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Photo outlets
Art Institute of Chicago
 
111 South Michigan Avenue
Chicago, IL 60603-6404
USA

www.artic.edu
Tel: 312 443 3600

 
Some random images from this collection.
 
Lightbox > Examples
   
Giraudon's Artist, 1870, Female Peasant Riding Donkey, Albumen print, Art Institute of Chicago, LL/117193
Gustave Le Gray, 1857, Cloudy Sky, Mediterranean Sea, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112757
Julia Margaret Cameron, 1874 (ca), Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80021
Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468
Alfred Stieglitz, 1894 (taken) 1920-1939 (print), My Father, Gelatin silver print, Art Institute of Chicago, LL/68067
Etienne Carjat, 1876-1884 (ca), Daudet, [La Galerie Contemporaine], Woodburytype, Art Institute of Chicago, LL/51579
Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125
Gustave Le Gray, 1857, Mediterranean with Mount Agde, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112762
Frederick H. Evans, 1905 (ca), Photomicrograph of artist's monogram in lower right corner of print (scale bar is in millimeters), Platinum print, Art Institute of Chicago, LL/68035
Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.2, Albumen print, Art Institute of Chicago, LL/57763
Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852
Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484
Gustave Le Gray, 1850-1859, The Tugboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112769
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of a Nude Woman), Daguerreotype, stereo, Art Institute of Chicago, LL/114501
Julia Margaret Cameron, 1874, May, Queen Henrietta Maria, Albumen print, Art Institute of Chicago, LL/80031
Hill & Adamson, 1846, The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, Salted paper print, Art Institute of Chicago, LL/114557
Hill & Adamson, 1843-1844 (ca), Mr. Robertson, Sub-Editor of "The Witness", Salted paper print, Art Institute of Chicago, LL/114570
Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62127
Gustave Le Gray, 1857, The Great Wave, Sète, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112758
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477
J. Craig Annan, 1894 (ca), A Mendicant, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68041
Alfred Stieglitz, 1923, Equivalent, from Set E (Print 2), 1923, Gelatin silver print, Art Institute of Chicago, LL/68107
Timothy H. O'Sullivan, 1873, Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., [Geographical & Geological Explorations & Surveys West of the 100th Meridian, vol. 1], Albumen print, Art Institute of Chicago, LL/97784
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128
Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136
Platt D. Babbitt, 1852, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114480
Giraudon's Artist, 1870, Male Peasant with Wheelbarrow, Albumen print, Art Institute of Chicago, LL/117192
Unidentified photographer (USA, 19th century), 1860, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114528
Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68175
Eugène Atget, 1925, Parc de Sceaux (Stairs, Pavillon de l'Aurore, May, 8am), Albumen print, Art Institute of Chicago, LL/114583
Alfred Stieglitz, 1922, Music - A Sequence of Ten Cloud Photographs, No. II, Gelatin silver print, Art Institute of Chicago, LL/68098
Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68154
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112781
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62123
Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762
John McElroy (American, 19th century), 1851, Untitled (Barn), Daguerreotype, Art Institute of Chicago, LL/114483
Eugène Atget, 1900 (ca), Olivier, Nice (Olive Tree, Nice), Albumen print, Art Institute of Chicago, LL/114579
Hill & Adamson, 1845 (taken) 1890-1900 (print), Sir John McNeill, Carbon print, Art Institute of Chicago, LL/68027
Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148
Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489
Unidentified photographer, 1855 (or earlier), [View of San Francisco], Albumen printss (x5), Art Institute of Chicago, LL/91284
Mathew B. Brady, 1846, Untitled (Portrait of Man), Daguerreotype, Art Institute of Chicago, LL/114523
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491
Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142
George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481
Roger Fenton, 1855 (taken), Lieutenant Colonel Shadforth and Officers of the 57th, Salt print, Art Institute of Chicago, LL/45851
Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150
Edward Steichen, 1908, Portrait of Clarence White, Gum bichromate over platinum print, Art Institute of Chicago, LL/68135
Alfred Stieglitz, 1889 (taken) 1920-1939 (print), Sun Rays-Paula, Berlin, Gelatin silver print, Art Institute of Chicago, LL/68068
