Alfred Stieglitz, 1918, Georgia O'Keeffe, Palladium print, Art Institute of Chicago, LL/68087

Edward Steichen, 1920, Self-Portrait with Brush and Palette, Gum bichromate print, Art Institute of Chicago, LL/68130

Alfred Stieglitz, 1929, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68119

Giraudon's Artist, 1870, Female Peasant Riding Donkey, Albumen print, Art Institute of Chicago, LL/117193

Alfred Stieglitz, 1919, Georgia O'Keeffe-Hands and Thimble, Palladium print, Art Institute of Chicago, LL/68033

Roger Fenton, 1855, Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45845

Alfred Stieglitz, 1922, Georgia O'Keeffe, Palladium print, Art Institute of Chicago, LL/68091

Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121

Edward Steichen, 1915, Portrait of Alfred Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68134

Southworth & Hawes, 1850, Untitled (Boston Customs House), Daguerreotype, Art Institute of Chicago, LL/114502

Julia Margaret Cameron, 1874, Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80034

Alfred Stieglitz, 1923, First Snow and the Little House, Gelatin silver print, Art Institute of Chicago, LL/68094

William L. Zuber (American, active California 1850s and 1860s), 1852, Untitled (Daguerreotype Studio and Russel & Co Livery Stable, Mokelumne Hill, California), Daguerreotype, Art Institute of Chicago, LL/114474

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112778

Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125

Roger Fenton, 1855, Lieutenant General Sir de Lacy Evans, G.C.B., Salt print, Art Institute of Chicago, LL/45854

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509

Francis Frith, 1857, Assoun, Albumen print, Art Institute of Chicago, LL/57764

Gustave Le Gray, 1856-1857, The Beach at Sainte-Adresse, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112760

Unidentified photographer (USA, 19th century), 1850, Untitled (Gold Miners in Front of a Pond), Daguerreotype, Art Institute of Chicago, LL/114508

Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.2, Albumen print, Art Institute of Chicago, LL/57763

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Man with a Top Hat Standing next to a Gravestone), Daguerreotype, Art Institute of Chicago, LL/114488

Francis Frith, 1857, Colossi and Sphynx at Wady Saboua, Nubia, Albumen print, Art Institute of Chicago, LL/57757

Hill & Adamson, 1846, The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, Salted paper print, Art Institute of Chicago, LL/114557

J.F. Mascher, 1853 (ca), Untitled, Daguerreotype, stereo, Art Institute of Chicago, LL/114479

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 5), Gelatin silver print, Art Institute of Chicago, LL/68124

Gustave Le Gray, 1857, The Breaking Wave, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112761

Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071

Heinrich Kühn, 1900-1910, Portrait of Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68149

Gustave Le Gray, 1857, Chalons Encampment: Maneuvers on October 3 (Camp de Châlons: manoeuvres du 3 octobre), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112759

Edward Steichen, 1907, Still Life with Rodin Statue, Autochrome, Art Institute of Chicago, LL/68167

Hill & Adamson, 1844, Mrs. Anna Brownell Jameson, Salted paper print, Art Institute of Chicago, LL/45866

William Johnson (American, born 1823-1880s), 1853, Untitled (Portrait of Three Seated Men Wearing Turbans), Daguerreotype, Art Institute of Chicago, LL/114507

Roger Fenton, 1855, Mortar Batteries in front of Picquet House, Light Division, Salt print, Art Institute of Chicago, LL/45856

Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68176

Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762

Charles DeForest Fredricks, 1858, Untitled (Portrait of a Woman holding a Child), Daguerreotype, Art Institute of Chicago, LL/114493

Unidentified photographer (USA), 1849, Untitled (Hose Reel Carriage), Daguerreotype, Art Institute of Chicago, LL/114473

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80018

Alfred Stieglitz, 1923, Equivalent, from Set E (Print 2), 1923, Gelatin silver print, Art Institute of Chicago, LL/68107

James Robertson, 1855, Interior of the (Russian) Barrack battery, showing mantelets, Salted paper print, Art Institute of Chicago, LL/45864

Southworth & Hawes, 1850, Untitled (Portrait of a Standing Woman), Daguerreotype, Art Institute of Chicago, LL/114503

Edward Steichen, 1908, Portrait of Clarence White, Gum bichromate over platinum print, Art Institute of Chicago, LL/68135

Unidentified photographer (USA, 19th century), 1847, Untitled (Portrait of Bull), Daguerreotype, Art Institute of Chicago, LL/114510

Francis Frith, 1857, The Statues of Memnon, Plain of Thebes, Albumen print, Art Institute of Chicago, LL/57765

Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852

Frank Eugene, 1905-1915, Portrait of Two Young Men, Platinum print, Art Institute of Chicago, LL/68059

