Introduction | |
1 | Introduction to the portrait |
2 | Early examples of portraiture |
3 | Early stylistic choices with portraiture |
Having a portrait taken | |
4 | Portrait factory on Broadway, New York |
5 | Visit to Plumbe's Gallery, New York (1846) |
6 | Daguerreotypes: Occupations and roles |
7 | Daguerreotypes: Occupations and roles of women |
8 | Interesting group posed for a Daguerreotype by a friend of the family / Interesting and valuable result (1855) |
9 | Letter from W.L. Marcy, Secretary of War, to Major General Z. Taylor, Commanding Army of Occupation, Monterey, Mexico (5 October 1846) |
Guidelines for sitters | |
10 | Introduction for guidelines for sitters |
11 | Guidelines for sitters - Southworth & Hawes (1852) |
12 | Albert S. Southworth: Suggestions to Ladies Who Sit for Daguerreotypes (1854 and 1855) |
13 | Guidelines for sitters - Mons. Blume (Ireland) |
14 | William Notman: Photography. Things You Ought to Know (1866) |
15 | Guidelines for sitters - Jesse Gostick (1860) |
16 | Tintype: Hints for dress |
17 | Guidelines for sitters on cartes de visite |
18 | Hints to Sitters and Visitors - Ross' Photographic Gallery, Petaluma, California (1886) |
19 | Hints to Sitters - Newcombe & Baird, Halifax, Nova Scotia (1888) |
20 | Guidelines for sitters - American Journal of Photography (1890) |
21 | When being Photographed (1896) |
Sitting for photography | |
22 | Photographs taken during the same sitting |
Complaints about quality | |
23 | Complaints about portraiture |
The risks of portraiture | |
24 | The risks of portraiture to the sitter and the photographer |
Daguerreotype portraits | |
25 | W. & F. Langenheim: Daguerreotype portraits |
26 | Robert Cornelius: Daguerreotype portraits |
27 | Jeremiah Gurney: Daguerreotype portraits |
28 | Samuel Broadbent: Daguerreotype portraits |
29 | Southworth and Hawes: Daguerreotype portraits |
30 | Rufus P. Anson: Daguerreotype portraits |
31 | J.E. Mayall: Daguerreotype portraits |
32 | Antoine Claudet: Daguerreotype portraits |
33 | William Edward Kilburn: Daguerreotype portraits |
34 | Richard Beard: Daguerreotype portraits |
35 | Louis-Adolphe Humbert de Molard: Daguerreotype portraits |
36 | J.T. Zealy: African American slaves |
37 | Lorenzo G. Chase: Anthropological studies |
Salt print portraits | |
38 | Salt prints: Portraits |
39 | Hill & Adamson: Portraits |
Ambrotype portraits | |
40 | Ambrotypes: Portrait |
41 | Japanese ambrotypes |
Studio portraits | |
42 | Nadar: Portraits |
43 | Studio portraits in North Africa and the Middle East |
The "Artistic" portrait | |
44 | The "artistic" portrait |
45 | Julia Margaret Cameron (1815-1879): Portraits |
46 | Lady Clementina Hawarden: Photographic studies |
So few smiles | |
47 | Smiling in photography |
The "helping hand" and the "hidden mother" | |
48 | The "helping hand", "hidden mother" and "hidden father" portraits |
Front and back views | |
49 | Front and back view portraits |
Carte de visite portraits | |
50 | Introduction to cartes de visite portraits |
51 | André Adolphe-Eugène Disdéri: Uncut carte de visite sheets |
52 | Cartes de visite: Celebrities |
53 | Giuseppe Garibaldi |
54 | Camille Silvy: Carte de visite portraits |
Cabinet card portraits | |
55 | Cabinet cards: Portraits |
56 | Cabinet cards: Celebrities |
57 | Thomas Houseworth: Houseworth's Celebrities |
Tintype portraits | |
58 | Tintypes: Portraits |
59 | Tin Type Album: Little gem tintypes |
Galleries of the famous | |
