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Photo outlets
Art Institute of Chicago
 
111 South Michigan Avenue
Chicago, IL 60603-6404
USA

www.artic.edu
Tel: 312 443 3600

 
Some random images from this collection.
 
Lightbox > Examples
   
Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791
Jan Lauschmann, 1927 (taken) -1929 (print), Under My Window, Gelatin silver print, Art Institute of Chicago, LL/121558
Southworth & Hawes, 1850, Untitled (Portrait of a Standing Woman), Daguerreotype, Art Institute of Chicago, LL/114503
Hill & Adamson, 1845, 29 March, Dumbarton Presbytery, Salted paper print, Art Institute of Chicago, LL/114558
J. Craig Annan, 1903 (ca), Stirling Castle, Photogravure, Art Institute of Chicago, LL/68044
Gustave Le Gray, 1856-1857, Solar Effect in the Clouds-Ocean, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112751
Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98103
John McElroy (American, 19th century), 1851, Untitled (Barn), Daguerreotype, Art Institute of Chicago, LL/114483
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 7), Gelatin silver print, Art Institute of Chicago, LL/68126
Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68074
Unidentified photographer, 1907 (ca), Untitled, Autochrome, Art Institute of Chicago, LL/68171
Eugène Atget, 1906-1907, Versailles, Vase, Albumen print, Art Institute of Chicago, LL/114581
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125
Unidentified photographer, 1850-1900, St. Pauls Cathedral, Albumen print, Art Institute of Chicago, LL/115236
Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847
Southworth & Hawes, 1850, Untitled (Boston Customs House), Daguerreotype, Art Institute of Chicago, LL/114502
Francis Frith, 1857, Osiride Pillars and Great Fallen Colossus, at the Memnonium, Thebes, Albumen print, Art Institute of Chicago, LL/57754
Gustave Le Gray, 1856-1857, The Beach at Saint-Adresse, with the Dumont Baths, Albumen print, Art Institute of Chicago, LL/45758
Honoré Daumier, 1846, "- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris… - Why didn't you have mine done while you were there… get lost, you egotist!,", Lithograph, Art Institute of Chicago, LL/45861
Frank Eugene, 1899 (ca), Portrait of Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68137
Francis Frith, 1857, The Statues of Memnon, Plain of Thebes, Albumen print, Art Institute of Chicago, LL/57765
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62127
Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071
Eugène Atget, 1900 (ca), Olivier, Nice (Olive Tree, Nice), Albumen print, Art Institute of Chicago, LL/114579
Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142
Frank Eugene, 1908, Small Boy Dressed as a Faun, Platinum print, Art Institute of Chicago, LL/68060
Hill & Adamson, 1846, The cannon 'Mons Meg' at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, Salted paper print, Art Institute of Chicago, LL/114557
Charles DeForest Fredricks, 1858, Untitled (Portrait of a Woman holding a Child), Daguerreotype, Art Institute of Chicago, LL/114493
Hill & Adamson, 1845 (ca, taken) 1890-1900 (print), Portrait of Two Men (John Henning and Alexander Handyside Ritchie), Carbon print, Art Institute of Chicago, LL/68029
Roger Fenton, 1855, Lieutenant General Sir Colin Campbell, G.C.B., Salt print, Art Institute of Chicago, LL/45853
Allen (American), 1875-1900 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98101
Julia Margaret Cameron, 1867 (taken) 1875 (print), Sir John Herschel, Carbon print, Art Institute of Chicago, LL/68161
Heinrich Kühn, 1900-1910, Portrait of Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68149
John Plumbe Jr., 1847, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114521
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 5), Gelatin silver print, Art Institute of Chicago, LL/68124
Unidentified photographer (USA, 19th century), 1857, Untitled (Portrait of a Seated Man), Daguerreotype, Art Institute of Chicago, LL/114514
Clarence H. White, 1905, Evening-Mother and Boys, Platinum print, Art Institute of Chicago, LL/68141
