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Photo outlets
Victoria and Albert Museum
 
V&A South Kensington, Cromwell Road
London, England SW7 2RL
UK

www.vam.ac.uk
vanda@vam.ac.uk
Tel: +44 (0) 20 7942 2000

 
Some random images from this collection.
 
Lightbox > Examples
   
Eugène Atget, 1900 (ca), Door Knocker, Hotel de Cheniseau, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90201
Image: LL/90201
Lots of additional options for subscribers.
Alexander Keighley, 1935, The Vesper Bell, Carbon print, Victoria and Albert Museum, LL/125450
Image: LL/125450
Lots of additional options for subscribers.
James Barnor, 1954 (ca), Selina Opong, Policewoman #10, Black and white photograph, Victoria and Albert Museum, LL/84774
Image: LL/84774
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Pontianus - Painting of a Jewelled Cross, A.D. 858-867, Albumen print, Victoria and Albert Museum, LL/97817
Image: LL/97817
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-1854, Windmill, Kempsey, Worcestershire, Albumen print, from calotype negative, Victoria and Albert Museum, LL/36262
Image: LL/36262
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Rue de la Chaise, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90178
Image: LL/90178
Lots of additional options for subscribers.
Hill & Adamson, 1843-1847 (taken), Tomb in Greyfriars Churchyard, Edinburgh, Salt paper print, from calotype negative, Victoria and Albert Museum, LL/113300
Image: LL/113300
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of Praetextatus - Fragment of a Sarcophagus with Bas-relief, c. A.D. 200, Albumen print, Victoria and Albert Museum, LL/97791
Image: LL/97791
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Staircase, 97 rue du Bac, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90154
Image: LL/90154
Lots of additional options for subscribers.
T.R. Williams, 1855 (ca), Nature Mort, Daguerreotype, stereo, Victoria and Albert Museum, LL/84985
Image: LL/84985
Lots of additional options for subscribers.
Julia Margaret Cameron, 1865, Lady Elcho / A Dantesque Vision, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/62720
Image: LL/62720
Lots of additional options for subscribers.
Samuel Bourne, 1866 (ca), View of the Zojji-La-Pass, Albumen print, Victoria and Albert Museum, LL/36283
Image: LL/36283
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Ornamental panel, Hôtel de Lauzun, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90150
Image: LL/90150
Lots of additional options for subscribers.
Eugène Atget, 1910 (before), Houblon, Gold-toned albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90185
Image: LL/90185
Lots of additional options for subscribers.
Julia Margaret Cameron, 1866, Christabel, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47120
Image: LL/47120
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Annie Philpot, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47117
Image: LL/47117
Lots of additional options for subscribers.
Alexander Keighley, 1899, My Ladys Garden, Carbon print, Victoria and Albert Museum, LL/125468
Image: LL/125468
Lots of additional options for subscribers.
William Strudwick, 1868, Westminster Bridge, [Old London - views by W. Strudwick], Albumen print, from glass negative, Victoria and Albert Museum, LL/50335
Image: LL/50335
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1862 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17253
Image: LL/17253
Lots of additional options for subscribers.
Julia Margaret Cameron, 1873, May, Three King's Daughters Fair, Albumen print, Victoria and Albert Museum, LL/102879
Image: LL/102879
Lots of additional options for subscribers.
Roger Fenton, 1854 (taken) 1856-1860 (print), Rievaulx Abbey, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/116642
Image: LL/116642
Lots of additional options for subscribers.
Cundall & Co., 1873 (taken), Bayeux Tapestry, Photograph, Victoria and Albert Museum, LL/120405
Image: LL/120405
Lots of additional options for subscribers.
Robert Howlett, 1857, The Great Eastern, Bow-on-View, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/113841
Image: LL/113841
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacombs - Painting of Birds in the Jews' Catacomb, A.D. 150, in the Vigna Randanini, Albumen print, Victoria and Albert Museum, LL/97796
Image: LL/97796
Lots of additional options for subscribers.
Julia Margaret Cameron, 1868, Spear or spare, Báshá Félíka, Albumen print, Victoria and Albert Museum, LL/47108
Image: LL/47108
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Pontianus - Baptism of Christ, A.D. 858-867, Albumen print, Victoria and Albert Museum, LL/97810
Image: LL/97810
Lots of additional options for subscribers.