60 | Introduction to galleries of the famous |
Galleries of the famous | |
61 | Thompson Cooper, Lock & Whitfield: Men of Mark (1876-1883) |
62 | Lock and Whitfield (attributed): The Theatre (1877-1897) |
63 | Galerie Contemporaine, Litteraire, Artistique |
64 | Nadar: Galerie Contemporaine, Littéraire, Artistique |
65 | Paris - Artiste |
66 | Paris-Theatre / Paris-Portrait |
67 | Figaro-Album |
68 | Herbert Rose Barraud: Portraits |
Pictorialism | |
69 | Pictorialism and the portrait |
70 | Pictorialism and the innocence of children |
71 | Clarence H. White: Portraits |
The start of the colour portrait | |
72 | Autochromes: Portrait |
Modernism and the portrait | |
73 | The move from Pictorialism to Modernism in portraiture |
74 | August Sander: Portraits |
75 | Helmar Lerski: Portraits |
76 | Erwin Blumenfeld: The concealed portrait |
The portraiture of celebrity | |
77 | Yousuf Karsh: Portraits |
Vernacular portraits | |
78 | Photobooth portraits |
79 | Mike Disfarmer: Heber Springs portraits |
80 | Joseph Selle's Fox Movie Flash: Mid-Century Street Vendor Photography |
Bust portraits | |
81 | Bust portraits |
Humanistic portraiture | |
82 | The Family of Man Exhibition (1955) |
83 | Gabriele and Helmut Nothhelfer: The first exhibition "Bali-Kino" Berlin (October 1974) |
84 | Gabriele and Helmut Nothhelfer: What's our Concern with Strangers? |
Diversity in portraiture | |
85 | Photographers who photograph representations of people |
Post-modernism | |
86 | Philip-Lorca diCorcia: Street hustlers |
87 | Ruud van Empel: Portraits |
88 | The contemporary portrait |
Defacing portraits | |
89 | The defacing and destruction of portraits |
Conclusions | |
90 | Keeping abreast of changes in portraiture |
Introduction | |
1 | Introduction to the portrait |
2 | Early examples of portraiture |
3 | Early stylistic choices with portraiture |
Having a portrait taken | |
4 | Portrait factory on Broadway, New York |
5 | Visit to Plumbe's Gallery, New York (1846) |
6 | Daguerreotypes: Occupations and roles |
7 | Daguerreotypes: Occupations and roles of women |
8 | Interesting group posed for a Daguerreotype by a friend of the family / Interesting and valuable result (1855) |
9 | Letter from W.L. Marcy, Secretary of War, to Major General Z. Taylor, Commanding Army of Occupation, Monterey, Mexico (5 October 1846) |
Guidelines for sitters | |
10 | Introduction for guidelines for sitters |
11 | Guidelines for sitters - Southworth & Hawes (1852) |
12 | Albert S. Southworth: Suggestions to Ladies Who Sit for Daguerreotypes (1854 and 1855) |
13 | Guidelines for sitters - Mons. Blume (Ireland) |
14 | William Notman: Photography. Things You Ought to Know (1866) |
15 | Guidelines for sitters - Jesse Gostick (1860) |
16 | Tintype: Hints for dress |
17 | Guidelines for sitters on cartes de visite |
18 | Hints to Sitters and Visitors - Ross' Photographic Gallery, Petaluma, California (1886) |
19 | Hints to Sitters - Newcombe & Baird, Halifax, Nova Scotia (1888) |
20 | Guidelines for sitters - American Journal of Photography (1890) |
21 | When being Photographed (1896) |
Sitting for photography | |
22 | Photographs taken during the same sitting |
Complaints about quality | |
23 | Complaints about portraiture |
The risks of portraiture | |
24 | The risks of portraiture to the sitter and the photographer |
Daguerreotype portraits | |
25 | W. & F. Langenheim: Daguerreotype portraits |
26 | Robert Cornelius: Daguerreotype portraits |