Giraudon's Artist, 1870, Woman Standing with Basket on Ground, Albumen print, Art Institute of Chicago, LL/117191
Gustave Le Gray, 1857, The Breaking Wave, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112761
Frank Eugene, 1905-1915, Portrait of Two Young Men, Platinum print, Art Institute of Chicago, LL/68059
T.R. Williams, 1850, Untitled (Portrait of a Woman Sewing), Daguerreotype, Art Institute of Chicago, LL/114512
Hans Bellmer, 1935 (taken), The Doll (Die Puppe/La Poupée), Gelatin silver print, Art Institute of Chicago, LL/130820
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112782
Julia Margaret Cameron, 1868, Variant of "Too late! Too late!", Albumen print, Art Institute of Chicago, LL/45838
Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and ‘Mr. Cowan', Calotype negative, Art Institute of Chicago, LL/114560
Rufus P. Anson, 1858, Untitled [A Masked Woman], Daguerreotype, Art Institute of Chicago, LL/98078
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 6), Gelatin silver print, Art Institute of Chicago, LL/68128
Samuel Broadbent, 1847, Untitled (Portrait of a Girl and a Boy), Daguerreotype, Art Institute of Chicago, LL/114515
Alfred Stieglitz, 1894 (taken) 1897 (print), Reflections-Venice, Photogravure, Art Institute of Chicago, LL/68165
Frederick H. Evans, 1902 (ca), York Minster: Looking from the Chapter House Interior, Gelatin silver print, Art Institute of Chicago, LL/68129
Julia Margaret Cameron, 1868 (ca, taken) 1875 (print), Charles Darwin, Carbon print, Art Institute of Chicago, LL/68159
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 3), Gelatin silver print, Art Institute of Chicago, LL/68123
Unidentified photographer (USA, 19th century), 1857, Untitled (Mayland Morse, Civil Engineer, 18 years), Daguerreotype, Art Institute of Chicago, LL/114534
Jeremiah D. Wells (American, 19th century), 1851, Untitled (Portrait of a Standing Man), Daguerreotype, Art Institute of Chicago, LL/114492
Heinrich Kühn, 1906 (ca), Portrait of Young Boy with Arm Across Back of Chair (Hans Kühn), Platinum print, Art Institute of Chicago, LL/68037
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112776
Francis Frith, 1857, The Temple of Maharaka, Nubia, Albumen print, Art Institute of Chicago, LL/57767
J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535
Edward Steichen, 1905, Kitty and Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68036
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122
Southworth & Hawes, 1850, Untitled (Rev. Daniel Sharp, Congregationalist Preacher), Daguerreotype, Art Institute of Chicago, LL/114519
Gustave Le Gray, 1856, The Haloed Sun, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112764
Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791
Julia Margaret Cameron, 1867 (taken) 1875 (print), Thomas Carlyle, Carbon print, Art Institute of Chicago, LL/68156
Gustave Caillebotte, 1877, Rue de Paris, temps de pluie [Strasse in Paris, an einem Regentag], Oil painting, Art Institute of Chicago, LL/40744
Alfred Stieglitz, 1887 (taken) 1920-1939 (print), Stones of Venice, Chioggia, Gelatin silver print, Art Institute of Chicago, LL/68070
Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847
Roger Fenton, 1855, Head of Harbour, Balaklava, Salted paper print, Art Institute of Chicago, LL/45869
Gustave Le Gray, 1857, Zouave Storyteller (Le recit), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112768
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 4), Gelatin silver print, Art Institute of Chicago, LL/68125
Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112785
Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 7), Gelatin silver print, Art Institute of Chicago, LL/68126
Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030
Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105
Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846
Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Cobbler), Daguerreotype, Art Institute of Chicago, LL/114533
Samuel J. Miller (American, 1822-1888), 1865, Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush), Daguerreotype, Art Institute of Chicago, LL/114472
Unidentified photographer (USA, 19th century), 1848, Untitled (Postmortem Portait of a Man), Daguerreotype, Art Institute of Chicago, LL/114487
Alfred Stieglitz, 1927, The Dying Chestnut Tree-My Teacher, Gelatin silver print, Art Institute of Chicago, LL/68099
Unidentified photographer (USA), 1849, Untitled (Hose Reel Carriage), Daguerreotype, Art Institute of Chicago, LL/114473
Alfred Stieglitz, 1920-1922, Georgia O'Keeffe-Hands, Palladium print, Art Institute of Chicago, LL/68089
David Octavius Hill, 1843-1847, Dr. David Irving, Carbon print, Art Institute of Chicago, LL/114574
Alfred Stieglitz, 1907, Dr. Fritz Raab: Sunspots, Autochrome, Art Institute of Chicago, LL/68173
Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857
Hill & Adamson, 1844, Mrs. Anna Brownell Jameson, Salted paper print, Art Institute of Chicago, LL/45866
Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68155
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129
J. Craig Annan, 1894 (ca), Pipa, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68040
Gustave Le Gray, 1857, The Raised Flag of the Zouave Regiment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112770
Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68176
1918, 17 September, Lines of Overlaps to Secure Mosaic Photographs, Illustration, Art Institute of Chicago, LL/62271
Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757
Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085
Unidentified photographer (USA), 1850, Untitled (Portrait of Woman Holding a Child), Daguerreotype, Art Institute of Chicago, LL/114475
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112778
Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870
Julia Margaret Cameron, 1869 (taken) 1875 (print), Alfred, Lord Tennyson, Carbon print, Art Institute of Chicago, LL/68157
Gustave Le Gray, 1857, Chalons Encampment: Maneuvers on October 3 (Camp de Châlons: manoeuvres du 3 octobre), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112759
Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863
Alfred Stieglitz, 1907, Child with Striped Dress (Younger Raab Child), Autochrome, Art Institute of Chicago, LL/68177
Francis Frith, 1857, The Statues of Memnon, Plain of Thebes, Albumen print, Art Institute of Chicago, LL/57765
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 5), Gelatin silver print, Art Institute of Chicago, LL/68124
Southworth & Hawes, 1858, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114505
Frank Eugene, 1907, Kitty Stieglitz in a Field with Blue Flowers, Autochrome, Art Institute of Chicago, LL/68170
Alfred Stieglitz, 1894 (taken) 1897 (ca, print), A Wet Day on the Boulevard, Paris, Photogravure, Art Institute of Chicago, LL/68164
Francis Frith, 1857, The Great Pillars and Smaller Temple, Baalbec, Albumen print, Art Institute of Chicago, LL/57759
Lewis Carroll, 1864 (taken) 1866 (ca., print), Margaret Frances Langton Clarke, Albumen print, Art Institute of Chicago, LL/45762
J. Craig Annan, 1894, A Lombardy Pastoral, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68042
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, In Château Thierry Sector showing seven bridges destroyed by retreating enemy forces, September 7, 1918, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62119
Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174
Unidentified photographer (USA), 1848, Untitled (Portrait of Two Women), Daguerreotype, Art Institute of Chicago, LL/114471
Gustave Le Gray, 1857, Untitled, [Souvenirs du Camp de Châlons album], Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45761
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488
Unidentified photographer (USA, 19th century), 1853, Untitled (Lynn News), Daguerreotype, Art Institute of Chicago, LL/114513
A.J. Russell, 1868-1869 (taken), Wilhelmina's Pass, Distant View of Serrated Rocks or Devil's Slide, Weber Canon, Utah, Albumen print, Art Institute of Chicago, LL/102993
Frank Eugene, 1908, Small Boy Dressed as a Faun, Platinum print, Art Institute of Chicago, LL/68060
Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168
Unidentified photographer (USA, 19th century), 1850, Untitled (Portrait of a Carpenter), Daguerreotype, Art Institute of Chicago, LL/114532
Platt D. Babbitt, 1853, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114481
J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038
Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843
Gustave Le Gray, 1857, Artillery Encampment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112763
Eugène Atget, 1907, Porte de Gentilly, Bd Kellermann, [Fortifications], Albumen print, Art Institute of Chicago, LL/114580
Southworth & Hawes, 1850, Untitled (Portrait of a Standing Woman), Daguerreotype, Art Institute of Chicago, LL/114503
Edward Steichen, 1920, Self-Portrait with Brush and Palette, Gum bichromate print, Art Institute of Chicago, LL/68130
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112789
Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071
Unidentified photographer (USA, 19th century), 1851, Untitled (Portrait of Sleeping Baby), Daguerreotype, Art Institute of Chicago, LL/114495
Frank Eugene, 1899 (ca), Portrait of Miss Jones, Platinum print, Art Institute of Chicago, LL/68057
Roger Fenton, 1855, Admiral Lord Lyons, Taken in the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45842
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of a Man with Headdress), Daguerreotype, Art Institute of Chicago, LL/114517
   

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