Alexander Keighley, 1932, Stokesay Castle, Carbon print, Victoria and Albert Museum, LL/125486
Image: LL/125486
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Aratus, Albumen print, Victoria and Albert Museum, LL/116660
Image: LL/116660
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Hippocrates, Albumen print, Victoria and Albert Museum, LL/116649
Image: LL/116649
Lots of additional options for subscribers.
Alexander Keighley, 1939, Mine Dumps Johannesburg, Carbon print, Victoria and Albert Museum, LL/125491
Image: LL/125491
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door knocker, 18 Ave Montaigne, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90190
Image: LL/90190
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Oxford, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84346
Image: LL/84346
Lots of additional options for subscribers.
John Robert Parsons, 1865 (ca), Jane Morris, posed by Rossetti, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/36286
Image: LL/36286
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Heroic Head, Albumen print, Victoria and Albert Museum, LL/116666
Image: LL/116666
Lots of additional options for subscribers.
Hannah Starkey, 1997, May, Untitled, C-type print, Victoria and Albert Museum, LL/45014
Image: LL/45014
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Domitilla - Painting of Spring, c. A.D. 250(?), or 523(?), in a Cubiculum, Albumen print, Victoria and Albert Museum, LL/97808
Image: LL/97808
Lots of additional options for subscribers.
Édouard Baldus, 1855 (ca), Notre Dame, Albumen print, Victoria and Albert Museum, LL/6775
Image: LL/6775
Lots of additional options for subscribers.
Netta Peacock, 1905 (ca), Snow sweeper, St. Petersburg, Gelatin silver print, Victoria and Albert Museum, LL/45011
Image: LL/45011
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Floss and Iolande, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47125
Image: LL/47125
Lots of additional options for subscribers.
Stephen Ayling, 1867, Westminster, Henry VII Chapel Exterior and Westminster Hall, Albumen Print, Victoria and Albert Museum, LL/36317
Image: LL/36317
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1862 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17250
Image: LL/17250
Lots of additional options for subscribers.
Alexander Keighley, 1907, The Melon Stall, Carbon print, Victoria and Albert Museum, LL/125452
Image: LL/125452
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Urn, Albumen print, Victoria and Albert Museum, LL/116662
Image: LL/116662
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Clementina Maude and Florence Elizabeth, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17246
Image: LL/17246
Lots of additional options for subscribers.
M. de St. Croix, 1839, Parliament Street from Trafalgar Square, Daguerreotype, Victoria and Albert Museum, LL/36253
Image: LL/36253
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1876 (ca), Portion of a tablier of Pillow Lace. Flemish. Commencement of 18th century, Albumen print, Victoria and Albert Museum, LL/120115
Image: LL/120115
Lots of additional options for subscribers.
Alexander Keighley, 1914, The Harp of the Winds, Carbon print, Victoria and Albert Museum, LL/125439
Image: LL/125439
Lots of additional options for subscribers.
Alexander Keighley, 1939, Oxen at the Gate, Carbon print, Victoria and Albert Museum, LL/125453
Image: LL/125453
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Windsor Lock and Eton College, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84363
Image: LL/84363
Lots of additional options for subscribers.
Alexander Keighley, 1922, The Church Steps, Carbon print, Victoria and Albert Museum, LL/125466
Image: LL/125466
Lots of additional options for subscribers.
Unidentified photographer, 1872-1899, [Francis Alexander Skidmore, the younger - Product photograph], Albumen print, mounted on card, Victoria and Albert Museum, LL/58906
Image: LL/58906
Lots of additional options for subscribers.
Peter Henry Emerson, 1887, Water babies, Photogravure, Victoria and Albert Museum, LL/36291
Image: LL/36291
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90186
Image: LL/90186
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1860s (taken), A Fair Reader, Carbon print, Victoria and Albert Museum, LL/91438
Image: LL/91438
Lots of additional options for subscribers.
William Lake Price, 1855 (taken), The First of September, Photograph, Victoria and Albert Museum, LL/92913
Image: LL/92913
Lots of additional options for subscribers.
