Photographers:
Connections:
Photo outlets
Art Institute of Chicago
 
111 South Michigan Avenue
Chicago, IL 60603-6404
USA

www.artic.edu
Tel: 312 443 3600

 
Some random images from this collection.
 
Lightbox > Examples
   
Alfred Stieglitz, 1889 (taken) 1920-1939 (print), Sun Rays-Paula, Berlin, Gelatin silver print, Art Institute of Chicago, LL/68068
Josiah Johnson Hawes, 1842-1901 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98102
1918, 17 September, Lines of Overlaps to Secure Mosaic Photographs, Illustration, Art Institute of Chicago, LL/62271
Roger Fenton, 1855 (taken), L'Entente Cordiale, Salt print, Art Institute of Chicago, LL/45850
Hill & Adamson, 1845 (taken) 1890-1900 (print), Sir John McNeill, Carbon print, Art Institute of Chicago, LL/68027
Roger Fenton, 1855, Landing Place, Railway Stores, Balaklava, Salt print, Art Institute of Chicago, LL/45852
Alfred Stieglitz, 1920-1922, Georgia O'Keeffe-Hands, Palladium print, Art Institute of Chicago, LL/68089
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 1), Gelatin silver print, Art Institute of Chicago, LL/68121
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1919, 10 February, Set of consecutive photographs to form a map (German area occupied by U.S. troops since armistice) (Rhine or Moselle River?), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62121
Julia Margaret Cameron, 1874 (ca), Mrs. Herbert Duckworth, Albumen print, Art Institute of Chicago, LL/80021
Julia Margaret Cameron, 1869 (taken) 1875 (print), Alfred, Lord Tennyson, Carbon print, Art Institute of Chicago, LL/68157
Hill & Adamson, 1846-1847, Lord Cockburn at Bonaly, Salted paper print, Art Institute of Chicago, LL/68025
Heinrich Kühn, 1910, On the Hillside (A Study in Values), Photogravure, Art Institute of Chicago, LL/68148
Roger Fenton, 1855, Admiral Lord Lyons, Taken in the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45842
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112783
Samuel J. Miller (American, 1822-1888), 1847-1852, Frederick Douglass, Daguerreotype, Art Institute of Chicago, LL/114466
Julia Margaret Cameron, 1872-1874 (ca), Mrs. Rachael Gurney ("May God Bring Father Safely Home", "Three Fishers Went Sailing Into the Deep"), Albumen print, Art Institute of Chicago, LL/80044
Gustave Le Gray, 1857, Prince Moskova at Chalons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112791
Jeremiah D. Wells (American, 19th century), 1851, Untitled (Portrait of a Standing Man), Daguerreotype, Art Institute of Chicago, LL/114492
Julia Margaret Cameron, 1868 (taken) 1875 (print), Henry Wadsworth Longfellow, Carbon print, Art Institute of Chicago, LL/68158
Unidentified photographer (USA, 19th century), 1850s, Untitled (Portrait of a Man Wearing a Top Hat Standing Next to a Horse), Daguerreotype, Art Institute of Chicago, LL/114484
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Ruins of Apremont (St. Mihiel Sector), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62118
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 6), Gelatin silver print, Art Institute of Chicago, LL/68128
Unidentified photographer (USA), 1850 (ca), S. P. Peck Apothecary, Daguerreotype, Art Institute of Chicago, LL/114467
Honoré Daumier, 1846, "- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris… - Why didn't you have mine done while you were there… get lost, you egotist!,", Lithograph, Art Institute of Chicago, LL/45861
Francis Frith, 1857, The New English Church from the Tower of Hippicus, Jerusalem, Albumen print, Art Institute of Chicago, LL/57755
J. Craig Annan, 1894, A Venetian Requiem, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68038
