh. The High Street with John Knox's House, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/69478
Louis de Clercq, 1860 (or later), Jérusalem. État actuel du dôme, du St. Sépulcre et Minaret d'Omar, Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78102
Julia Margaret Cameron, 1865, Alfred Tennyson (The Dirty Monk), Albumen print, Metropolitan Museum of Art, LL/45905
Goodwin & Company (issued), 1887, Burdock, 2nd Base, Boston, [Old Judge series (N172) for Old Judge Cigarettes], Albumen print, Metropolitan Museum of Art, LL/50953
Unidentified photographer / collagist, 1850s-1890s, Collaged portrait, [Album of collaged portraits], Albumen silver print, Metropolitan Museum of Art, LL/95780
Julia Margaret Cameron, 1869 (taken) 1905 (print), Alfred, Lord Tennyson, Carbon print, Metropolitan Museum of Art, LL/77569
Unidentified photographer, 1870s-1880s, 541. Beejapoor - The Summa Musjid. The view of the city from the roof, [Beejapoor], Albumen print, Metropolitan Museum of Art, LL/90410
Francis Frith, 1857 (ca), Distant View of the Cedars of Lebanon, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/67554
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Esneh (Latopolis), Construction Ensablée - Paroi Extérieure - Corniche et Sculptures, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69187
Robert E. Peary (American, 1856-1920), 1893-1895, [Peary's Ship], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79742
Unidentified photographer (French), 1870 (ca), [Female Nude with Mask], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/48784
Maxime Du Camp, 1850 (taken) 1851-1855 (print), Nubie. Grand Temple d'Isis, A Philoe. Vue générale prise du nord, Salted paper print (Blanquart-Évrard process) from paper negative, Metropolitan Museum of Art, LL/69382
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Abou Sembil, Grand Spéos - Statues Colossales, Vues de Trois-Quarts, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69205
Edward Ranney, 1994, Cantalloc, Nazca Valley, Peru, Gelatin silver print, Metropolitan Museum of Art, LL/78161
Walker Evans, 1936, [Floyd and Lucille Burroughs on Porch, Hale County, Alabama], Gelatin silver print, Metropolitan Museum of Art, LL/6366
Robert Howlett, 1857 (taken) 1863-1864 (printed), [Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79543
Hippolyte Bayard, 1839 (ca), [Classical Head in Profile], Salted paper print, Metropolitan Museum of Art, LL/95756
Owen Angel, 1880 (ca), Red Riding Hood. Carry Benson, [Follett Family Album of Children Costumed for a Fancy Dress Ball], Albumen silver print, from glass negative, with applied color, Metropolitan Museum of Art, LL/79540
Herbert Bayer, 1928, Pont Transbordeur, Marseilles, Gelatin silver print, Metropolitan Museum of Art, LL/58912
John Anthony, 1860s, [Garden of Gethsemane and View of Jerusalem], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/78078
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Béni-Haçan, Architecture Hypogéene - Tombeau d'Amoneï, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/73880
Julia Margaret Cameron, 1874, Sir Galahad and the Pale Nun, [Idylls of the King], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/77584
Henry P. Bosse, 1888, Second Ave Rock Island, Ill. during high water, Cyanotype, Metropolitan Museum of Art, LL/79881
Baron Adolph de Meyer, 1900, Fushimi Inari Taisha, Kyoto, Japan, Platinum print, Metropolitan Museum of Art, LL/78049
Unidentified artist, 1916 (ca), Fingers of Fate - The Tightening Grip, Gelatin silver print, postcard, Metropolitan Museum of Art, LL/16995
Unidentified photographer (British), 1850s-1860s, [Man Holding Book, Standing Before a Painted Scenic Backdrop], Ambrotype with applied color, Metropolitan Museum of Art, LL/79862
Richard Barton Hill, 1850s, Gateway to Government House, Calcutta, Albumen silver print, Metropolitan Museum of Art, LL/40374
Louis Hostalier, 1900 (ca), West Africa (Senegal) Dakar-Native griot with his guitar [Afrique Occidentale (Sénégal) Dakar-Griot indigène avec sa guitare], Postcard, photomechanical, Metropolitan Museum of Art, LL/61680
Unidentified photographer, 1870s-1880s, 546 Beejapoor - The Citadel - The Makkah Musjid, [Beejapoor], Albumen print, Metropolitan Museum of Art, LL/90415
Benjamin Brecknell Turner, 1852, Crystal Palace, Hyde Park, Transept, Paper negative, Metropolitan Museum of Art, LL/40465
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Karnak (Thèbes), Sphinx a Tête Humaine et a Tête de Bélier, en Y, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69227
Linnaeus Tripe, 1857, December - 1858, January, Virabadra Drug as seen from near the site of the last view, Salted paper print, from waxed paper negative, Metropolitan Museum of Art, LL/78043
Antoine Claudet, 1844-1859, [Middle-aged Man with Glasses Holding Pocket Watch], Daguerreotype, with applied color, Metropolitan Museum of Art, LL/112970