George Robinson Fardon, 1862 (exhibited), Unidentified woman, Panotype, Victoria and Albert Museum, LL/75040
Image: LL/75040
Lots of additional options for subscribers.
Jowhara AlSaud, 2008, Airmail, [Out of line], C-type print, Victoria and Albert Museum, LL/57793
Image: LL/57793
Lots of additional options for subscribers.
Alexander Keighley, 1914, The Door of the Mosque, Carbon print, Victoria and Albert Museum, LL/125463
Image: LL/125463
Lots of additional options for subscribers.
Edmund David Lyon, 1867-1868, General view of the Ranganatha Temple at Srirangam, Albumen Print, Victoria and Albert Museum, LL/36310
Image: LL/36310
Lots of additional options for subscribers.
Unidentified photographer, n.d., [The base of Trajan's Column in the Forum of Trajan, Rome], Albumen print, Victoria and Albert Museum, LL/119769
Image: LL/119769
Lots of additional options for subscribers.
Francis Bedford, 1855, The Baptistery, Canterbury Cathedral, Albumen print, from a collodion glass negative, Victoria and Albert Museum, LL/6780
Image: LL/6780
Lots of additional options for subscribers.
Alexander Keighley, 1929, Road to Baalbec, Carbon print, Victoria and Albert Museum, LL/125462
Image: LL/125462
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), Nagayoung Pagoda, Amerapoora; Nagayon pagoda, Amarapura, Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36247
Image: LL/36247
Lots of additional options for subscribers.
Valentine & Sons, 1879, 28 December (after), Tay Railway Bridge after the disaster of the night of 28/12/1879 when it collapsed with considerable loss of life, Firth of Tay, Scotland, [National Photographic Record and Survey], Albumen print mounted on card with hand written ink notation, Victoria and Albert Museum, LL/36326
Image: LL/36326
Lots of additional options for subscribers.
Robert Howlett, 1857, The Great Eastern: View of the Hull, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/113840
Image: LL/113840
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Muse, Albumen print, Victoria and Albert Museum, LL/116656
Image: LL/116656
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1862 (ca, taken), Catching, Glass negative, Victoria and Albert Museum, LL/91431
Image: LL/91431
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1871 (before), Ginx's Baby, Glass negative, Victoria and Albert Museum, LL/91432
Image: LL/91432
Lots of additional options for subscribers.
Alexander Keighley, 1944, The City of Beautiful Towers, Carbon print, Victoria and Albert Museum, LL/125488
Image: LL/125488
Lots of additional options for subscribers.
Roger Fenton, 1853-1866 (taken), Ivory Cup and Fruit, Albumen print, Victoria and Albert Museum, LL/116680
Image: LL/116680
Lots of additional options for subscribers.
Muhammad Sadiq, 1881, Encampment of pilgrims during the festival of the sacrifice at Mina, Albumen print, Victoria and Albert Museum, LL/46209
Image: LL/46209
Lots of additional options for subscribers.
Linnaeus Tripe, 1860 (published), Cover for Captain L. Tripe "Photographic Views of Ryakotta and other places in the Salem District", Card, printed, Victoria and Albert Museum, LL/36299
Image: LL/36299
Lots of additional options for subscribers.
Alexander Keighley, 1946, Five Rise Locks, Bingley, Carbon print, Victoria and Albert Museum, LL/125503
Image: LL/125503
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Grille of a shop window, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90205
Image: LL/90205
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-54, Eashing Bridge, Surrey, Albumen print, from waxed paper negative, Victoria and Albert Museum, LL/49717
Image: LL/49717
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Rue du Cherche-Midi, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90177
Image: LL/90177
Lots of additional options for subscribers.
Stephen Ayling, 1867, Henry VII Chapel & Clock Tower, Westminster, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/36322
Image: LL/36322
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Church of SS Gervais et Protais, Miserere Seat, XVI Century, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90193
Image: LL/90193
Lots of additional options for subscribers.
R.P. Napper, 1862, Granada, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/106046
Image: LL/106046
Lots of additional options for subscribers.
Alexander Keighley, 1937, The Sheik, Carbon print, Victoria and Albert Museum, LL/125438
Image: LL/125438
Lots of additional options for subscribers.
