Jan Lauschmann, 1927 (taken) -1929 (print), Under My Window, Gelatin silver print, Art Institute of Chicago, LL/121558

J. Craig Annan, 1894 (ca), A Mendicant, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68041

James Robertson, 1855, Interior of the (Russian) Barrack battery, showing mantelets, Salted paper print, Art Institute of Chicago, LL/45864

Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744

Hill & Adamson, 1845 (taken) 1890-1900 (print), Sir John McNeill, Carbon print, Art Institute of Chicago, LL/68027

Francis Frith, 1857, The Great Pillars at Baalbec, Albumen print, Art Institute of Chicago, LL/57758

Eugène Atget, 1906-1907, Versailles, Vase, Albumen print, Art Institute of Chicago, LL/114581

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509

J.F. Mascher, 1853 (ca), Untitled, Daguerreotype, stereo, Art Institute of Chicago, LL/114479

Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085

Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843

Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174

Alfred Stieglitz, 1894 (taken) 1897 (ca, print), A Wet Day on the Boulevard, Paris, Photogravure, Art Institute of Chicago, LL/68164

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 6), Gelatin silver print, Art Institute of Chicago, LL/68128

Clarence H. White, 1905-1906, The Fountain, Platinum print, Art Institute of Chicago, LL/68139

Alfred Stieglitz, 1894 (taken) 1920-1939 (print), My Father, Gelatin silver print, Art Institute of Chicago, LL/68067

Hill & Adamson, 1846, The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, Salted paper print, Art Institute of Chicago, LL/114557

Edward Steichen, 1908, Portrait of Clarence White, Gum bichromate over platinum print, Art Institute of Chicago, LL/68135

Julia Margaret Cameron, 1871, December, My Beloved Son, Albumen print, Art Institute of Chicago, LL/80032

George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481

Alfred Stieglitz, 1918, Georgia O'Keeffe, Palladium print, Art Institute of Chicago, LL/68090

Frank Eugene, 1898, La Cigale, Platinum print, Art Institute of Chicago, LL/68056

Roger Fenton, 1855 (taken), Hardships in the Camp, Salt print, Art Institute of Chicago, LL/45849

Gustave Le Gray, 1857, The Port and City of Sete-Mediterranean, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45760

Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68115

Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of Seated Man, Wearing a Hat with a Feather), Daguerreotype, Art Institute of Chicago, LL/114531

Southworth & Hawes, 1858, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114505

Unidentified photographer (USA, 19th century), 1846, Untitled (Portrait of a Girl Holding Stick and Hoop), Daguerreotype, Art Institute of Chicago, LL/114516

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Ruins of Apremont (St. Mihiel Sector), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62118

Gustave Le Gray, 1857, Cloudy Sky, Mediterranean Sea, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112757

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68075

Unidentified photographer, 1855 (or earlier), [View of San Francisco], Albumen printss (x5), Art Institute of Chicago, LL/91284

Southworth & Hawes, 1850, Untitled (Mt. Auburn Cemetery, Cambridge, MA), Daguerreotype, Art Institute of Chicago, LL/114529

Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105

Heinrich Kühn, 1908, The Artist's Umbrella (Der Malschirm), Photogravure, Art Institute of Chicago, LL/68145

Julia Margaret Cameron, 1875 (ca), Untitled (Ceylon), Albumen print, Art Institute of Chicago, LL/45835

Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Dr. Chalmers, Carbon print, Art Institute of Chicago, LL/68024

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68064

Alfred Stieglitz, 1934, Grass and Frost, Gelatin silver print, Art Institute of Chicago, LL/68093

Eugène Atget, 1910 (ca), Fontaine Rue de Sevres, Albumen print, Art Institute of Chicago, LL/114582

Paul Strand, 1916, Frame Building, Platinum print, Art Institute of Chicago, LL/68162

Samuel J. Miller (American, 1822-1888), 1865, Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush), Daguerreotype, Art Institute of Chicago, LL/114472

Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847

Julia Margaret Cameron, 1868 (taken) 1875 (print), Herr Joseph Joachim, Carbon print, Art Institute of Chicago, LL/68160

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68063

Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148

J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535

Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112778

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112775

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112783

Edward Steichen, 1907, Still Life with Rodin Statue, Autochrome, Art Institute of Chicago, LL/68167

Lucien Clergue, 1965, El Cordobés, Gelatin silver print, Art Institute of Chicago, LL/111981