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68111

Roger Fenton, 1860 (ca), View of the Ribble, Yorkshire, Albumen print, from collodion wet plate negative, Art Institute of Chicago, LL/45860

Hill & Adamson, 1845, 29 March, Dumbarton Presbytery, Salted paper print, Art Institute of Chicago, LL/114558

Hill & Adamson, 1843-1847, Dr. David Irving, Salted paper print, Art Institute of Chicago, LL/114573

Alfred Stieglitz, 1918, Georgia O'Keeffe-Hand, Palladium print, Art Institute of Chicago, LL/68086

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 8), Gelatin silver print, Art Institute of Chicago, LL/68127

Mathew B. Brady, 1861, Untitled (Portrait of Two Girls), Daguerreotype, Art Institute of Chicago, LL/114525

Frederick H. Evans, 1905 (ca), Piscina in Chancel of Little Snoring Church, Norfolk, England, Platinum print, Art Institute of Chicago, LL/68034

Alfred Stieglitz, 1922, Katharine Dudley, Palladium print, Art Institute of Chicago, LL/68077

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120

Roger Fenton, 1855, Charles Hind, General, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45846

Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), Alfred, Lord Tennyson (Dirty Monk), Photogravure, Art Institute of Chicago, LL/45836

Julia Margaret Cameron, 1867 (taken) 1875 (print), Sir John Herschel, Carbon print, Art Institute of Chicago, LL/68161

Gustave Le Gray, 1856-1857, Solar Effect in the Clouds-Ocean, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112751

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68117

Alfred Stieglitz, 1920-1922, Georgia O'Keeffe-Hands, Palladium print, Art Institute of Chicago, LL/68089

Julia Margaret Cameron, 1868 (ca, taken) 1875 (print), Charles Darwin, Carbon print, Art Institute of Chicago, LL/68159

Francis Frith, 1857, Osiride Pillars and Great Fallen Colossus, at the Memnonium, Thebes, Albumen print, Art Institute of Chicago, LL/57754

Alfred Stieglitz, 1923, Spiritual America: Songs of the Sky A1, Gelatin silver print, Art Institute of Chicago, LL/68185

Julia Margaret Cameron, 1871, December, My Beloved Son, Albumen print, Art Institute of Chicago, LL/80032

Paul Strand, 1916, Frame Building, Platinum print, Art Institute of Chicago, LL/68162

Julia Margaret Cameron, 1867 (ca), Julia Jackson, Albumen print, Art Institute of Chicago, LL/80040

Unidentified photographer (American), 1855, Untitled [Carpentering & Long-Tom Making], Daguerreotype, Art Institute of Chicago, LL/98077

Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756

Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079

Eugène Atget, 1910 (ca), Fontaine Rue de Sevres, Albumen print, Art Institute of Chicago, LL/114582

Unidentified photographer (USA, 19th century), 1850, Untitled (Portrait of Seated Man with Headdress), Daguerreotype, Art Institute of Chicago, LL/114522

Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870

David Octavius Hill, 1843-1847, Dr. David Irving, Carbon print, Art Institute of Chicago, LL/114574

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112777

Alfred Stieglitz, 1907, Mrs. Edward Stieglitz, Autochrome, Art Institute of Chicago, LL/68174

Alfred Stieglitz, 1915, From the Back-Window "291" Snow-Covered Tree, Back-Yard, Platinum print, Art Institute of Chicago, LL/68072

Samuel Van Loan (American, born English, 1823-1900), 1850s, Untitled (Portrait of a Woman with Two Children), Daguerreotype, Art Institute of Chicago, LL/114478

Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Gelatin silver print, Art Institute of Chicago, LL/68081

Gustave Le Gray, 1857, Mediterranean with Mount Agde, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112762

Julia Margaret Cameron, 1872, Mrs. Herbert Duckworth, ("A Beautiful Vision"), Albumen print, Art Institute of Chicago, LL/45837

Eugène Atget, 1908, 38 Quai de Bourbon, Albumen print, Art Institute of Chicago, LL/114578

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Ruins of Apremont (St. Mihiel Sector), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62118

Heinrich Kühn, 1908, The Artist's Umbrella (Der Malschirm), Photogravure, Art Institute of Chicago, LL/68145

Francis Frith, 1857, The New English Church from the Tower of Hippicus, Jerusalem, Albumen print, Art Institute of Chicago, LL/57755

Hill & Adamson, 1845 (ca, taken) 1890-1900 (print), Portrait of Two Men (John Henning and Alexander Handyside Ritchie), Carbon print, Art Institute of Chicago, LL/68029

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62127

Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Art Institute of Chicago, LL/45858

Unidentified photographer (USA, 19th century), 1848, Untitled (Postmortem Portait of a Man), Daguerreotype, Art Institute of Chicago, LL/114487

Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128

Gustave Le Gray, 1857, Untitled, [Souvenirs du Camp de Châlons album], Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45761

Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791

J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535

Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850

Southworth & Hawes, 1850, Untitled (Mt. Auburn Cemetery, Cambridge, MA), Daguerreotype, Art Institute of Chicago, LL/114529

J. Craig Annan, 1894 (ca), A Mendicant, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68041

George H. Johnson, 1853, Untitled, Daguerreotype, Art Institute of Chicago, LL/114498

Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467

Carleton E. Watkins, 1853, Untitled (Mining Town), Daguerreotype, Art Institute of Chicago, LL/114499

Gustave Le Gray, 1857, Tents and Military Gear, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112772

Julia Margaret Cameron, 1868 (ca), Clinton Parry, Albumen print, Art Institute of Chicago, LL/80027

Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468

Gustave Le Gray, 1857, The Jetty at Sete, Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45759

Julia Margaret Cameron, 1875-1879, Woman, Ceylon, Albumen print, Art Institute of Chicago, LL/80041

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Cobbler), Daguerreotype, Art Institute of Chicago, LL/114533

Alfred Stieglitz, 1894 (taken) 1920-1939 (print), My Father, Gelatin silver print, Art Institute of Chicago, LL/68067

Alfred Stieglitz, 1930, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68106

J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038

Alfred Stieglitz, 1922, Music - A Sequence of Ten Cloud Photographs, No. II, Gelatin silver print, Art Institute of Chicago, LL/68098

Jan Lauschmann, 1927 (taken) -1929 (print), Under My Window, Gelatin silver print, Art Institute of Chicago, LL/121558

Julia Margaret Cameron, 1867, April, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80036

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126

Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of Seated Man), Daguerreotype, Art Institute of Chicago, LL/114477

Julia Margaret Cameron, 1864-1865, Unknown Man, Albumen print, Art Institute of Chicago, LL/80028

J. Craig Annan, 1894 (ca), Venice from Lido, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68039

Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Mrs. Anne Rigby and Lady Elizabeth Eastlake, Carbon print, Art Institute of Chicago, LL/114562

Alfred Stieglitz, 1889 (taken) 1920-1939 (print), Sun Rays-Paula, Berlin, Gelatin silver print, Art Institute of Chicago, LL/68068

Unidentified photographer, 1907 (ca), Untitled, Autochrome, Art Institute of Chicago, LL/68171

Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030

Julia Margaret Cameron, 1864-1865, The Neopolitan, Albumen print, Art Institute of Chicago, LL/80012

Félix Thiollier, 1865-1875, Landscape with Ruin, Albumen print, from glass negative, Art Institute of Chicago, LL/95082

Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142

Alfred Stieglitz, 1923, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68032

Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484

J. Craig Annan, 1908 (ca), Bolney Backwater, Photogravure, Art Institute of Chicago, LL/68045

George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481

Julia Margaret Cameron, 1874, May, Queen Henrietta Maria, Albumen print, Art Institute of Chicago, LL/80031

Heinrich Kühn, 1910, Still Life with Fruit, Photogravure, Art Institute of Chicago, LL/68147

L.B. Howard, 1855, Untitled (Commercial Building, Bridgewater, MA), Daguerreotype, Art Institute of Chicago, LL/114482

Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168

Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044

Frank Eugene, 1907, Emmeline Stieglitz, Autochrome, Art Institute of Chicago, LL/68169

Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 2), Gelatin silver print, Art Institute of Chicago, LL/68122

Linnaeus Tripe, 1858, Arcade in Quadrangle, [Photographic Views in Madura, part IV, plate III], Salted paper print or diluted Albumen print, from calotype negative, Art Institute of Chicago, LL/45862

J. Craig Annan, 1894, A Lombardy Pastoral, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68042

Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68175

Julia Margaret Cameron, 1871, October, Balaustion, Albumen print, Art Institute of Chicago, LL/80020

Julia Margaret Cameron, 1864, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80019

Gustave Le Gray, 1857, Zouave Storyteller (Le recit), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112768

Donald McDonnell (America, 19th century), 1855, Untitled (Indian Chief Maungwudaus, Upper Canada), Daguerreotype, Art Institute of Chicago, LL/114527

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68120

Julia Margaret Cameron, 1864, William Holman Hunt, Albumen print, Art Institute of Chicago, LL/45840

Alfred Stieglitz, 1925, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68110

Clarence H. White, 1905, Evening-Mother and Boys, Platinum print, Art Institute of Chicago, LL/68141

Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and 'Mr. Cowan', Salted paper print, Art Institute of Chicago, LL/114563

Roger Fenton, 1855, The Ordnance Wharf, Balaklava, Salt print, Art Institute of Chicago, LL/45859

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112786

Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058

Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Alexander Rutherford, William Ramsay, and John Liston, Newhaven, Carbon print, Art Institute of Chicago, LL/114561