John Ellys (England), 1722-1725, Hester Booth as a Female Harlequin, Oil painting, Victoria and Albert Museum, LL/63722
Image: LL/63722
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of Praetextatus - Painted Vault of Chapel, c. A.D. 150, Albumen print, Victoria and Albert Museum, LL/97802
Image: LL/97802
Lots of additional options for subscribers.
Édouard Baldus, 1855 (ca), Notre Dame, Albumen Print, Victoria and Albert Museum, LL/36312
Image: LL/36312
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1881, Cast of the head of Michaelangelo's David in the Accademia di Belle Arte, Florence, Albumen print, Victoria and Albert Museum, LL/120118
Image: LL/120118
Lots of additional options for subscribers.
Maud Sulter, 1989, Clio (Portrait of Dorothea Smart), Dye destruction print, Victoria and Albert Museum, LL/45015
Image: LL/45015
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1861-1862 (ca), Photographic Study / Study from Life, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17256
Image: LL/17256
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1857 (photographed), The Two Ways of Life, Albumen print, Victoria and Albert Museum, LL/90538
Image: LL/90538
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1859-1861 (ca), Clementina Maude and Cornwallis Hawarden, Dundrum; Photographic Study, Albumen print, from wet collodion negative, Victoria and Albert Museum, LL/66250
Image: LL/66250
Lots of additional options for subscribers.
Francis Frith, 1850-1870s (ca), 201 Mont Blanc. the Glacier Des Bois. Chamounix, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/36340
Image: LL/36340
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1850 (ca), Portrait of David Bogne, Bookseller, Albumen print, from paper negative, Victoria and Albert Museum, LL/49711
Image: LL/49711
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Agnes - Cubiculum, with Columns, and place for the Altar, Albumen print, Victoria and Albert Museum, LL/97814
Image: LL/97814
Lots of additional options for subscribers.
Unidentified photographer, 1850 (ca), The Hiller Family, Cincinnati, Daguerreotype, Victoria and Albert Museum, LL/6768
Image: LL/6768
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction - Wall of Tarquinius in the Circus Maximus, B.C. 604., Albumen print, Victoria and Albert Museum, LL/97848
Image: LL/97848
Lots of additional options for subscribers.
Benjamin Brecknell Turner, 1852-54, Causeway, Head of the Lake, Losely Park, Albumen print, from waxed paper negative, Victoria and Albert Museum, LL/49720
Image: LL/49720
Lots of additional options for subscribers.
Julia Margaret Cameron, 1869, Alfred Tennyson, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47115
Image: LL/47115
Lots of additional options for subscribers.
Unidentified photographer, n.d., [Trajan's Column, Rome], Albumen print, Victoria and Albert Museum, LL/119762
Image: LL/119762
Lots of additional options for subscribers.
Netta Peacock, 1905 (ca), Tschudov Monastery, Gelatin silver print, Victoria and Albert Museum, LL/45008
Image: LL/45008
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1872, A mathematical model made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/120124
Image: LL/120124
Lots of additional options for subscribers.
Alexander Keighley, 1931, Al Fresco Laundry, Ronda, Carbon print, Victoria and Albert Museum, LL/125485
Image: LL/125485
Lots of additional options for subscribers.
Alexander Keighley, 1939, The Pool of Clitumnus, Carbon print, Victoria and Albert Museum, LL/125499
Image: LL/125499
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Interior view, St Gervais, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90138
Image: LL/90138
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1872, A mathematical model made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/120123
Image: LL/120123
Lots of additional options for subscribers.
William Lake Price, 1855 (print), Don Quixote in his Study, Stereocard, Victoria and Albert Museum, LL/92914
Image: LL/92914
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel du Chateaubriand, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90169
Image: LL/90169
Lots of additional options for subscribers.
James Barnor, 1953 (ca), Everything In My Hand I Bring, Black and white photograph, Victoria and Albert Museum, LL/84773
Image: LL/84773
Lots of additional options for subscribers.
Alexander Keighley, 1935, Gorbio, an Italian Landscape, Carbon print, Victoria and Albert Museum, LL/125492
Image: LL/125492
Lots of additional options for subscribers.
