Photographers:
Connections:
Photo outlets
Art Institute of Chicago
 
111 South Michigan Avenue
Chicago, IL 60603-6404
USA

www.artic.edu
Tel: 312 443 3600

 
Some random images from this collection.
 
Lightbox > Examples
   
L.B. Howard, 1855, Untitled (Commercial Building, Bridgewater, MA), Daguerreotype, Art Institute of Chicago, LL/114482
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112787
Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846
Julia Margaret Cameron, 1874 (ca), Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80021
Giraudon's Artist, 1870, Male Peasant with Wheelbarrow, Albumen print, Art Institute of Chicago, LL/117192
Honoré Daumier, 1846, "- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris… - Why didn't you have mine done while you were there… get lost, you egotist!,", Lithograph, Art Institute of Chicago, LL/45861
Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68074
Alfred Stieglitz, 1894 (taken) 1897 (print), A Venetian Canal, Photogravure, Art Institute of Chicago, LL/68163
Edward Steichen, 1902 (ca), Young Tycoon (Self-Portrait), Gum bichromate print, Art Institute of Chicago, LL/68151
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125
Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079
Frank Eugene, 1908, Small Boy Dressed as a Faun, Platinum print, Art Institute of Chicago, LL/68060
Unidentified photographer (USA, 19th century), 1850, Untitled (Two Boys Holding a Deceased Baby), Daguerreotype, Art Institute of Chicago, LL/114536
Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112781
Jeremiah D. Wells (American, 19th century), 1851, Untitled (Portrait of a Standing Man), Daguerreotype, Art Institute of Chicago, LL/114492
Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of a Nude Woman), Daguerreotype, stereo, Art Institute of Chicago, LL/114501
Gustave Le Gray, 1857, The Great Wave, Sète, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112758
T.R. Williams, 1859, Untitled (Memento Mori Still Life), Daguerreotype, stereo, Art Institute of Chicago, LL/114485
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62123
Unidentified photographer, 1855 (or earlier), [View of San Francisco], Albumen printss (x5), Art Institute of Chicago, LL/91284
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122
Unidentified photographer (USA, 19th century), 1850, Untitled (Gold Miners in Front of a Pond), Daguerreotype, Art Institute of Chicago, LL/114508
Francis Frith, 1857, The Great Pillars and Smaller Temple, Baalbec, Albumen print, Art Institute of Chicago, LL/57759
Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058
Hill & Adamson, 1845 (taken) 1890-1900 (print), Sir John McNeill, Carbon print, Art Institute of Chicago, LL/68027
Frank Eugene, 1900 (ca), Portrait of Goetz, Platinum print, Art Institute of Chicago, LL/68058
Heinrich Kühn, 1910, Portrait of Two Children, Photogravure, Art Institute of Chicago, LL/68146
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62127
Samuel J. Miller (American, 1822-1888), 1865, Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush), Daguerreotype, Art Institute of Chicago, LL/114472
J. Craig Annan, 1894 (ca), Pipa, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68040
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112780
Rufus P. Anson, 1858, Untitled [A Masked Woman], Daguerreotype, Art Institute of Chicago, LL/98078
Gustave Le Gray, 1857, Zouave Storyteller (Le recit), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112768
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112775
Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847
Roger Fenton, 1855 (taken), Lieutenant Colonel Shadforth and Officers of the 57th, Salt print, Art Institute of Chicago, LL/45851
George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, In Château Thierry Sector showing seven bridges destroyed by retreating enemy forces, September 7, 1918, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62119
Julia Margaret Cameron, 1872, Mrs. Herbert Duckworth, ("A Beautiful Vision"), Albumen print, Art Institute of Chicago, LL/45837
Samuel Van Loan (American, born English, 1823-1900), 1850s, Untitled (Portrait of a Woman with Two Children), Daguerreotype, Art Institute of Chicago, LL/114478
Samuel J. Miller (American, 1822-1888), 1847-1852, Frederick Douglass, Daguerreotype, Art Institute of Chicago, LL/114466
Southworth & Hawes, 1850, Untitled (Portrait of a Woman), Daguerreotype, Art Institute of Chicago, LL/114504
Gustave Le Gray, 1856-1857, Seascape, Normandy, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112765
Heinrich Kühn, 1906 (ca), Portrait of Young Boy with Arm Across Back of Chair (Hans Kühn), Platinum print, Art Institute of Chicago, LL/68037
Robert Cornelius, 1841-1842, Untitled (Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114494
Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791
Hill & Adamson, 1844 (ca, taken) 1890-1900 (print), Portrait of James Nasmyth, Carbon print, Art Institute of Chicago, LL/68028
Edward Steichen, 1908, Portrait of Clarence White, Gum bichromate over platinum print, Art Institute of Chicago, LL/68135
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128
Jesse Harrison Whitehurst, 1855, Untitled (Portrait of a Standing Circus Performer), Daguerreotype, Art Institute of Chicago, LL/114486
Unidentified photographer (American), 1855, Untitled [Carpentering & Long-Tom Making], Daguerreotype, Art Institute of Chicago, LL/98077
Roger Fenton, 1855, The Ordnance Wharf, Balaklava, Salt print, Art Institute of Chicago, LL/45859
Hill & Adamson, 1843-1847, Dr. David Irving, Salted paper print, Art Institute of Chicago, LL/114573
Heinrich Kühn, 1910, Still Life with Fruit, Photogravure, Art Institute of Chicago, LL/68147
Alfred Stieglitz, 1923, Spiritual America: Songs of the Sky A1, Gelatin silver print, Art Institute of Chicago, LL/68185
Linnaeus Tripe, 1858, Arcade in Quadrangle, [Photographic Views in Madura, part IV, plate III], Salted paper print or diluted Albumen print, from calotype negative, Art Institute of Chicago, LL/45862
Alfred Stieglitz, 1894 (taken) 1897 (print), Reflections-Venice, Photogravure, Art Institute of Chicago, LL/68165
Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105
Josiah Johnson Hawes, 1842-1901 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98102
Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Art Institute of Chicago, LL/45858
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112790
Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757
Frank Eugene, 1907, Emmeline Stieglitz, Autochrome, Art Institute of Chicago, LL/68169
Southworth & Hawes, 1850, Untitled (Mt. Auburn Cemetery, Cambridge, MA), Daguerreotype, Art Institute of Chicago, LL/114529
Platt D. Babbitt, 1852, Untitled (Niagara Falls), Daguerreotype, Art Institute of Chicago, LL/114480
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of William G. Worrell of Welch's National Circus), Daguerreotype, Art Institute of Chicago, LL/114506
John Plumbe Jr., 1847, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114521
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62124
Donald McDonnell (America, 19th century), 1855, Untitled (Indian Chief Maungwudaus, Upper Canada), Daguerreotype, Art Institute of Chicago, LL/114527
Francis Frith, 1857, Valley of the Tomb of the Kings, Thebes, Albumen print, Art Institute of Chicago, LL/57766
Charles DeForest Fredricks, 1858, Untitled (Portrait of a Woman holding a Child), Daguerreotype, Art Institute of Chicago, LL/114493
Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467
Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 1), Gelatin silver print, Art Institute of Chicago, LL/68121
Gustave Le Gray, 1856, The Haloed Sun, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112764
J. Craig Annan, 1894, A Lombardy Pastoral, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68042
Edward Steichen, 1904, Midnight Lake George, Gum bichromate over platinum print, Art Institute of Chicago, LL/68031
Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68154
Edward Anthony, 1845, Untitled (Portrait of a Man), Daguerreotype, Art Institute of Chicago, LL/114520
Roger Fenton, 1855, Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45845
Clarence H. White, 1905, Evening-Mother and Boys, Platinum print, Art Institute of Chicago, LL/68141
Unidentified maker, 1860-1870 (ca), Civil War Collage, Albumen prints, photocollage, Art Institute of Chicago, LL/106070
László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911
Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and ‘Mr. Cowan', Calotype negative, Art Institute of Chicago, LL/114560
Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489
Unidentified photographer (USA, 19th century), 1850, Untitled (Portrait of Seated Man with Headdress), Daguerreotype, Art Institute of Chicago, LL/114522
Unidentified photographer (USA, 19th century), 1853, Untitled (Lynn News), Daguerreotype, Art Institute of Chicago, LL/114513
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112788
Alfred Stieglitz, 1923, First Snow and the Little House, Gelatin silver print, Art Institute of Chicago, LL/68094
Francis Frith, 1857, The Great Pillars at Baalbec, Albumen print, Art Institute of Chicago, LL/57758
Julia Margaret Cameron, 1868 (taken) 1875 (print), Herr Joseph Joachim, Carbon print, Art Institute of Chicago, LL/68160
William Johnson (American, born 1823-1880s), 1853, Untitled (Portrait of Three Seated Men Wearing Turbans), Daguerreotype, Art Institute of Chicago, LL/114507
T.R. Williams, 1850, Untitled (Portrait of a Woman Sewing), Daguerreotype, Art Institute of Chicago, LL/114512