Francis Frith, 1857, The New English Church from the Tower of Hippicus, Jerusalem, Albumen print, Art Institute of Chicago, LL/57755

Hill & Adamson, 1844 (ca, taken) 1890-1900 (print), Portrait of James Nasmyth, Carbon print, Art Institute of Chicago, LL/68028

Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468

Félix Thiollier, 1865-1875, Landscape with Ruin, Albumen print, from glass negative, Art Institute of Chicago, LL/95082

Gustave Le Gray, 1856, The Haloed Sun, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112764

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 8), Gelatin silver print, Art Institute of Chicago, LL/68127

Unidentified photographer (USA, 19th century), 1851, Untitled (Portrait of Sleeping Baby), Daguerreotype, Art Institute of Chicago, LL/114495

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68065

Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030

Julia Margaret Cameron, 1864, William Holman Hunt, Albumen print, Art Institute of Chicago, LL/45840

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112782

John Plumbe Jr., 1847, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114521

Southworth & Hawes, 1850, Untitled (Rev. Daniel Sharp, Congregationalist Preacher), Daguerreotype, Art Institute of Chicago, LL/114519

Julia Margaret Cameron, 1864-1865, The Neopolitan, Albumen print, Art Institute of Chicago, LL/80012

Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68155

Gustave Le Gray, 1857, Artillery Encampment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112763

Lucien Clergue, 1968, El Cordobés, Gelatin silver print, Art Institute of Chicago, LL/111982

Gustave Le Gray, 1857, The Jetty at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45759

William L. Zuber (American, active California 1850s and 1860s), 1852, Untitled (Daguerreotype Studio and Russel & Co Livery Stable, Mokelumne Hill, California), Daguerreotype, Art Institute of Chicago, LL/114474

Jeremiah D. Wells (American, 19th century), 1851, Untitled (Portrait of a Standing Man), Daguerreotype, Art Institute of Chicago, LL/114492

Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484

Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852

Julia Margaret Cameron, 1864-1865, Yes or No, Albumen print, Art Institute of Chicago, LL/45841

Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98104

Timothy H. O'Sullivan, 1873, Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., [Geographical & Geological Explorations & Surveys West of the 100th Meridian, vol. 1], Albumen print, Art Institute of Chicago, LL/97784

Alfred Stieglitz, 1932, Poplars-Lake George, Gelatin silver print, Art Institute of Chicago, LL/68097

Alfred Stieglitz, 1922, Music - A Sequence of Ten Cloud Photographs, No. II, Gelatin silver print, Art Institute of Chicago, LL/68098

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784

Samuel Broadbent, 1847, Untitled (Portrait of a Girl and a Boy), Daguerreotype, Art Institute of Chicago, LL/114515

Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), The Very Reverend Dr. Jowett (Master of Balliol, Oxford), Photogravure, Art Institute of Chicago, LL/80042

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112780

Unidentified photographer (USA), 1850, Untitled (Portrait of Woman Holding a Child), Daguerreotype, Art Institute of Chicago, LL/114475

Eugène Atget, 1921, Montmartre, 2 Rue de Calvaire, Albumen print, Art Institute of Chicago, LL/114577

J. Craig Annan, 1894, Ploughing on the Campagnetta, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68043

Rufus P. Anson, 1858, Untitled (Portrait of Masked Person), Daguerreotype, Art Institute of Chicago, LL/114470

Jeremiah Gurney, 1856, Untitled (Portrait of Man with Painting), Daguerreotype, Art Institute of Chicago, LL/114500

Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142

Alfred Stieglitz, 1929, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68109

Platt D. Babbitt, 1853, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114481

Heinrich Kühn, 1910, Still Life with Fruit, Photogravure, Art Institute of Chicago, LL/68147

Unidentified photographer (USA, 19th century), 1852, Untitled (Brass Band), Daguerreotype, Art Institute of Chicago, LL/114490

Julia Margaret Cameron, 1872, August, Mrs. Herbert Duckworth with Florence Fisher, George Duckworth, and Herbert Fisher, Albumen print, Art Institute of Chicago, LL/80045

Unidentified photographer (USA, 19th century), 1857, Untitled (Mayland Morse, Civil Engineer, 18 years), Daguerreotype, Art Institute of Chicago, LL/114534

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 7), Gelatin silver print, Art Institute of Chicago, LL/68126

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477

Carleton E. Watkins, 1850-1855, Untitled (Warehouse on Wharf), Daguerreotype, Art Institute of Chicago, LL/114526

Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071

Edward Steichen, 1901 (taken) 1903 (print), Portrait of George Frederick Watts, Gum bichromate print, Art Institute of Chicago, LL/68131

Roger Fenton, 1855, Lieutenant General Sir de Lacy Evans, G.C.B., Salt print, Art Institute of Chicago, LL/45854

Francis Frith, 1857, Banias, The Ancient Caesaria, Phillippi, Albumen print, Art Institute of Chicago, LL/57761

Roger Fenton, 1855 (taken), Group of Croat Chiefs, Salt print, Art Institute of Chicago, LL/45848

Gustave Le Gray, 1856-1857, Seascape, Normandy, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112765

Alfred Stieglitz, 1922, The Dancing Trees, Palladium print, Art Institute of Chicago, LL/68096

Gustave Le Gray, 1857, Mass, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112774

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122

Gustave Le Gray, 1856 (ca), Tree, Forest of Fontainebleau, Albumen print, from wet collodion negative, Art Institute of Chicago, LL/45756

Eugène Atget, 1902, Versailles, Trianon, (Coin de Parc), Albumen print, Art Institute of Chicago, LL/114584

Alfred Stieglitz, 1923, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68108

Gustave Le Gray, 1857, Ships in the Harbor at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45757

Roger Fenton, 1855, The Ordnance Wharf, Balaklava, Salt print, Art Institute of Chicago, LL/45859

Hill & Adamson, n.d., Dr. Jones, Salted paper print, Art Institute of Chicago, LL/45868

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112789

T.R. Williams, 1859, Untitled (Memento Mori Still Life), Daguerreotype, stereo, Art Institute of Chicago, LL/114485

Samuel J. Miller (American, 1822-1888), 1847-1852, Frederick Douglass, Daguerreotype, Art Institute of Chicago, LL/114466

Alfred Stieglitz, 1915, From the Back-Window "291" Snow-Covered Tree, Back-Yard, Platinum print, Art Institute of Chicago, LL/68072

Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and 'Mr. Cowan', Salted paper print, Art Institute of Chicago, LL/114563

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80018

Julia Margaret Cameron, 1864-1865, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80046

Eugène Atget, 1907, Porte de Gentilly, Bd Kellermann, [Fortifications], Albumen print, Art Institute of Chicago, LL/114580

Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.2, Albumen print, Art Institute of Chicago, LL/57763

Southworth & Hawes, 1850, Untitled (Portrait of a Standing Woman), Daguerreotype, Art Institute of Chicago, LL/114503

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68110

Gustave Le Gray, 1857, The Raised Flag of the Zouave Regiment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112770

Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044

Unidentified photographer (USA, 19th century), 1857, Untitled (Portrait of a Seated Man), Daguerreotype, Art Institute of Chicago, LL/114514

Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756

Frank Eugene, 1899 (ca), Portrait of Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68137

Roger Fenton, 1855 (taken), Lieutenant Colonel Shadforth and Officers of the 57th, Salt print, Art Institute of Chicago, LL/45851

Unidentified photographer (American), 1852, Untitled (Portrait of Man with Two Oxen), Daguerreotype, Art Institute of Chicago, LL/128403

Alfred Stieglitz, 1918, Georgia O'Keeffe-Hand, Palladium print, Art Institute of Chicago, LL/68086

Alfred Stieglitz, 1887 (taken) 1920-1939 (print), Stones of Venice, Chioggia, Gelatin silver print, Art Institute of Chicago, LL/68070

Julia Margaret Cameron, 1864-1865, Charles Hay Cameron, Albumen print, Art Institute of Chicago, LL/80017

László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911

Francis Frith, 1857, Nablous, The Ancient Shechem, Albumen print, Art Institute of Chicago, LL/57756

Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791

Unidentified maker, 1860-1870 (ca), Civil War Collage, Albumen prints, photocollage, Art Institute of Chicago, LL/106070

David Octavius Hill, 1845-1870 (taken), St. Andrews, Salted paper print, Art Institute of Chicago, LL/114568

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112787

Alfred Stieglitz, 1922, Georgia O'Keeffe, Gelatin silver print, Art Institute of Chicago, LL/68088

Robert Cornelius, 1841-1842, Untitled (Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114494

Alfred Stieglitz, 1922, Gable and Apples, Gelatin silver print, Art Institute of Chicago, LL/68078