Alexander Keighley, 1922, The Hillside Path, Carbon print, Victoria and Albert Museum, LL/125454
Image: LL/125454
Lots of additional options for subscribers.
John Henry Parker, 1864-1870, Construction - Opus Reticulatum and Brickwork, from the Wall of a Tomb on the Via Appia, of the time of Trajan, A.D. 100., Albumen print, Victoria and Albert Museum, LL/119761
Image: LL/119761
Lots of additional options for subscribers.
Skeen & Co., 1880 (ca), Exotic still life, Albumen-silver print and watercolour with collaged postage stamps, Victoria and Albert Museum, LL/36278
Image: LL/36278
Lots of additional options for subscribers.
William Strudwick, 1860 (ca), Palace of Westminster from Lambeth Bridge, [Old London - views by W. Strudwick], Albumen print, from glass negative, Victoria and Albert Museum, LL/50334
Image: LL/50334
Lots of additional options for subscribers.
Linnaeus Tripe, 1858, The East Gopuram of the Great Pagoda, Albumen print, from waxed paper (calotype) negative, Victoria and Albert Museum, LL/84746
Image: LL/84746
Lots of additional options for subscribers.
Felice Beato, 1858 (ca), British Army group at Lucknow, Albumen print, Victoria and Albert Museum, LL/36252
Image: LL/36252
Lots of additional options for subscribers.
Alexander Keighley, 1940, Shearing Time, Carbon print, Victoria and Albert Museum, LL/125464
Image: LL/125464
Lots of additional options for subscribers.
Julia Margaret Cameron, 1868 (taken) 1875 (print), Charles Darwin, Carbon print, from copy negative, Victoria and Albert Museum, LL/62724
Image: LL/62724
Lots of additional options for subscribers.
John Robert Parsons, 1865 (ca), Jane Morris, posed by Rossetti, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/36285
Image: LL/36285
Lots of additional options for subscribers.
William Carrick, 1860s (ca), Six views (portraits) of a man, possibly William Carrick, Carte de visite, Victoria and Albert Museum, LL/109184
Image: LL/109184
Lots of additional options for subscribers.
R.P. Napper, n.d., Lisbon, Albumen print, Victoria and Albert Museum, LL/106047
Image: LL/106047
Lots of additional options for subscribers.
Louis-Emile Durandelle, 1867, General View Taken from the Small Staircase; Construction of the Paris Opéra, Albumen print, from wet collodion on glass negative, Victoria and Albert Museum, LL/40945
Image: LL/40945
Lots of additional options for subscribers.
Muhammad Sadiq, 1881, Mecca, tombs of the relatives of Muhammed, Albumen print, Victoria and Albert Museum, LL/46207
Image: LL/46207
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Detail of Staircase Rail, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90168
Image: LL/90168
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1859-1861, Untitled, Photograph, Victoria and Albert Museum, LL/91444
Image: LL/91444
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacombs - Fragment of a Pagan Sarcophagus in the Jews' Catacomb, A.D. 150, in the Vigna Randanini, Albumen print, Victoria and Albert Museum, LL/97797
Image: LL/97797
Lots of additional options for subscribers.
Alexander Keighley, 1919, The Lonely Valley, Carbon print, Victoria and Albert Museum, LL/125474
Image: LL/125474
Lots of additional options for subscribers.
Carleton E. Watkins, 1865 (ca), Cathedral Spires, Albumen Print, Victoria and Albert Museum, LL/36308
Image: LL/36308
Lots of additional options for subscribers.
Anna Atkins, 1854 (ca), Taraxacum Officinale [Dandelion], [Cyanotypes of British and Foreign Flowering Plants and Ferns], Cyanotype, Victoria and Albert Museum, LL/39619
Image: LL/39619
Lots of additional options for subscribers.
Alexander Keighley, 1930, A Spanish Almshouse, Carbon print, Victoria and Albert Museum, LL/125423
Image: LL/125423
Lots of additional options for subscribers.
William Brooks, 19th century (late), St Mary's, Isles of Scilly, Carte de visite, Victoria and Albert Museum, LL/118053
Image: LL/118053
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, College des Ecossais, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90191
Image: LL/90191
Lots of additional options for subscribers.