Alfred Stieglitz, 1929 (ca), Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68103

Julia Margaret Cameron, 1875-1879, Untitled (Ceylon), Albumen print, Art Institute of Chicago, LL/80011

David Octavius Hill, 1845-1870 (taken), St. Andrews, Salted paper print, Art Institute of Chicago, LL/114568

Roger Fenton, 1855 (taken), Lieutenant Colonel Shadforth and Officers of the 57th, Salt print, Art Institute of Chicago, LL/45851

Francis Frith, 1857, Valley of the Tomb of the Kings, Thebes, Albumen print, Art Institute of Chicago, LL/57766

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112790

Hill & Adamson, 1845 (ca), The Misses Grierson, Salted paper print, Art Institute of Chicago, LL/114559

Frederick H. Evans, 1902 (ca), York Minster: Looking from the Chapter House Interior, Gelatin silver print, Art Institute of Chicago, LL/68129

Alfred Stieglitz, 1894 (taken) 1897 (print), Scurrying Home, [Picturesque Bits of New York and Other Studies], Photogravure, Art Institute of Chicago, LL/68166

Unidentified photographer (USA, 19th century), 1858, Untitled (Model of Brookline Steam Engine), Daguerreotype, Art Institute of Chicago, LL/114511

Robert Cornelius, 1841-1842, Untitled (Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114494

Alfred Stieglitz, 1935, Car 2F-77-77, Gelatin silver print, Art Institute of Chicago, LL/68092

Jeremiah D. Wells (American, 19th century), 1851, Untitled (Portrait of a Standing Man), Daguerreotype, Art Institute of Chicago, LL/114492

Heinrich Kühn, 1910, Portrait of Two Children, Photogravure, Art Institute of Chicago, LL/68146

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112780

Alfred Stieglitz, 1894 (taken) 1897 (print), A Venetian Canal, Photogravure, Art Institute of Chicago, LL/68163

Kenneth Josephson, 1970, Postcard Visit, Buffalo, Collage (color postcard collage), Art Institute of Chicago, LL/33347

Alfred Stieglitz, 1924, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68105

Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of Seated Man, Wearing a Hat with a Feather), Daguerreotype, Art Institute of Chicago, LL/114531

Edward Steichen, 1899, Winter Landscape, Platinum print, Art Institute of Chicago, LL/68152

Hill & Adamson, 1846-1847, Lord Cockburn at Bonaly, Salted paper print, Art Institute of Chicago, LL/68025

Gustave Le Gray, 1857, Cloudy Sky, Mediterranean Sea, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112757

László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911

Julia Margaret Cameron, 1864-1865, Charles Hay Cameron, Albumen print, Art Institute of Chicago, LL/80017

McDonell & Co. (American, 19th century), 1855, Untitled (Group Portrait of Surveyors), Daguerreotype, Art Institute of Chicago, LL/114476

Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148

Alfred Stieglitz, 1922, The Dancing Trees, Palladium print, Art Institute of Chicago, LL/68096

Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Dr. Chalmers, Carbon print, Art Institute of Chicago, LL/68024

Alfred Stieglitz, 1887 (taken) 1920-1939 (print), Stones of Venice, Chioggia, Gelatin silver print, Art Institute of Chicago, LL/68070

Southworth & Hawes, 1850, Untitled (Portrait of a Woman), Daguerreotype, Art Institute of Chicago, LL/114504

Francis Frith, 1857, The Town and Lake of Tiberius, from the South, Albumen print, Art Institute of Chicago, LL/57760

Alfred Stieglitz, 1894 (taken) 1897 (ca, print), A Wet Day on the Boulevard, Paris, Photogravure, Art Institute of Chicago, LL/68164

Unidentified photographer (USA, 19th century), 1852, Untitled (Brass Band), Daguerreotype, Art Institute of Chicago, LL/114490

Alfred Stieglitz, 1926, Equivalent, Gelatin silver print, Art Institute of Chicago, LL/68113

Hill & Adamson, 1843-1846, Two Friars, Salted paper print, Art Institute of Chicago, LL/114571

Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), Mrs. Logan and Two Unknown Women, Newhaven, Carbon print, Art Institute of Chicago, LL/114565

Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158

Eugène Atget, 1921, Montmartre, 2 Rue de Calvaire, Albumen print, Art Institute of Chicago, LL/114577

Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112771

Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129

David Octavius Hill, 1822-1870 (Artist's working dates), In Ayrshire Dairy, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114566

Roger Fenton, 1855, Head of Harbour, Balaklava, Salted paper print, Art Institute of Chicago, LL/45869

Unidentified photographer (USA, 19th century), 1860, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114528

Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112788

Julia Margaret Cameron, 1864-1865, Julia Jackson, Albumen print, Art Institute of Chicago, LL/80046