Frank Eugene, 1899 (ca), Portrait of Miss Jones, Platinum print, Art Institute of Chicago, LL/68057
Eugène Atget, 1907, Porte de Gentilly, Bd Kellermann, [Fortifications], Albumen print, Art Institute of Chicago, LL/114580
Edward Anthony, 1845, Untitled (Portrait of a Man), Daguerreotype, Art Institute of Chicago, LL/114520
Frank Eugene, 1905-1915, Portrait of Two Young Men, Platinum print, Art Institute of Chicago, LL/68059
Henry Fox Talbot, 1843 (ca), Ancient Door, Magdalen College, Oxford, Salted paper print, Art Institute of Chicago, LL/95483
George N. Barnard, 1871, Untitled (Chicago after the Chicago Fire), Albumen print, panorama, Art Institute of Chicago, LL/126481
Unidentified photographer, n.d., Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98103
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62126
Edward Steichen, 1904, Midnight Lake George, Gum bichromate over platinum print, Art Institute of Chicago, LL/68031
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509
Francis Frith, 1857, Valley of the Tomb of the Kings, Thebes, Albumen print, Art Institute of Chicago, LL/57766
J.A. Whipple, 1855, Untitled (Portrait of a Reclined Woman), Daguerreotype, Art Institute of Chicago, LL/114535
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Mine Craters Combres Hill. (scene of some of bitterest fighting of the war an active sector for four years), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62120
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112778
William Johnson (American, born 1823-1880s), 1853, Untitled (Portrait of Three Seated Men Wearing Turbans), Daguerreotype, Art Institute of Chicago, LL/114507
Francis Frith, 1857, The Statues of Memnon, Plain of Thebes, Albumen print, Art Institute of Chicago, LL/57765
Rufus P. Anson, 1855, Untitled [Seated man], Daguerreotype, Art Institute of Chicago, LL/98079
Roger Fenton, 1855 (taken), Hardships in the Camp, Salt print, Art Institute of Chicago, LL/45849
Rufus P. Anson, 1858, Untitled [A Masked Woman], Daguerreotype, Art Institute of Chicago, LL/98078
Roger Fenton, 1855, Archibald Gordon (1812-1886), Principal Medical Officer at the Crimea; Taken at the Crimea, Thinly albumenized print, from a collodion wet plate negative, Art Institute of Chicago, LL/45843
Rufus P. Anson, 1858, Untitled (Portrait of Masked Person), Daguerreotype, Art Institute of Chicago, LL/114470
Gustave Le Gray, 1857, Mass, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112774
Alfred Stieglitz, 1922, Music - A Sequence of Ten Cloud Photographs, No. II, Gelatin silver print, Art Institute of Chicago, LL/68098
Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756
Gustave Le Gray, 1857, Untitled, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112784
Unidentified photographer (USA, 19th century), 1850, Untitled (Two Boys Holding a Deceased Baby), Daguerreotype, Art Institute of Chicago, LL/114536
Jeremiah Gurney, 1856, Untitled (Portrait of Man with Painting), Daguerreotype, Art Institute of Chicago, LL/114500
Gustave Le Gray, 1857, Maneuvers, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112767
Robert Cornelius, 1841-1842, Untitled (Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114494
Roger Fenton, 1855, Cossack Bay, Balaklava, Salted paper print, Art Institute of Chicago, LL/45870
Gustave Le Gray, 1857, Untitled, [Souvenirs du Camp de Châlons album], Albumen print, from wet collodion on glass negative, Art Institute of Chicago, LL/45761
Unidentified photographer (USA), 1848, Untitled (Portrait of Two Women), Daguerreotype, Art Institute of Chicago, LL/114471
Edward Steichen, 1915, Portrait of Alfred Stieglitz, Gum bichromate print, Art Institute of Chicago, LL/68134