Gustave Le Gray, n.d., Vue de Mer, Le Brick, Albumen print, Victoria and Albert Museum, LL/40963
Image: LL/40963
Lots of additional options for subscribers.
Horatio Ross, 1848, Craigdarent, Daguerreotype, Victoria and Albert Museum, LL/45012
Image: LL/45012
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864-1865 (ca), Christiana Fraser-Tytler, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/62717
Image: LL/62717
Lots of additional options for subscribers.
Shadi Ghadirian, 1998, Untitled, [Qajar], Gelatin silver bromide print, Victoria and Albert Museum, LL/57799
Image: LL/57799
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Decanter and fruit, Albumen print, Victoria and Albert Museum, LL/116675
Image: LL/116675
Lots of additional options for subscribers.
Roger Fenton, 1854 (taken), The Wharfe, Salted paper print, from collodion on glass negative, Victoria and Albert Museum, LL/116655
Image: LL/116655
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1873, Construction of Trajan's column, with choir screen from the Cathedral of St. John, 's-Hertogenbosch, the Netherlands, in background, Albumen print, Victoria and Albert Museum, LL/119763
Image: LL/119763
Lots of additional options for subscribers.
Charles Thurston Thompson, 1858, Exhibition of the Photographic Society of London and the Société Française de photographie at the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/33791
Image: LL/33791
Lots of additional options for subscribers.
Alexander Greenlaw, 1856 (taken) 1910 (print), Hampi (Vijayanagar) Bellary District: Virupaksha Temple, Eastern Gopura., Silver gelatin print, from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36263
Image: LL/36263
Lots of additional options for subscribers.
Louis-Emile Durandelle, 1867, Threshold of the Main Entrance; Construction of the Paris Opéra, Albumen print, from a collodion on glass negative, Victoria and Albert Museum, LL/36341
Image: LL/36341
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1871 (taken, later print), Ginx's Baby, Carbon print, Victoria and Albert Museum, LL/91433
Image: LL/91433
Lots of additional options for subscribers.
Unidentified maker, 1930-1940 (made), Japanese kimono with funnel and Kodak cinema camera design, Kimono, Victoria and Albert Museum, LL/75848
Image: LL/75848
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864-1866, Mary Hillier, Albumen print, Victoria and Albert Museum, LL/63438
Image: LL/63438
Lots of additional options for subscribers.
Alexander Keighley, 1906, The Bridge, Carbon print, Victoria and Albert Museum, LL/125424
Image: LL/125424
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Fruit and flowers, Albumen print, Victoria and Albert Museum, LL/116676
Image: LL/116676
Lots of additional options for subscribers.
Victor Albert Prout, 1862, Barges ar Oxford, [The Thames from London to Oxford in Forty Photographs], Albumen print, from wet plate collodion on glass negative, Victoria and Albert Museum, LL/84360
Image: LL/84360
Lots of additional options for subscribers.
Cundall & Co., 1873 (taken), Bayeux Tapestry, Photograph, Victoria and Albert Museum, LL/120402
Image: LL/120402
Lots of additional options for subscribers.
Eugene Clutterbuck Impey, 1860-1865, The Kootub - Gateway on the south side; Part of the Qutb Minar Complex, Delhi, India., Albumen print, Victoria and Albert Museum, LL/36320
Image: LL/36320
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Diogenes, Albumen print, Victoria and Albert Museum, LL/116658
Image: LL/116658
Lots of additional options for subscribers.
J.E. Mayall, 19th century, Portrait of Mr. William Farren as Romeo and Mr. Hoskins as Mercutio in 'Romeo and Juliet', Act 2, Scene 4., Etching, engraved from a daguerreotype, Victoria and Albert Museum, LL/36255
Image: LL/36255
Lots of additional options for subscribers.
Roger Fenton, 1853-1860 (taken), Still life with vase, flowers and fruit, Albumen print, Victoria and Albert Museum, LL/116686
Image: LL/116686
Lots of additional options for subscribers.
Robert Thompson Crawshay, 1868, A Slow Market, Albumen print, mounted, Victoria and Albert Museum, LL/66249
Image: LL/66249
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doors, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90164
Image: LL/90164
Lots of additional options for subscribers.