Alfred Stieglitz, 1923, First Snow and the Little House, Gelatin silver print, Art Institute of Chicago, LL/68094
Gustave Le Gray, 1857, Cloudy Sky, Mediterranean Sea, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112757
Roger Fenton, 1855, Captain Verschoyle, Grenadier guards (an early photographer), taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45845
Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112767
Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784
Robert H. Vance, 1853, Untitled (Portsmouth Square, San Francisco), Daguerreotype, stereo, Art Institute of Chicago, LL/114497
Alfred Stieglitz, 1919, Georgia O'Keeffe-Hands and Thimble, Palladium print, Art Institute of Chicago, LL/68033
Hans Bellmer, 1935 (taken), The Doll (Die Puppe/La Poupée), Gelatin silver print, Art Institute of Chicago, LL/130820
Benjamin Mulock (English, 1829-1863), 1858 (ca), Mrs. Craik Holding Cat, Salted paper print, Art Institute of Chicago, LL/45865
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62124
Alfred Stieglitz, 1922, Rebecca Salsbury Strand, Palladium print, Art Institute of Chicago, LL/68075
J. Craig Annan, 1908 (ca), Bolney Backwater, Photogravure, Art Institute of Chicago, LL/68045
A.J. Russell, 1868-1869 (taken), Wilhelmina's Pass, Distant View of Serrated Rocks or Devil's Slide, Weber Canon, Utah, Albumen print, Art Institute of Chicago, LL/102993
Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870
Unidentified photographer (USA, 19th century), 1857, Untitled (Mayland Morse, Civil Engineer, 18 years), Daguerreotype, Art Institute of Chicago, LL/114534
Francis Frith, 1857, The Great Pillars at Baalbec, Albumen print, Art Institute of Chicago, LL/57758
Giraudon's Artist, 1870, Female Peasant Riding Donkey, Albumen print, Art Institute of Chicago, LL/117193
Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058
Mathew B. Brady, 1846, Untitled (Portrait of Man), Daguerreotype, Art Institute of Chicago, LL/114523
Carleton E. Watkins, 1853, Untitled (Mining Town), Daguerreotype, Art Institute of Chicago, LL/114499
Unidentified photographer (USA, 19th century), 1853, Untitled (Portrait of a Cobbler), Daguerreotype, Art Institute of Chicago, LL/114533
Gustave Le Gray, 1857, The Breaking Wave, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112761
Edward Steichen, 1915, Portrait of Alfred Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68134
Julia Margaret Cameron, 1868, Variant of "Too late! Too late!", Albumen print, Art Institute of Chicago, LL/45838
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May, Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62123
L.B. Howard, 1855, Untitled (Commercial Building, Bridgewater, MA), Daguerreotype, Art Institute of Chicago, LL/114482
Julia Margaret Cameron, 1874 (ca), Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80021
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of William G. Worrell of Welch's National Circus), Daguerreotype, Art Institute of Chicago, LL/114506
Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112787
David Octavius Hill, 1845, Mr. Brodie, RSA, August 25, 1845, Sculptor, Lived in Cornwell St., Salted paper print, Art Institute of Chicago, LL/114569
William Johnson (American, born 1823-1880s), 1853, Untitled (Portrait of Three Seated Men Wearing Turbans), Daguerreotype, Art Institute of Chicago, LL/114507
Gustave Le Gray, 1857, Tents and Military Gear, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112772
Francis Frith, 1857, The Great Pillars and Smaller Temple, Baalbec, Albumen print, Art Institute of Chicago, LL/57759
Giraudon's Artist, 1870, Shepherdess Leaning Against a Tree, with Two Sheep, Albumen print, Art Institute of Chicago, LL/117190
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
Hill & Adamson, 1844, Mrs. Anna Brownell Jameson, Salted paper print, Art Institute of Chicago, LL/45866
Unidentified photographer (USA, 19th century), 1846, Untitled (Portrait of a Girl Holding Stick and Hoop), Daguerreotype, Art Institute of Chicago, LL/114516
Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756
Hill & Adamson, 1843-1844 (ca), Mr. Robertson, Sub-Editor of "The Witness", Salted paper print, Art Institute of Chicago, LL/114570
