Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142

Giraudon's Artist, 1870, Woman Standing with Basket on Ground, Albumen print, Art Institute of Chicago, LL/117191

Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085

Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079

Unidentified photographer (USA, 19th century), 1850, Untitled (Portrait of a Carpenter), Daguerreotype, Art Institute of Chicago, LL/114532

Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762

Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Alexander Rutherford, William Ramsay, and John Liston, Newhaven, Carbon print, Art Institute of Chicago, LL/114561

James Robertson, 1855, Interior of the (Russian) Barrack battery, showing mantelets, Salted paper print, Art Institute of Chicago, LL/45864

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491

J. Craig Annan, 1894, Ploughing on the Campagnetta, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68043

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80039

Unidentified photographer (USA, 19th century), 1850, Untitled (Portrait of Seated Man with Headdress), Daguerreotype, Art Institute of Chicago, LL/114522

Frank Eugene, 1907, Emmeline Stieglitz, Autochrome, Art Institute of Chicago, LL/68169

Alfred Stieglitz, 1890, A Street in Sterzing, The Tyrol, Platinum print, Art Institute of Chicago, LL/68069

Hill & Adamson, 1846-1847, Lord Cockburn at Bonaly, Salted paper print, Art Institute of Chicago, LL/68025

Eugène Atget, 1921, Montmartre, 2 Rue de Calvaire, Albumen print, Art Institute of Chicago, LL/114577

Lucien Clergue, 1965, Beach, Gelatin silver print, Art Institute of Chicago, LL/111983

William L. Zuber (American, active California 1850s and 1860s), 1852, Untitled (Daguerreotype Studio and Russel & Co Livery Stable, Mokelumne Hill, California), Daguerreotype, Art Institute of Chicago, LL/114474

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68079

Hill & Adamson, 1843-1844 (ca), Mr. Robertson, Sub-Editor of "The Witness", Salted paper print, Art Institute of Chicago, LL/114570

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68063

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Cobbler), Daguerreotype, Art Institute of Chicago, LL/114533

Gustave Le Gray, 1856-1857, The Beach at Saint-Adresse, with the Dumont Baths, Albumen print, Art Institute of Chicago, LL/45758

Southworth & Hawes, 1850, Untitled (Boston Customs House), Daguerreotype, Art Institute of Chicago, LL/114502

Alfred Stieglitz, 1889 (taken) 1920-1939 (print), Sun Rays-Paula, Berlin, Gelatin silver print, Art Institute of Chicago, LL/68068

Francis Frith, 1857, Assoun, Albumen print, Art Institute of Chicago, LL/57764

Edward Steichen, 1905, Kitty and Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68036

Samuel Van Loan (American, born English, 1823-1900), 1850s, Untitled (Portrait of a Woman with Two Children), Daguerreotype, Art Institute of Chicago, LL/114478

Robert Frank, 1951-1952, London, Gelatin silver print, Art Institute of Chicago, LL/130069

Alfred Stieglitz, 1894 (taken) 1897 (print), A Venetian Canal, Photogravure, Art Institute of Chicago, LL/68163

Etienne Carjat, 1876-1884 (ca), Daudet, [La Galerie Contemporaine], Woodburytype, Art Institute of Chicago, LL/51579

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80018

Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Ruins of Apremont (St. Mihiel Sector), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62118

Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757

Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863

Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744

Rufus P. Anson, 1858, Untitled [A Masked Woman], Daguerreotype, Art Institute of Chicago, LL/98078

Alfred Stieglitz, 1894 (taken) 1920-1939 (print), My Father, Gelatin silver print, Art Institute of Chicago, LL/68067

Hill & Adamson, 1845, 29 March, Dumbarton Presbytery, Salted paper print, Art Institute of Chicago, LL/114558

Francis Frith, 1857, Valley of the Tomb of the Kings, Thebes, Albumen print, Art Institute of Chicago, LL/57766

Gustave Le Gray, 1857, Chalons Encampment: Maneuvers on October 3 (Camp de Châlons: manoeuvres du 3 octobre), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112759

Unidentified photographer (USA, 19th century), 1860, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114528

Edward Steichen, 1904, Midnight Lake George, Gum bichromate over platinum print, Art Institute of Chicago, LL/68031

J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038

Alfred Stieglitz, 1932, Poplars-Lake George, Gelatin silver print, Art Institute of Chicago, LL/68097

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80019

Alfred Stieglitz, 1929, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68119