John Henry Parker, 1864-1867, Mosaic Pavement in S. Maria Maggiore, from an engraving, Albumen print, Victoria and Albert Museum, LL/97844
Image: LL/97844
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Temperance, [The Fruits of the Spirit], Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47122
Image: LL/47122
Lots of additional options for subscribers.
Francis Frith, 1850s-1870s, Buckingham Palace, [Universal Series], Albumen print, whole plate, from wet collodion glass negative, Victoria and Albert Museum, LL/131303
Image: LL/131303
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1864 (ca), Clementina Maude, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17249
Image: LL/17249
Lots of additional options for subscribers.
John Murray, 1858-1862 (ca), Taj Mahal from the East, with Dr. Murray seated in the foreground., Albumen print and waxed paper negative, Victoria and Albert Museum, LL/36324
Image: LL/36324
Lots of additional options for subscribers.
Alexander Keighley, 1931, The Village Fountain, Carbon print, Victoria and Albert Museum, LL/125418
Image: LL/125418
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), West Doorway, Notre Dame, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90174
Image: LL/90174
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1881 (ca), Collar, with border and ends of needlpoint lace. Venetian. 17th century, Albumen print, Victoria and Albert Museum, LL/120114
Image: LL/120114
Lots of additional options for subscribers.
Alexander Keighley, 1942, Photograph, Carbon print, Victoria and Albert Museum, LL/125434
Image: LL/125434
Lots of additional options for subscribers.
Lady Clementina Hawarden, 1863-1864 (ca), Possibly Isabella Grace, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/17252
Image: LL/17252
Lots of additional options for subscribers.
Julia Margaret Cameron, 1864, Paul and Virginia, Albumen print, from wet collodion-on-glass negative, Victoria and Albert Museum, LL/47126
Image: LL/47126
Lots of additional options for subscribers.
Bedford Lemere & Co., 1872, Album No. 1, Photographs taken from Specimens in Royal Architectural Museum [Westminster Abbey. Details of Foliage], Albumen print, Victoria and Albert Museum, LL/119361
Image: LL/119361
Lots of additional options for subscribers.
Alexander Keighley, 1922, The Fishermen's Shrine, Carbon print, Victoria and Albert Museum, LL/125456
Image: LL/125456
Lots of additional options for subscribers.
Alexander Keighley, 1936, The Shepherdess, Carbon print, Victoria and Albert Museum, LL/125420
Image: LL/125420
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Hotel Larochefoucauld, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90170
Image: LL/90170
Lots of additional options for subscribers.
Alexander Keighley, 1910, The Sermon, Carbon print, Victoria and Albert Museum, LL/125422
Image: LL/125422
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Pontianus - Painting of SS. Marcellinus, Pollion, and Petrus, A.D. 858-867, Albumen print, Victoria and Albert Museum, LL/97815
Image: LL/97815
Lots of additional options for subscribers.
George Robinson Fardon, 1862 (exhibited), Unidentified woman, Panotype, Victoria and Albert Museum, LL/75045
Image: LL/75045
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Stair Rail, Grand Trianon, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90167
Image: LL/90167
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Ornamental panel, Hôtel de Lauzun, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90152
Image: LL/90152
Lots of additional options for subscribers.
Oscar Gustave Rejlander, 1857 (taken), Drat the East Wind, Albumen print, mounted onto cream card, Victoria and Albert Museum, LL/91436
Image: LL/91436
Lots of additional options for subscribers.
Helen Messinger Murdoch, 1910s (ca), Portrait of J. C. Warburg, Autochrome, Victoria and Albert Museum, LL/115465
Image: LL/115465
Lots of additional options for subscribers.
Bedford Lemere & Co., 1872, Album No. 1, Photographs taken from Specimens in Royal Architectural Museum [Rochester, and St. David's. Arch Mouldings], Albumen print, Victoria and Albert Museum, LL/119364
Image: LL/119364
Lots of additional options for subscribers.
Felice Beato, 1868, Views of Japan; Japanese shop, Albumen print, hand-tinted, Victoria and Albert Museum, LL/36251
Image: LL/36251
Lots of additional options for subscribers.