Julia Margaret Cameron, 1868 (ca, taken) 1875 (print), Charles Darwin, Carbon print, Art Institute of Chicago, LL/68159
J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535
Gustave Le Gray, 1856-1857, Seascape, Normandy, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112765
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112788
Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), Alfred, Lord Tennyson (Dirty Monk), Photogravure, Art Institute of Chicago, LL/45836
Heinrich Kühn, 1908, The Artist's Umbrella (Der Malschirm), Photogravure, Art Institute of Chicago, LL/68145
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 4), Gelatin silver print, Art Institute of Chicago, LL/68125
Jesse Harrison Whitehurst, 1855, Untitled (Portrait of a Standing Circus Performer), Daguerreotype, Art Institute of Chicago, LL/114486
Gustave Le Gray, 1857, Officers Seated at a Tent, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112773
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112786
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Town of Vaux after German retreat, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62122
Eugène Atget, 1925, Parc de Sceaux (Stairs, Pavillon de l'Aurore, May, 8am), Albumen print, Art Institute of Chicago, LL/114583
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112783
Frank Eugene, 1900 (ca), Portrait of Goetz, Platinum print, Art Institute of Chicago, LL/68058
Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68154
Alfred Stieglitz, 1894 (taken) 1897 (print), A Venetian Canal, Photogravure, Art Institute of Chicago, LL/68163
Rufus P. Anson, 1858, Untitled (Portrait of Masked Person), Daguerreotype, Art Institute of Chicago, LL/114470
Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079
Kenneth Josephson, 1970, Postcard Visit, Buffalo, Collage (color postcard collage), Art Institute of Chicago, LL/33347
Julia Margaret Cameron, 1874, May, Queen Henrietta Maria, Albumen print, Art Institute of Chicago, LL/80031
Heinrich Kühn, 1906 (ca), Portrait of Young Boy with Arm Across Back of Chair (Hans Kühn), Platinum print, Art Institute of Chicago, LL/68037
Edward Steichen, 1907, Still Life with Rodin Statue, Autochrome, Art Institute of Chicago, LL/68167
Heinrich Kühn, 1909, Portrait of Stieglitz, Platinum print, Art Institute of Chicago, LL/68150
Julia Margaret Cameron, 1865 (taken) 1875 (print), Robert Browning, Carbon print, Art Institute of Chicago, LL/68155
Edward Steichen, 1902 (ca), Young Tycoon (Self-Portrait), Gum bichromate print, Art Institute of Chicago, LL/68151
Carleton E. Watkins, 1850-1855, Untitled (Warehouse on Wharf), Daguerreotype, Art Institute of Chicago, LL/114526
Robert Cornelius, 1841-1842, Untitled (Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114494
Hill & Adamson, 1843-1846 (taken) 1890-1900 (print), Lord Robertson, Carbon print, Art Institute of Chicago, LL/68030
Alfred Stieglitz, 1894 (taken) 1897 (print), Scurrying Home, [Picturesque Bits of New York and Other Studies], Photogravure, Art Institute of Chicago, LL/68166
Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148
Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68175
Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850
Timothy H. O'Sullivan, 1873, Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., [Geographical & Geological Explorations & Surveys West of the 100th Meridian, vol. 1], Albumen print, Art Institute of Chicago, LL/97784
Julia Margaret Cameron, 1872, August, Mrs. Herbert Duckworth with Florence Fisher, George Duckworth, and Herbert Fisher, Albumen print, Art Institute of Chicago, LL/80045
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112790
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 8), Gelatin silver print, Art Institute of Chicago, LL/68127
Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762
Gustave Le Gray, 1857, Mediterranean with Mount Agde, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112762
Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863
Roger Fenton, 1855 (taken), Lieutenant Colonel Shadforth and Officers of the 57th, Salt print, Art Institute of Chicago, LL/45851
