Roger Fenton, 1855, Colonel Simmons, attaché to Omar Pacha, The Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45847
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120
Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491
Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484
Marie-Blanche-Hennelle Fournier, 1870s, Untitled Page From the Madame B Album, Collage of watercolor, ink, and albumen silver prints., Art Institute of Chicago, LL/35058
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 30 June - 14 August, Series of Photographs showing progressive stages of a new German airdrome, [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62128
Linnaeus Tripe, 1858, Arcade in Quadrangle, [Photographic Views in Madura, part IV, plate III], Salted paper print or diluted Albumen print, from calotype negative, Art Institute of Chicago, LL/45862