Cundall & Co., 1873 (taken), Bayeux Tapestry, Photograph, Victoria and Albert Museum, LL/120403
Image: LL/120403
Lots of additional options for subscribers.
Julia Margaret Cameron, 1865 (taken), Friar Laurence and Juliet, Albumen print, from wet collodion glass negative, Victoria and Albert Museum, LL/101516
Image: LL/101516
Lots of additional options for subscribers.
Alexander Keighley, 1939, Washing the Salad, Carbon print, Victoria and Albert Museum, LL/125448
Image: LL/125448
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90145
Image: LL/90145
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Domitilla - Brickwork at the Entrance, c. A.D. 100, Albumen print, Victoria and Albert Museum, LL/97794
Image: LL/97794
Lots of additional options for subscribers.
Alexander Keighley, 1941, Resting, Carbon print, Victoria and Albert Museum, LL/125417
Image: LL/125417
Lots of additional options for subscribers.
Unidentified photographer, n.d., [The base of Trajan's Column in the Forum of Trajan, Rome], Albumen print, Victoria and Albert Museum, LL/119765
Image: LL/119765
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Church of SS Gervais et Protais, Miserere Seat (Pig), XVI Century', Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90161
Image: LL/90161
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1875 (ca), Fichu composed of two strips of point lace stitched together. Venetian., Albumen print, Victoria and Albert Museum, LL/120117
Image: LL/120117
Lots of additional options for subscribers.
Linnaeus Tripe, 1858, Great Pagoda from the Fort Glacis, Photograph, Victoria and Albert Museum, LL/84748
Image: LL/84748
Lots of additional options for subscribers.
Rosalind Maingot, 1942 (taken), The Palmist, Silver bromide print, Victoria and Albert Museum, LL/128122
Image: LL/128122
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Doorknocker, 5 Rue Bonaparte, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90158
Image: LL/90158
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Fountain, Versailles, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90137
Image: LL/90137
Lots of additional options for subscribers.
Roger Fenton, 1854-1858 (taken), Dione, Albumen print, Victoria and Albert Museum, LL/116661
Image: LL/116661
Lots of additional options for subscribers.
Charles Smeaton, 1866-1868, Catacomb of S. Pontianus - Head of Christ, A.D. 858-867, Albumen print, Victoria and Albert Museum, LL/97809
Image: LL/97809
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1872, A mathematical model made in 1872 by Fabre de Lagrange of Paris, for the South Kensington Museum, Albumen print, Victoria and Albert Museum, LL/120125
Image: LL/120125
Lots of additional options for subscribers.
Richard Avedon, 1947, Renee, the New Look of Dior, Place de la Concorde, Paris, Gelatin silver print, Victoria and Albert Museum, LL/6772
Image: LL/6772
Lots of additional options for subscribers.
Camille Silvy, 1858, River Scene, Gold-toned Albumen print, from two wet collodion-on-glass negatives, Victoria and Albert Museum, LL/36284
Image: LL/36284
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90188
Image: LL/90188
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Doorway, Church, Montmorency, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90157
Image: LL/90157
Lots of additional options for subscribers.
Francis Frith, 1860-1870, 943 Trafalgar Square, London, Albumen Print, Victoria and Albert Museum, LL/36305
Image: LL/36305
Lots of additional options for subscribers.
Eugène Atget, 1900 (ca), Door Knocker, Paris, France, Albumen print, from gelatin dry plate negative, Victoria and Albert Museum, LL/90148
Image: LL/90148
Lots of additional options for subscribers.
Linnaeus Tripe, 1855, August-November (taken) 1857 (print), Colossal Statue of the Gautama close to the N. end of the wooden bridge, Salted paper print from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36248
Image: LL/36248
Lots of additional options for subscribers.
Isabel Agnes Cowper, 1868-1869, South Kensington Museum - Educational Collections. Gallery containing examples of materials for Instruction in Art, Albumen print, Victoria and Albert Museum, LL/120110
Image: LL/120110
Lots of additional options for subscribers.
Harry Gedford Lemere, 1900, The facade of the 'Old Bell Tavern & Hotel', Holborn, London, [National Photographic Record and Survey], Platinum print, Victoria and Albert Museum, LL/119389
Image: LL/119389
Lots of additional options for subscribers.
   
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