Francis Frith, 1857, Nablous, The Ancient Shechem, Albumen print, Art Institute of Chicago, LL/57756
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of a Nude Woman), Daguerreotype, stereo, Art Institute of Chicago, LL/114501
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121
Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136
Hill & Adamson, 1843-1847 (taken) 1916 (ca, print), James Linton and Three Boys, Newhaven, Carbon print, Art Institute of Chicago, LL/114564
Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Art Institute of Chicago, LL/45858
Gustave Le Gray, 1857, Artillery Encampment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112763
Roger Fenton, 1855, Robert Brownrigg, taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45857
Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158
Unidentified photographer (USA), 1849, Untitled (Hose Reel Carriage), Daguerreotype, Art Institute of Chicago, LL/114473
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112782
Eugène Atget, 1907, Porte de Gentilly, Bd Kellermann, [Fortifications], Albumen print, Art Institute of Chicago, LL/114580
Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Josiah Johnson Hawes, 1842-1901 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98102
Unidentified photographer (USA, 19th century), 1860, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114528
László Moholy-Nagy, 1929, View from Pont Transbordeur, Marseille, Gelatin silver print, Art Institute of Chicago, LL/58911
Alfred Stieglitz, 1887 (taken) 1920-1939 (print), Stones of Venice, Chioggia, Gelatin silver print, Art Institute of Chicago, LL/68070
Francis Frith, 1857, Banias, The Ancient Caesaria, Phillippi, Albumen print, Art Institute of Chicago, LL/57761
Unidentified photographer (USA, 19th century), 1854, Untitled (Grave), Daguerreotype, Art Institute of Chicago, LL/114530
Gustave Le Gray, 1857, Untitled, [Souvenirs du Camp de Châlons album], Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45761
Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085
James Robertson, 1855, Interior of the (Russian) Barrack battery, showing mantelets, Salted paper print, Art Institute of Chicago, LL/45864
Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and ‘Mr. Cowan', Calotype negative, Art Institute of Chicago, LL/114560
Frank Eugene, 1907, Emmeline Stieglitz, Autochrome, Art Institute of Chicago, LL/68169
Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467
Alfred Stieglitz, 1923, Equivalent, from Set E (Print 2), 1923, Gelatin silver print, Art Institute of Chicago, LL/68107
Hill & Adamson, 1843-1847, James Gordon, William Hanna D.D. and 'Mr. Cowan', Salted paper print, Art Institute of Chicago, LL/114563
Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168
Samuel Broadbent, 1847, Untitled (Portrait of a Girl and a Boy), Daguerreotype, Art Institute of Chicago, LL/114515
Etienne Carjat, 1876-1884 (ca), Daudet, [La Galerie Contemporaine], Woodburytype, Art Institute of Chicago, LL/51579
Linnaeus Tripe, 1858, Arcade in Quadrangle, [Photographic Views in Madura, part IV, plate III], Salted paper print or diluted Albumen print, from calotype negative, Art Institute of Chicago, LL/45862
Unidentified photographer (USA, 19th century), 1850, Untitled (Gold Miners in Front of a Pond), Daguerreotype, Art Institute of Chicago, LL/114508
Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), The Very Reverend Dr. Jowett (Master of Balliol, Oxford), Photogravure, Art Institute of Chicago, LL/80042
Alfred Stieglitz, 1907, Dr. Fritz Raab: Sunspots, Autochrome, Art Institute of Chicago, LL/68173
David Octavius Hill, 1843-1847, Dr. David Irving, Carbon print, Art Institute of Chicago, LL/114574
Gustave Le Gray, 1856-1857, The Beach at Sainte-Adresse, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112760
David Octavius Hill, 1822-1870 (Artist's working dates), Departure, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114567
J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038
   

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