Frederick H. Evans, 1905 (ca), Photomicrograph of artist's monogram in lower right corner of print (scale bar is in millimeters), Platinum print, Art Institute of Chicago, LL/68035
Gustave Le Gray, 1856-1857, Solar Effect in the Clouds-Ocean, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112751
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112778
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 7), Gelatin silver print, Art Institute of Chicago, LL/68126
Eugène Atget, 1900 (ca), Olivier, Nice (Olive Tree, Nice), Albumen print, Art Institute of Chicago, LL/114579
Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Dr. Chalmers, Carbon print, Art Institute of Chicago, LL/68024
Eugène Atget, 1910, 61 rue du Maire, [Picturesque Paris II], Gelatin silver printing out print, Art Institute of Chicago, LL/114576
Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174
Roger Fenton, 1855, Mortar Batteries in front of Picquet House, Light Division, Salt print, Art Institute of Chicago, LL/45856
Alfred Stieglitz, 1894 (taken) 1897 (print), Scurrying Home, [Picturesque Bits of New York and Other Studies], Photogravure, Art Institute of Chicago, LL/68166
Francis Frith, 1857, The Town and Lake of Tiberius, from the South, Albumen print, Art Institute of Chicago, LL/57760
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477
Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870
Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98103
Hill & Adamson, 1845, 29 March, Dumbarton Presbytery, Salted paper print, Art Institute of Chicago, LL/114558
Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030
Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850
John McElroy (American, 19th century), 1851, Untitled (Barn), Daguerreotype, Art Institute of Chicago, LL/114483
Gustave Le Gray, 1857, The Raised Flag of the Zouave Regiment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112770
Edward Steichen, 1907, Still Life with Rodin Statue, Autochrome, Art Institute of Chicago, LL/68167
Frank Eugene, 1907, Kitty Stieglitz in a Field with Blue Flowers, Autochrome, Art Institute of Chicago, LL/68170
Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843
J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784
1918, 17 September, Lines of Overlaps to Secure Mosaic Photographs, Illustration, Art Institute of Chicago, LL/62271
Southworth & Hawes, 1850, Untitled (Rev. Daniel Sharp, Congregationalist Preacher), Daguerreotype, Art Institute of Chicago, LL/114519
Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98104
Heinrich Kühn, 1908, The Artist's Umbrella (Der Malschirm), Photogravure, Art Institute of Chicago, LL/68145
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112783
Gustave Le Gray, 1857, Artillery Encampment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112763
Unidentified photographer, 1907 (ca), Untitled, Autochrome, Art Institute of Chicago, LL/68171
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126
Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852
Edward Steichen, 1905, Kitty and Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68036
Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Mrs. Anne Rigby and Lady Elizabeth Eastlake, Carbon print, Art Institute of Chicago, LL/114562
Robert H. Vance, 1853, Untitled (Portsmouth Square, San Francisco), Daguerreotype, stereo, Art Institute of Chicago, LL/114497
Francis Frith, 1857, Osiride Pillars and Great Fallen Colossus, at the Memnonium, Thebes, Albumen print, Art Institute of Chicago, LL/57754
Alfred Stieglitz, 1907, Dr. Fritz Raab: Sunspots, Autochrome, Art Institute of Chicago, LL/68173
Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.2, Albumen print, Art Institute of Chicago, LL/57763
Francis Frith, 1857, The New English Church from the Tower of Hippicus, Jerusalem, Albumen print, Art Institute of Chicago, LL/57755
Unidentified photographer (USA), 1850, Untitled (Portrait of Woman Holding a Child), Daguerreotype, Art Institute of Chicago, LL/114475
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
David Octavius Hill, 1822-1870 (Artist's working dates), In Ayrshire Dairy, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114566
Edward Steichen, 1915, Portrait of Alfred Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68134
John Plumbe Jr., 1845, Untitled (Portrait of a Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114496
Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136
Alfred Stieglitz, 1889 (taken) 1920-1939 (print), Sun Rays-Paula, Berlin, Gelatin silver print, Art Institute of Chicago, LL/68068
Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Mrs. Logan and Two Unknown Women, Newhaven, Carbon print, Art Institute of Chicago, LL/114565
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121
   

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