Rufus P. Anson, 1858, Untitled (Portrait of Masked Person), Daguerreotype, Art Institute of Chicago, LL/114470

Unidentified photographer (USA, 19th century), 1851, Untitled (Portrait of Sleeping Baby), Daguerreotype, Art Institute of Chicago, LL/114495

Frederick H. Evans, 1905 (ca), Piscina in Chancel of Little Snoring Church, Norfolk, England, Platinum print, Art Institute of Chicago, LL/68034

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120

Gustave Le Gray, 1850-1859, The Tugboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112769

Unidentified maker, 1860-1870 (ca), Civil War Collage, Albumen prints, photocollage, Art Institute of Chicago, LL/106070

J. Craig Annan, 1894 (ca), A Mendicant, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68041

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68066

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477

Roger Fenton, 1855, Lieutenant General Sir H.J.W. Bentinck, K.C.B., Salt print, Art Institute of Chicago, LL/45855

Unidentified photographer (USA, 19th century), 1846, Untitled (Portrait of a Girl Holding Stick and Hoop), Daguerreotype, Art Institute of Chicago, LL/114516

Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870

Samuel Broadbent, 1847, Untitled (Portrait of a Girl and a Boy), Daguerreotype, Art Institute of Chicago, LL/114515

Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 6), Gelatin silver print, Art Institute of Chicago, LL/68128

Unidentified photographer (American), 1855, Untitled [Carpentering & Long-Tom Making], Daguerreotype, Art Institute of Chicago, LL/98077

Alfred Stieglitz, 1922, Georgia O'Keeffe, Gelatin silver print, Art Institute of Chicago, LL/68088

David Octavius Hill, 1822-1870 (Artist's working dates), Departure, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114567

Alfred Stieglitz, 1907, Frank Eugene Seated at Table, Autochrome, Art Institute of Chicago, LL/68172

Hill & Adamson, 1845 (ca), The Misses Grierson, Salted paper print, Art Institute of Chicago, LL/114559

László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911

Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68155

Alfred Stieglitz, 1933, Georgia O'Keeffe, Gelatin silver print, Art Institute of Chicago, LL/68084

Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158

Frank Eugene, 1907, Kitty Stieglitz in a Field with Blue Flowers, Autochrome, Art Institute of Chicago, LL/68170

Alfred Stieglitz, 1929 (ca), Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68103

Julia Margaret Cameron, 1864, William Holman Hunt, Albumen print, Art Institute of Chicago, LL/45840

Clarence H. White, 1907-1908, Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68138

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112781

Clarence H. White, 1905-1906, The Fountain, Platinum print, Art Institute of Chicago, LL/68139

Gustave Le Gray, 1857, Cloudy Sky, Mediterranean Sea, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112757

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68081

Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843

Hill & Adamson, 1844, Portrait of Mrs. Rigby, Salted paper print, Art Institute of Chicago, LL/68026

Gustave Le Gray, 1856 (ca), Tree, Forest of Fontainebleau, Albumen print, from wet collodion negative, Art Institute of Chicago, LL/45756

Roger Fenton, 1855 (taken), Camp of the 4th Dragoon Guards, convivial party, French & English, Salt print, Art Institute of Chicago, LL/45844

Gustave Le Gray, 1857, Mediterranean with Mount Agde, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112762

Julia Margaret Cameron, 1874, Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80034

Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of a Nude Woman), Daguerreotype, stereo, Art Institute of Chicago, LL/114501

Unidentified photographer (USA, 19th century), 1852, Untitled (Brass Band), Daguerreotype, Art Institute of Chicago, LL/114490

Unidentified photographer (USA, 19th century), 1857, Untitled (Mayland Morse, Civil Engineer, 18 years), Daguerreotype, Art Institute of Chicago, LL/114534

Eugène Atget, 1923, Saint-Cloud, Albumen print, Art Institute of Chicago, LL/114575

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68065

Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68175

Timothy H. O'Sullivan, 1873, Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., [Geographical & Geological Explorations & Surveys West of the 100th Meridian, vol. 1], Albumen print, Art Institute of Chicago, LL/97784

Unidentified photographer, 1856 (ca), [Interior], Ambrotype, 1/4 plate, Art Institute of Chicago, LL/131273

Julia Margaret Cameron, 1869 (taken) 1875 (print), Alfred, Lord Tennyson, Carbon print, Art Institute of Chicago, LL/68157

David Octavius Hill, 1845-1870 (taken), St. Andrews, Salted paper print, Art Institute of Chicago, LL/114568

