Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, In Château Thierry Sector showing seven bridges destroyed by retreating enemy forces, September 7, 1918, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62119
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of Seated Man, Wearing a Hat with a Feather), Daguerreotype, Art Institute of Chicago, LL/114531
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488
Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058
Samuel J. Miller (American, 1822-1888), 1865, Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush), Daguerreotype, Art Institute of Chicago, LL/114472
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125
Paul Gauguin, 1898-1899, Buddha, from the Suite of Late Wood-Block Prints, Woodblock print, Art Institute of Chicago, LL/97871
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of William G. Worrell of Welch's National Circus), Daguerreotype, Art Institute of Chicago, LL/114506
Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847