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Filmmaking and cinema

 

LL/8775

 

Contents

Contents
Planning
1Improving content on Filmmaking and Cinema
Study of movement
2Introduction to the study of movement and motion
3Etienne Jules Marey: Capturing static shots of movement
4Etienne Jules Marey: Physiological Station at Paris
5Eadweard Muybridge: Capturing static shots of movement
6Eadweard Muybridge: Experimental establishments
7Eadweard Muybridge: Animals in motion
Film stills
8Film stills
9Georges Méliès: Voyage dans la Lune (1902)
10German Expressionism: Vampyr (1932)
Uses of film stills in conceptual photography
11John Divola: Evidence of Aggression - From Continuity
Photographers
Ottomar Anschütz (1846-1907), Arthur Clive Banfield (1875-1965), Antonio Giulio Bragaglia, Will Connell (1898-1961), Thomas Eakins (1844-1916), Harold E. Edgerton (1903-1990), William Friese-Greene (1855-1921), Frank B. Gilbreth (1868-1924), Lillian Gilbreth (1878-1972), Eli Lotar (1905-1969), Auguste Lumière (1862-1954), Louis Lumière (1864-1948), Lumière Brothers, Manakis Brothers, Étienne Jules Marey (1830-1904), Gjon Mili (1904-1984), Eadweard Muybridge (1830-1904), Clare Strand (1973-), A.M. Worthington
     
Contents     
Subscribers have access to the eleven informative Fragments on this Theme, Online Exhibitions, Visual Indexes and References.
Planning
1Improving content on Filmmaking and Cinema
Study of movement
2Introduction to the study of movement and motion
3Etienne Jules Marey: Capturing static shots of movement
4Etienne Jules Marey: Physiological Station at Paris
5Eadweard Muybridge: Capturing static shots of movement
6Eadweard Muybridge: Experimental establishments
7Eadweard Muybridge: Animals in motion
Film stills
8Film stills
9Georges Méliès: Voyage dans la Lune (1902)
10German Expressionism: Vampyr (1932)
Uses of film stills in conceptual photography
11John Divola: Evidence of Aggression - From Continuity

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