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68117

Frank Eugene, 1905-1915, Portrait of Two Young Men, Platinum print, Art Institute of Chicago, LL/68059

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121

George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481

Julia Margaret Cameron, 1868, Variant of "Too late! Too late!", Albumen print, Art Institute of Chicago, LL/45839

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68106

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488

Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), James Linton and Three Boys, Newhaven, Carbon print, Art Institute of Chicago, LL/114564

Clarence H. White, 1905, Evening-Mother and Boys, Platinum print, Art Institute of Chicago, LL/68141

George H. Johnson, 1853, Untitled, Daguerreotype, Art Institute of Chicago, LL/114498

Julia Margaret Cameron, 1868 (ca, taken) 1875 (print), Charles Darwin, Carbon print, Art Institute of Chicago, LL/68159

Julia Margaret Cameron, 1871, December, My Beloved Son, Albumen print, Art Institute of Chicago, LL/80032

Julia Margaret Cameron, 1864-1865, Yes or No, Albumen print, Art Institute of Chicago, LL/45841

Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112767

Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847

Gustave Le Gray, 1857, The Breaking Wave, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112761

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112782

Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.2, Albumen print, Art Institute of Chicago, LL/57763

Heinrich Kühn, 1900-1910, Portrait of Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68149

Gustave Le Gray, 1857, The Port and City of Sete-Mediterranean, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45760

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784

Alfred Stieglitz, 1923, First Snow and the Little House, Gelatin silver print, Art Institute of Chicago, LL/68094

Frank Eugene, 1899 (ca), Portrait of Miss Jones, Platinum print, Art Institute of Chicago, LL/68057

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68111

Francis Frith, 1857, The Town and Lake of Tiberius, from the South, Albumen print, Art Institute of Chicago, LL/57760

J. Craig Annan, 1908 (ca), Bolney Backwater, Photogravure, Art Institute of Chicago, LL/68045

Gustave Le Gray, 1856, The Steamboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112766

Gustave Le Gray, 1856-1857, Solar Effect in the Clouds-Ocean, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112751

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509

John McElroy (American, 19th century), 1851, Untitled (Barn), Daguerreotype, Art Institute of Chicago, LL/114483

Gustave Le Gray, 1857, Artillery Encampment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112763

Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of a Man with Headdress), Daguerreotype, Art Institute of Chicago, LL/114517

Alfred Stieglitz, 1919, The Dying Chestnut, Gelatin silver print, Art Institute of Chicago, LL/68095

J. Craig Annan, 1894 (ca), Pipa, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68040

Alfred Stieglitz, 1923, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68032

Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846

Heinrich Kühn, 1906 (ca), Portrait of Young Boy with Arm Across Back of Chair (Hans Kühn), Platinum print, Art Institute of Chicago, LL/68037

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112775

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68064

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 5), Gelatin silver print, Art Institute of Chicago, LL/68124

Julia Margaret Cameron, 1867 (taken) 1875 (print), Sir John Herschel, Carbon print, Art Institute of Chicago, LL/68161

Julia Margaret Cameron, 1874 (ca), Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80021

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112776

Lucien Clergue, 1977, Plage, Gelatin silver print, Art Institute of Chicago, LL/111984

Gustave Le Gray, 1857, The Jetty at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45759

Donald McDonnell (America, 19th century), 1855, Untitled (Indian Chief Maungwudaus, Upper Canada), Daguerreotype, Art Institute of Chicago, LL/114527

Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058

Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), Alfred, Lord Tennyson (Dirty Monk), Photogravure, Art Institute of Chicago, LL/45836

Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468

Alfred Stieglitz, 1922, Georgia O'Keeffe, Palladium print, Art Institute of Chicago, LL/68091

Julia Margaret Cameron, 1872, Mrs. Herbert Duckworth, ("A Beautiful Vision"), Albumen print, Art Institute of Chicago, LL/45837

Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850

Roger Fenton, 1855 (taken), Group of Croat Chiefs, Salt print, Art Institute of Chicago, LL/45848

Edward Steichen, 1920, Self-Portrait with Brush and Palette, Gum bichromate print, Art Institute of Chicago, LL/68130

Lucien Clergue, 1968, El Cordobés, Gelatin silver print, Art Institute of Chicago, LL/111982

Gustave Le Gray, 1856-1857, The Beach at Sainte-Adresse, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112760

