Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120
Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484
Linnaeus Tripe, 1858, Arcade in Quadrangle, [Photographic Views in Madura, part IV, plate III], Salted paper print or diluted Albumen print, from calotype negative, Art Institute of Chicago, LL/45862
Honoré Daumier, 1846, "- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris… - Why didn't you have mine done while you were there… get lost, you egotist!,", Lithograph, Art Institute of Chicago, LL/45861
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of William G. Worrell of Welch's National Circus), Daguerreotype, Art Institute of Chicago, LL/114506
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488
Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843
Roger Fenton, 1855, Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45845
Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, In Château Thierry Sector showing seven bridges destroyed by retreating enemy forces, September 7, 1918, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62119
Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129
Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62127