Southworth & Hawes, 1850, Untitled (Portrait of a Standing Woman), Daguerreotype, Art Institute of Chicago, LL/114503
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of Seated Man, Wearing a Hat with a Feather), Daguerreotype, Art Institute of Chicago, LL/114531
Clarence H. White, 1899 (taken) 1901 (print), Sunlight, Platinum print, Art Institute of Chicago, LL/68142
Eugène Atget, 1900 (ca), Olivier, Nice (Olive Tree, Nice), Albumen print, Art Institute of Chicago, LL/114579
S. L. Holman (American, 19th century), 1855-1856, Untitled (The Coit Family), Daguerreotype, Art Institute of Chicago, LL/114469
Unidentified photographer (USA, 19th century), 1855, Untitled (Post Mortem Portrait of a Girl), Daguerreotype, Art Institute of Chicago, LL/114489
Frank Eugene, 1900 (ca), Portrait of a Woman, Platinum print, Art Institute of Chicago, LL/68061
Mathew B. Brady, 1846, Untitled (Portrait of Man), Daguerreotype, Art Institute of Chicago, LL/114523
A.J. Russell, 1868-1869 (taken), Wilhelmina's Pass, Distant View of Serrated Rocks or Devil's Slide, Weber Canon, Utah, Albumen print, Art Institute of Chicago, LL/102993
Edward Steichen, 1904, Midnight Lake George, Gum bichromate and cyanotype over platinum print, Art Institute of Chicago, LL/68136
Edward Steichen, 1905, Kitty and Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68036
Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491
Julia Margaret Cameron, 1870 (taken) 1893 (ca, print), Mrs. Thackeray Ritchie, Photogravure, Art Institute of Chicago, LL/80043
Lewis Carroll, 1864 (taken) 1866 (ca., print), Margaret Frances Langton Clarke, Albumen print, Art Institute of Chicago, LL/45762
Hill & Adamson, 1843-1847, Dr. David Irving, Salted paper print, Art Institute of Chicago, LL/114573
Francis Frith, 1857, The Temple of Maharaka, Nubia, Albumen print, Art Institute of Chicago, LL/57767
Heinrich Kühn, 1910, Portrait of Two Children, Photogravure, Art Institute of Chicago, LL/68146
Alfred Stieglitz, 1918, Georgia O'Keeffe - Feet, Palladium print, solarized, Art Institute of Chicago, LL/68085
Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68175
Unidentified photographer (USA, 19th century), 1855, Untitled (Portrait of William G. Worrell of Welch's National Circus), Daguerreotype, Art Institute of Chicago, LL/114506
Unidentified photographer (USA, 19th century), 1845, Untitled (Construction of the First Drydock, U.S. Navy Yard, Dry Dock #1 Brooklyn, NY), Daguerreotype, Art Institute of Chicago, LL/114524
Alfred Stieglitz, 1894 (taken) 1920-1939 (print), Venice, Gelatin silver print, Art Institute of Chicago, LL/68071
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918, 15 May (on or after), Detailed interpretation of Frontline trenches (Apremont), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62125
Francis Frith, 1857, Jerusalem, from the Mount of Olives, No.1, Albumen print, Art Institute of Chicago, LL/57762
Unidentified photographer (USA, 19th century), 1858, Untitled (Model of Brookline Steam Engine), Daguerreotype, Art Institute of Chicago, LL/114511
Unidentified photographer, 1856 (ca), [Interior], Ambrotype, 1/4 plate, Art Institute of Chicago, LL/131273
Allen (American), 1875-1900 (Artist's working dates), Bunker Hill Monument, Carte de visite, Art Institute of Chicago, LL/98101
Julia Margaret Cameron, 1868 (taken) 1875 (print), Herr Joseph Joachim, Carbon print, Art Institute of Chicago, LL/68160
Roger Fenton, 1855, Railway Sheds and Workshops, Balaklava, Salt print, Art Institute of Chicago, LL/45858
Henry Wallis (artist) Thomas O. Barlow (engraver, English, 1824-1889), 1860, The Death of Chatterton, Mixed method engraving, on ivory chine laid down on off-white plate paper, Art Institute of Chicago, LL/103744