Alfred Stieglitz, 1935, Car 2F-77-77, Gelatin silver print, Art Institute of Chicago, LL/68092

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112786

Gustave Le Gray, 1857, Untitled, [Souvenirs du Camp de Châlons album], Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45761

Alfred Stieglitz, 1918, Georgia O'Keeffe-Torso, Gelatin silver print, Art Institute of Chicago, LL/59234

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 1), Gelatin silver print, Art Institute of Chicago, LL/68121

Gustave Le Gray, 1857, Ships in the Harbor at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45757

Julia Margaret Cameron, 1871, October, Balaustion, Albumen print, Art Institute of Chicago, LL/80020

Man Ray, 1929, Tanja Ramm, Gelatin silver print, solarized, Art Institute of Chicago, LL/130439

Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150

Unidentified photographer (American), 1852, Untitled (Portrait of Man with Two Oxen), Daguerreotype, Art Institute of Chicago, LL/128403

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112787

Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484

Edward Steichen, 1902, Rodin, Le Penseur, Gum bichromate print, Art Institute of Chicago, LL/68132

Julia Margaret Cameron, 1864-1865, The Neopolitan, Albumen print, Art Institute of Chicago, LL/80012

Clarence H. White, 1901-1905, Untitled, Platinum print, Art Institute of Chicago, LL/68140

Alfred Stieglitz, 1927, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68116

Frederick H. Evans, 1902 (ca), York Minster: Looking from the Chapter House Interior, Gelatin silver print, Art Institute of Chicago, LL/68129

Hill & Adamson, 1844 (ca, taken) 1890-1900 (print), Portrait of James Nasmyth, Carbon print, Art Institute of Chicago, LL/68028

Gustave Le Gray, 1857, Zouave Storyteller (Le recit), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112768

Unidentified photographer (USA, 19th century), 1850, Untitled (Two Boys Holding a Deceased Baby), Daguerreotype, Art Institute of Chicago, LL/114536

Unidentified photographer (USA, 19th century), 1848, Untitled (Postmortem Portait of a Man), Daguerreotype, Art Institute of Chicago, LL/114487

Edward Steichen, 1907, Rodin, Paris, Platinum print, Art Institute of Chicago, LL/68133

Roger Fenton, 1855, Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45845

Julia Margaret Cameron, 1868 (ca), Clinton Parry, Albumen print, Art Institute of Chicago, LL/80027

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122

Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105

Julia Margaret Cameron, 1875 (ca), Untitled (Ceylon), Albumen print, Art Institute of Chicago, LL/45835

Lucien Clergue, 1965, El Cordobés, Gelatin silver print, Art Institute of Chicago, LL/111980

Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756

Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174

Clarence H. White, 1906, Girl with Muff, Platinum print, Art Institute of Chicago, LL/68143

Unidentified photographer (USA), 1850, Untitled (Portrait of Woman Holding a Child), Daguerreotype, Art Institute of Chicago, LL/114475

Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112785

Francis Frith, 1857, The Great Pillars and Smaller Temple, Baalbec, Albumen print, Art Institute of Chicago, LL/57759

Southworth & Hawes, 1850, Untitled (Rev. Daniel Sharp, Congregationalist Preacher), Daguerreotype, Art Institute of Chicago, LL/114519

Julia Margaret Cameron, 1867 (ca), Julia Jackson, Albumen print, Art Institute of Chicago, LL/80040

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68113

Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044

Julia Margaret Cameron, 1864-1865, Charles Hay Cameron, Albumen print, Art Institute of Chicago, LL/80017

Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857

Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136

Hill & Adamson, 1845 (ca, taken) 1890-1900 (print), Portrait of Two Men (John Henning and Alexander Handyside Ritchie), Carbon print, Art Institute of Chicago, LL/68029

Julia Margaret Cameron, 1874, May, Queen Henrietta Maria, Albumen print, Art Institute of Chicago, LL/80031

Alfred Stieglitz, 1920-1922, Georgia O'Keeffe-Hands, Palladium print, Art Institute of Chicago, LL/68089

Hill & Adamson, 1846, The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, Salted paper print, Art Institute of Chicago, LL/114557

Unidentified photographer (USA, 19th century), 1847, Untitled (Portrait of Bull), Daguerreotype, Art Institute of Chicago, LL/114510

A.J. Russell, 1868-1869 (taken), Wilhelmina's Pass, Distant View of Serrated Rocks or Devil's Slide, Weber Canon, Utah, Albumen print, Art Institute of Chicago, LL/102993