Hill & Adamson, 1846-1847, Lord Cockburn at Bonaly, Salted paper print, Art Institute of Chicago, LL/68025

Alfred Stieglitz, 1922, Katharine Dudley, Palladium print, Art Institute of Chicago, LL/68077

Alfred Stieglitz, 1929, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68119

Julia Margaret Cameron, 1871, October, Balaustion, Albumen print, Art Institute of Chicago, LL/80020

Clarence H. White, 1901-1905, Untitled, Platinum print, Art Institute of Chicago, LL/68140

Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168

Julia Margaret Cameron, 1864-1865, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80038

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488

Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467

Edward Steichen, 1899, The Pool, Platinum print, Art Institute of Chicago, LL/68153

Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863

Unidentified photographer, 1907 (ca), Untitled, Autochrome, Art Institute of Chicago, LL/68171

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68120

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68117

Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757

Julia Margaret Cameron, 1867, April, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80036

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121

George H. Johnson, 1853, Untitled, Daguerreotype, Art Institute of Chicago, LL/114498

Alfred Stieglitz, 1927, The Dying Chestnut Tree-My Teacher, Gelatin silver print, Art Institute of Chicago, LL/68099

Julia Margaret Cameron, 1875-1879, Woman, Ceylon, Albumen print, Art Institute of Chicago, LL/80041

Alfred Stieglitz, 1931, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68104

Gustave Le Gray, 1857, Officers Seated at a Tent, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112773

J. Craig Annan, 1894, A Lombardy Pastoral, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68042

Eugène Atget, 1908, 38 Quai de Bourbon, Albumen print, Art Institute of Chicago, LL/114578

Gustave Caillebotte, 1877, Rue de Paris, temps de pluie [Strasse in Paris, an einem Regentag], Oil painting, Art Institute of Chicago, LL/40744

Gustave Le Gray, 1857, The Great Wave, Sète, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112758

Josiah Johnson Hawes, 1842-1901 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98102

Frank Eugene, 1905-1915, Portrait of Two Young Men, Platinum print, Art Institute of Chicago, LL/68059

Alfred Stieglitz, 1919, Georgia O'Keeffe-Hands and Thimble, Palladium print, Art Institute of Chicago, LL/68033

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120

Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857

Alfred Stieglitz, 1923, Spiritual America: Songs of the Sky A1, Gelatin silver print, Art Institute of Chicago, LL/68185

Paul Gauguin, 1898-1899, Buddha, from the Suite of Late Wood-Block Prints, Woodblock print, Art Institute of Chicago, LL/97871

Gustave Le Gray, 1857, The Breaking Wave, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112761

Lucien Clergue, 1965, Beach, Gelatin silver print, Art Institute of Chicago, LL/111983

Julia Margaret Cameron, 1874, May, Queen Henrietta Maria, Albumen print, Art Institute of Chicago, LL/80031

Edward Steichen, 1899, Winter Landscape, Platinum print, Art Institute of Chicago, LL/68152

Gustave Le Gray, 1856-1857, The Beach at Sainte-Adresse, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112760

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80019

Platt D. Babbitt, 1852, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114480

Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and ‘Mr. Cowan', Calotype negative, Art Institute of Chicago, LL/114560

Frank Eugene, 1900 (ca), Portrait of a Woman, Platinum print, Art Institute of Chicago, LL/68061

Roger Fenton, 1855, Lieutenant General Sir H.J.W. Bentinck, K.C.B., Salt print, Art Institute of Chicago, LL/45855

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68106

Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079

Edward Steichen, 1920, Self-Portrait with Brush and Palette, Gum bichromate print, Art Institute of Chicago, LL/68130

Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489

Mathew B. Brady, 1861, Untitled (Portrait of Two Girls), Daguerreotype, Art Institute of Chicago, LL/114525

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129

Julia Margaret Cameron, 1875-1879, Untitled (Ceylon), Albumen print, Art Institute of Chicago, LL/80011

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126

Carleton E. Watkins, 1853, Untitled (Mining Town), Daguerreotype, Art Institute of Chicago, LL/114499

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68066

Alfred Stieglitz, 1890, A Street in Sterzing, The Tyrol, Platinum print, Art Institute of Chicago, LL/68069

Frederick H. Evans, 1905 (ca), Photomicrograph of artist's monogram in lower right corner of print (scale bar is in millimeters), Platinum print, Art Institute of Chicago, LL/68035