Gustave Le Gray, 1857, Mediterranean with Mount Agde, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112762
Unidentified photographer, 1855 (or earlier), [View of San Francisco], Albumen printss (x5), Art Institute of Chicago, LL/91284
Félix Teynard, 1851-1852, First Pylon - French Inscription Carved on the Eastern Embrasure at Point H, Island of Fila (Philae),, Salted paper print, Art Institute of Chicago, LL/45863
Southworth & Hawes, 1850 (ca), Untitled (A Woman in Bonnet and Shawl, with her Seated Son), Daguerreotype, Art Institute of Chicago, LL/114468
Julia Margaret Cameron, 1868 (ca, taken) 1875 (print), Charles Darwin, Carbon print, Art Institute of Chicago, LL/68159
Frank Eugene, 1899 (ca), Portrait of Alfred Stieglitz, Platinum print, Art Institute of Chicago, LL/68137
Eugène Atget, 1908, 38 Quai de Bourbon, Albumen print, Art Institute of Chicago, LL/114578
Roger Fenton, 1855, Lieutenant General Sir Colin Campbell, G.C.B., Salt print, Art Institute of Chicago, LL/45853
Francis Frith, 1857, The Great Pillars at Baalbec, Albumen print, Art Institute of Chicago, LL/57758
Linnaeus Tripe, 1858, Arcade in Quadrangle, [Photographic Views in Madura, part IV, plate III], Salted paper print or diluted Albumen print, from calotype negative, Art Institute of Chicago, LL/45862
Gustave Le Gray, 1857, Officers Seated at a Tent, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112773
J. Craig Annan, 1894, A Lombardy Pastoral, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68042
Unidentified photographer (USA, 19th century), 1853, Untitled (Lynn News), Daguerreotype, Art Institute of Chicago, LL/114513
J. Craig Annan, 1908 (ca), Bolney Backwater, Photogravure, Art Institute of Chicago, LL/68045
David Octavius Hill, 1822-1870 (Artist's working dates), Departure, Pen and brown ink on cream laid paper, Art Institute of Chicago, LL/114567
Clarence H. White, 1905, Evening-Mother and Boys, Platinum print, Art Institute of Chicago, LL/68141
Jan Lauschmann, 1927 (taken) -1929 (print), Under My Window, Gelatin silver print, Art Institute of Chicago, LL/121558
Hill & Adamson, 1844, Mrs. Anna Brownell Jameson, Salted paper print, Art Institute of Chicago, LL/45866
Alfred Stieglitz, 1894 (taken) 1897 (print), A Venetian Canal, Photogravure, Art Institute of Chicago, LL/68163
Eugène Atget, 1910 (ca), Fontaine Rue de Sevres, Albumen print, Art Institute of Chicago, LL/114582
Alfred Stieglitz, 1907, Child with Striped Dress (Younger Raab Child), Autochrome, Art Institute of Chicago, LL/68177
Donald McDonnell (America, 19th century), 1855, Untitled (Indian Chief Maungwudaus, Upper Canada), Daguerreotype, Art Institute of Chicago, LL/114527
Francis Frith, 1857, Ramleh, [Egypt and Palestine, Volume II (1858/60), pl. 24], Albumen print, Art Institute of Chicago, LL/90105
Hill & Adamson, 1845 (ca), The Misses Grierson, Salted paper print, Art Institute of Chicago, LL/114559
Heinrich Kühn, 1906 (ca), Portrait of Young Boy with Arm Across Back of Chair (Hans Kühn), Platinum print, Art Institute of Chicago, LL/68037
Francis Frith, 1857, Osiride Pillars and Great Fallen Colossus, at the Memnonium, Thebes, Albumen print, Art Institute of Chicago, LL/57754
Timothy H. O'Sullivan, 1873, Historic Spanish Record of the Conquest, South Side of Inscription Rock, N.M., [Geographical & Geological Explorations & Surveys West of the 100th Meridian, vol. 1], Albumen print, Art Institute of Chicago, LL/97784
Gustave Le Gray, 1857, The Raised Flag of the Zouave Regiment, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112770
Unidentified photographer (USA, 19th century), 1852, Untitled (Brass Band), Daguerreotype, Art Institute of Chicago, LL/114490