E. Ryder, 1850s-1910s, St. Paul's Cathedral, London, Stereoview, back, Metropolitan Museum of Art, LL/115242
Alfred Stieglitz, 1906, April, The Little Galleries of the Photo-Secession, Halftone reproduction, Metropolitan Museum of Art, LL/45166
Louis de Clercq, 1860 (or later), Jérusalem. Porte de Damas (Bab-el-Ahmoud), Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78107
A.J. Russell, 1864, March, Street Scene, Culpeper, Virginia, Albumen print, Metropolitan Museum of Art, LL/95721
Charles Moussette (French, active 1880s), 1886, 12 May, [Spiral of Lightning in a Thunderstorm], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79728
Southworth & Hawes, 1850 (ca), [Woman in Profile with Lace Collar and Shawl], Daguerreotype, Metropolitan Museum of Art, LL/126882
Baron Raimund von Stillfried, 1870s, Fille de Shanghai [Young Chinese Woman from Shanghai], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40506
Unknown Artist (British School), 1850s (late), Boys Behind a Science Experiment, Ambrotype, Metropolitan Museum of Art, LL/40603
Unidentified photographer (American), 1840s (late) - 1854, George Lippard, Daguerreotype, Metropolitan Museum of Art, LL/79357
Unidentified photographer / collagist, 1850s-1890s, Collaged portrait, [Album of collaged portraits], Albumen silver print, Metropolitan Museum of Art, LL/95761
Henry Fox Talbot, 1839, Lace (enlarged detail), [Album di disegni fotogenici - The Bertoloni Album, Leaf 13 Recto], Photogenic drawing, solar microscope, detail, Metropolitan Museum of Art, LL/40626
Unidentified photographer, 1870s-1880s, 535. Beejapoor - The Mehter Mahal. North & West sides as seen from the Road, [Beejapoor], Albumen print, Metropolitan Museum of Art, LL/90404
Charles Marville, 1858-1860, Cascade at the Mare aux biches (Does' Pond), Bois de Boulogne, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/53886
Henry Fox Talbot, 1839, Heliophila, Paper Negative - Contact, Metropolitan Museum of Art, LL/82211
Various artists/makers, 1850, Henry Clay, [The Gallery of Illustrious Americans, Containing the Portraits and Biographical Sketches of Twenty-four of the Most Eminent Citizens of the American Republic Since the Death of Washington], Lithograph based on an engraving, after a daguerreotype, Metropolitan Museum of Art, LL/131195
Edward Steichen, 1908, Balzac, the Silhouette - 4 A.M., Gum bichromate print, Metropolitan Museum of Art, LL/6333
Maxime Du Camp, 1850 (taken) 1851-1855 (print), Thebes. Palais de Karnak. Sanctuaire de granit et salle Hypostyle, Salted paper print (Blanquart-Évrard process) from paper negative, Metropolitan Museum of Art, LL/69363
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Man Reclining with Violin], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95602
Gustave Le Gray, 1866, [Soldier and Military Camel], Albumen print, Metropolitan Museum of Art, LL/67549
1910, Catalogue of the international exhibition, pictorial photography / Buffalo Fine Arts Academy, Albright Art Gallery, Nov. 3-Dec. 1, 1910, Exhibition catalogue page, cropped, Metropolitan Museum of Art, LL/51085
Calvert Richard Jones, 1840s (late), [Young Man], Paper negative, Metropolitan Museum of Art, LL/69505
Henry P. Bosse, 1889, No. 181. Marshall Ave. Bridge, Minneapolis & St. Paul, Cyanotype, Metropolitan Museum of Art, LL/79877
Julia Margaret Cameron, 1874, Elaine the Lily - Maid of Astolat, [Idylls of the King], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/77589
Man Ray, 1933, Meret Oppenheim at the Printing Wheel, Gelatin silver print, Metropolitan Museum of Art, LL/78183
Andy Warhol, 1979, Self-portrait, Instant Color print, Metropolitan Museum of Art, LL/6383
Frederick Gutekunst, 1890s, [Girl with Ringlets, Seated, Three-Quarter Length], Gelatin silver print, Metropolitan Museum of Art, LL/53147
Antoine Claudet, 1850s, [Mother and Child, Possibly Members of the Claudet Family], Daguerreotype, stereo, with applied colour, Metropolitan Museum of Art, LL/112969
George Bridges, 1848, Temple of Wingless Victory, Lately Restored, Paper negative, Metropolitan Museum of Art, LL/40447
Louis de Clercq, 1860 (or later), XIe Station. Jésus est cloué sur la croix. Cette station se trouve placée au pied même de l'autel., Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/78126
Henry Fox Talbot, 1839-1840, Cover for "Album di disegni fotogenici" ["The Bertoloni Album"], [Album di disegni fotogenici - The Bertoloni Album], Album cover, Metropolitan Museum of Art, LL/40623
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Dog Jumping at Man], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95617
Baron Adolph de Meyer, 1900, Daibutsu [Great Buddha], Kotoku-in Temple, Kamakura, Japan, Gelatin silver print, Metropolitan Museum of Art, LL/78051
