Planning | |
1 | Improving content on Filmmaking and Cinema |
Study of movement | |
2 | Introduction to the study of movement and motion |
3 | Etienne Jules Marey: Capturing static shots of movement |
4 | Etienne Jules Marey: Physiological Station at Paris |
5 | Eadweard Muybridge: Capturing static shots of movement |
6 | Eadweard Muybridge: Experimental establishments |
7 | Eadweard Muybridge: Animals in motion |
Film stills | |
8 | Film stills |
9 | Georges Méliès: Voyage dans la Lune (1902) |
10 | German Expressionism: Vampyr (1932) |
Uses of film stills in conceptual photography | |
11 | John Divola: Evidence of Aggression - From Continuity |
Planning | |
1 | Improving content on Filmmaking and Cinema |
Study of movement | |
2 | Introduction to the study of movement and motion |
3 | Etienne Jules Marey: Capturing static shots of movement |
4 | Etienne Jules Marey: Physiological Station at Paris |
5 | Eadweard Muybridge: Capturing static shots of movement |
6 | Eadweard Muybridge: Experimental establishments |
7 | Eadweard Muybridge: Animals in motion |
Film stills | |
8 | Film stills |
9 | Georges Méliès: Voyage dans la Lune (1902) |
10 | German Expressionism: Vampyr (1932) |
Uses of film stills in conceptual photography | |
11 | John Divola: Evidence of Aggression - From Continuity |