27 | Jeremiah Gurney: Daguerreotype portraits |
28 | Samuel Broadbent: Daguerreotype portraits |
29 | Southworth and Hawes: Daguerreotype portraits |
30 | Rufus P. Anson: Daguerreotype portraits |
31 | J.E. Mayall: Daguerreotype portraits |
32 | Antoine Claudet: Daguerreotype portraits |
33 | William Edward Kilburn: Daguerreotype portraits |
34 | Richard Beard: Daguerreotype portraits |
35 | Louis-Adolphe Humbert de Molard: Daguerreotype portraits |
36 | J.T. Zealy: African American slaves |
37 | Lorenzo G. Chase: Anthropological studies |
Salt print portraits | |
38 | Salt prints: Portraits |
39 | Hill & Adamson: Portraits |
Ambrotype portraits | |
40 | Ambrotypes: Portrait |
41 | Japanese ambrotypes |
Studio portraits | |
42 | Nadar: Portraits |
43 | Studio portraits in North Africa and the Middle East |
The "Artistic" portrait | |
44 | The "artistic" portrait |
45 | Julia Margaret Cameron (1815-1879): Portraits |
46 | Lady Clementina Hawarden: Photographic studies |
So few smiles | |
47 | Smiling in photography |
The "helping hand" and the "hidden mother" | |
48 | The "helping hand", "hidden mother" and "hidden father" portraits |
Front and back views | |
49 | Front and back view portraits |
Carte de visite portraits | |
50 | Introduction to cartes de visite portraits |
51 | André Adolphe-Eugène Disdéri: Uncut carte de visite sheets |
52 | Cartes de visite: Celebrities |
53 | Giuseppe Garibaldi |
54 | Camille Silvy: Carte de visite portraits |
Cabinet card portraits | |
55 | Cabinet cards: Portraits |
56 | Cabinet cards: Celebrities |
57 | Thomas Houseworth: Houseworth's Celebrities |
Tintype portraits | |
58 | Tintypes: Portraits |
59 | Tin Type Album: Little gem tintypes |
Galleries of the famous | |
60 | Introduction to galleries of the famous |
Galleries of the famous | |
61 | Thompson Cooper, Lock & Whitfield: Men of Mark (1876-1883) |
62 | Lock and Whitfield (attributed): The Theatre (1877-1897) |
63 | Galerie Contemporaine, Litteraire, Artistique |
64 | Nadar: Galerie Contemporaine, Littéraire, Artistique |
65 | Paris - Artiste |
66 | Paris-Theatre / Paris-Portrait |
67 | Figaro-Album |
68 | Herbert Rose Barraud: Portraits |
Pictorialism | |
69 | Pictorialism and the portrait |
70 | Pictorialism and the innocence of children |
71 | Clarence H. White: Portraits |
The start of the colour portrait | |
72 | Autochromes: Portrait |
Modernism and the portrait | |
73 | The move from Pictorialism to Modernism in portraiture |
74 | August Sander: Portraits |
75 | Helmar Lerski: Portraits |
76 | Erwin Blumenfeld: The concealed portrait |
The portraiture of celebrity | |
77 | Yousuf Karsh: Portraits |
Vernacular portraits | |
78 | Photobooth portraits |
79 | Mike Disfarmer: Heber Springs portraits |
80 | Joseph Selle's Fox Movie Flash: Mid-Century Street Vendor Photography |
Bust portraits | |
81 | Bust portraits |
Humanistic portraiture | |
82 | The Family of Man Exhibition (1955) |
83 | Gabriele and Helmut Nothhelfer: The first exhibition "Bali-Kino" Berlin (October 1974) |
84 | Gabriele and Helmut Nothhelfer: What's our Concern with Strangers? |
Diversity in portraiture | |
85 | Photographers who photograph representations of people |
Post-modernism | |
86 | Philip-Lorca diCorcia: Street hustlers |
87 | Ruud van Empel: Portraits |
88 | The contemporary portrait |
Defacing portraits | |
89 | The defacing and destruction of portraits |
Conclusions | |
90 | Keeping abreast of changes in portraiture |