Benjamin Cowderoy, 1846, [The Reading Establishment], Salted paper print, from paper negative (left), Metropolitan Museum of Art, LL/49881
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Man in Long Red Coat], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95612
Carleton E. Watkins, 1867 (taken, printed later), Multnomah Falls, Oregon, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/105781
Henry Fox Talbot, 1835 or 1839, [the Oriel Window, South Gallery, Lacock Abbey], Photogenic drawing negative, Metropolitan Museum of Art, LL/6303
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 60: Fright, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79634
Pierre-Louis Pierson (French, 1822-1913); Aquilin Schad (Austrian, 1817-1866)., 1861-1864, La Frayeur (Fright), Salted paper print, with gouache, Metropolitan Museum of Art, LL/63085
W. Hammerschmidt, 1860 (ca), Porte de la Mosque, Sultan Hassan. Partie Inférieure, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79761
Linnaeus Tripe, 1855, 1 September-21 October, Amerapoora, Palace of the White Elephant, Salted paper print, from waxed (?) paper negative, Metropolitan Museum of Art, LL/78017
Juan Pedro Chabalgoity, 1875 (ca), [Photo Collage: Man Holding Bag Inscribed "DOTE"], Carte de visite, albumen silver print, lithographs, Metropolitan Museum of Art, LL/95605
Claude Monet (1840-1926), 1865, The Bodmer Oak, Fontainebleau Forest, Oil painting, Metropolitan Museum of Art, LL/41178
Walker Evans, 1933, Typical Town, Interior of Cuba, Gelatin silver print, Metropolitan Museum of Art, LL/78165
Félix Bonfils, 1870 (ca), Intérieur de la porte de Jaffa (détail), Albumen print, Metropolitan Museum of Art, LL/115888
Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 10: Showing the expressive lines of m. frontalis in a young girl, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79641
William Langenheim, 1851-1853 (ca), Frederick Langenheim, Daguerreotype, Metropolitan Museum of Art, LL/92012
St. Memin, 1797-1798, Portrait of a Man: Charles Balthazar Julien Févret de Saint-Mémin (1770-1852), Conté crayon, charcoal (?), graphite and white-chalk heightening on off-white laid paper coated with gouache, Metropolitan Museum of Art, LL/16998
Alois Auer, 1853 (ca), [Microscopic view on an insect], Albumen silver print, Metropolitan Museum of Art, LL/36173
Samuel Fosso, 1976 (taken) 2003 (print), Self Portrait, Gelatin silver print, Metropolitan Museum of Art, LL/61695
Gustave Le Gray, 1867, Fête de S. A. Ismail Pacha à bord des bateaux de S. S. A. les princes, Albumen print, from paper negative, Metropolitan Museum of Art, LL/40318
Walker Evans, 1933, Girl Behind Barred Window (Havana), Gelatin silver print, Metropolitan Museum of Art, LL/78167
Calvert Richard Jones, 1840s (late), [Young Man], Paper negative, Metropolitan Museum of Art, LL/40530
Félix Teynard, 1851-1852 (taken) 1853-1854 (print), Edfou (Apollonopolis Magna), Vue Générale du Temple, Salted paper print, from paper negative, Imprimerie Photographique de H. de Fonteny et Cie, Metropolitan Museum of Art, LL/69251
Hill & Adamson, 1843-1847, Edinburgh. Greyfriars' Churchyard, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/69460
Louis Pierson, 1861-1865, [Empress Eugénie as an Odalisque], Albumen silver print, hand-painted, Metropolitan Museum of Art, LL/40354
Sherrie Levine, 1979, Untitled (President: 4), Collage on paper, Metropolitan Museum of Art, LL/7155
James Wallace Black, 1860, Boston, as the Eagle and the Wild Goose See It, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40553
Walker Evans, 1933, [Detail of Carriage in the Collection of Oliver Jennings], Film negative, Metropolitan Museum of Art, LL/92007
Charles Clifford, 1853, Latona Fountain in the Gardens of La Granja, Segovia, Albumen silver print, Metropolitan Museum of Art, LL/25995
Édouard Baldus, 1856, June, The Floods of 1856, Church of Saint-Pothin, Lyon, Salted paper print, from paper negative, Metropolitan Museum of Art, LL/79826
David Octavius Hill, 1866, The First General Assembly of the Free Church of Scotland - Signing the Act of Separation and the Deed of Demission at Tanfield, Edinburgh, May 1843., Carbon print, Metropolitan Museum of Art, LL/40470
Pierre-Ambroise Richebourg, 1844 (ca), Louis Jacques Mandé Daguerre, Daguerreotype, Metropolitan Museum of Art, LL/119280
Joseph-Philibert Girault de Prangey, 1840s (ca), [Daguerreotype Plate Box], Storage, linden wood, plated iron, iron-gall ink, Metropolitan Museum of Art, LL/85450
Carleton E. Watkins, 1865-1866 (taken) 1876 (ca, print), Section of the Grizzly Giant with Galen Clark, Mariposa Grove, Yosemite, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/105780
Dr. Isaac I. Hayes, 1859 (ca), [Ship in Ice, Greenland Expedition], Stereoview, Metropolitan Museum of Art, LL/126025
   

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