Julia Margaret Cameron, 1865 (taken) 1893 (ca, print), The Very Reverend Dr. Jowett (Master of Balliol, Oxford), Photogravure, Art Institute of Chicago, LL/80042
Edward Steichen, 1907 (ca), Girl with Lilacs, Autochrome, Art Institute of Chicago, LL/68168
Unidentified photographer (USA, 19th century), 1854, Untitled (Grave), Daguerreotype, Art Institute of Chicago, LL/114530
Unidentified photographer (USA, 19th century), 1860, Untitled (Portrait of Seated Woman), Daguerreotype, Art Institute of Chicago, LL/114528
Alfred Stieglitz, 1894 (taken) 1897 (ca, print), A Wet Day on the Boulevard, Paris, Photogravure, Art Institute of Chicago, LL/68164
Francis Frith, 1857, Nablous, The Ancient Shechem, Albumen print, Art Institute of Chicago, LL/57756
Gustave Le Gray, 1856-1857, The Beach at Saint-Adresse, with the Dumont Baths, Albumen print, Art Institute of Chicago, LL/45758
Alfred Stieglitz, 1907 (ca), Kitty Stieglitz, Autochrome, Art Institute of Chicago, LL/68176
Gustave Le Gray, 1856-1857, Solar Effect in the Clouds-Ocean, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112751
Gustave Le Gray, 1850-1859, The Tugboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112769
Alfred Stieglitz, 1923, Equivalent, from Set E (Print 2), 1923, Gelatin silver print, Art Institute of Chicago, LL/68107
J. Craig Annan, 1894 (ca), Venice from Lido, [Venice and Lombardy: A Series of Original Photogravures], Photogravure, Art Institute of Chicago, LL/68039
Gustave Le Gray, 1857, Chalons Encampment: Maneuvers on October 3 (Camp de Châlons: manoeuvres du 3 octobre), [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112759
Hill & Adamson, 1844, Portrait of Mrs. Rigby, Salted paper print, Art Institute of Chicago, LL/68026
Gustave Le Gray, 1857, The Great Wave, Sète, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112758
Gustave Le Gray, 1857, Preparation of the Emperor's Table, Camp de Châlons, [Album "Souvenirs du Camp de Châlons"], Albumen print, Art Institute of Chicago, LL/112779
Eugène Atget, 1921, Montmartre, 2 Rue de Calvaire, Albumen print, Art Institute of Chicago, LL/114577
Roger Fenton, 1855, Head of Harbour, Balaklava, Salted paper print, Art Institute of Chicago, LL/45869
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 7), Gelatin silver print, Art Institute of Chicago, LL/68126
Carleton E. Watkins, 1850-1855, Untitled (Warehouse on Wharf), Daguerreotype, Art Institute of Chicago, LL/114526
Roger Fenton, 1855, Lieutenant General Sir H.J.W. Bentinck, K.C.B., Salt print, Art Institute of Chicago, LL/45855
Southworth & Hawes, 1850, Untitled (Portrait of a Woman), Daguerreotype, Art Institute of Chicago, LL/114504
Giraudon's Artist, 1870, Woman Standing with Basket on Ground, Albumen print, Art Institute of Chicago, LL/117191
Alfred Stieglitz, 1929, Equivalent, from Set A (Third Set, Print 3), Gelatin silver print, Art Institute of Chicago, LL/68123
J. Craig Annan, 1903 (ca), Stirling Castle, Photogravure, Art Institute of Chicago, LL/68044
Photographic Section, U.S. Air Service, American Expeditionary Forces (AEF), 1918-1919, Largest American advance supply depot near Dijon. This was formerly a great marsh. (all the tracks and warehouses built by the A.E.F.), [World War I Album assembled by Edward Steichen], Gelatin silver print, mounted in album, Art Institute of Chicago, LL/62129
Roger Fenton, 1855, Lieutenant General Sir de Lacy Evans, G.C.B., Salt print, Art Institute of Chicago, LL/45854
Francis Frith, 1857, The Town and Lake of Tiberius, from the South, Albumen print, Art Institute of Chicago, LL/57760
   

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