Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 16: Expression of severity, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79643

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 78: Scene of coquetry, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79652

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 56: Surprise, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79651

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 50: Affected weeping and face in repose, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79650

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79649

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 63: Expression of terror, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79648

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 48: Mild weeping, pity and feeble false laughter, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79647

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 19: Suffering, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79645

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Electro-Physiologie, Figure 64, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79629

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 21: Painful recollection and recollection or calling something to mind, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79644

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Faradisation du muscle frontal, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79630

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Icono-photographique. Mécanisme de la Physionomie Humaine. Fig. 65, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79631

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 25: Not an expression of pain, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79646

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 18: Aggression, wickedness, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79632

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 83: Lady Macbeth, ferocious cruelty, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79633

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 60: Fright, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79634

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 6: The grimice produced is similar to a tic of the face, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79635

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 73: Head of Niobe, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79642

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 10: Showing the expressive lines of m. frontalis in a young girl, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79641

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 3: The face of an old man… photographed in repose., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79640

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 20: Profound suffering, with resignation, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79639

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79636

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 15: Mediation, mental concentration, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79638

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 4: The face in repose of a young man, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79637

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 47: A suggestion of this same weeping, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79654

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 36: Scornful laughter and scornful disgust, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79664

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 82: Lady Macbeth, strong expression of cruelty, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79663

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79665

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 45: Pain and despair., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79666

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 63: Expression of terror, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79667

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 34: Grimace, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79668

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 53: Whimpering and false laughter, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79662

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 70: Head of the Laocoön of Rome, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79661

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 22: No painful expression, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79660

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 57: Astonishment, stupefaction, amazement, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79659

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 62: Terror, semiprofile, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79653

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79655

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 49: Painful weeping and forward looking., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79656

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79657

Duchenne & Adrien Tournachon, 1854-1856 (taken) 1862 (print), Figure 52: Voluntary retraction of the lower lip, [Mécanisme de la physionomie humaine, ou analyse électrophysiologique des passions], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79658

1856, Illustration showing a box for the storage of daguerreotype plates, Book illustration, Google Books, LL/76684

Clouzard & Soulier, 1856, Pont de Prague, Bohemia, Stereoview, albumen on glass, Archive Farms, LL/129501

Cundall & Howlett, 1856, Colour Sergeant Absolom Durrant, Salted paper print, The Royal Collection, LL/91135

Cundall & Howlett, 1856, Private John Dryden, Salted paper print, hand-painted, The Royal Collection, LL/91152

Cundall & Howlett, 1856, Three Soldiers of the Rifle Brigade, Salted paper print, The Royal Collection, LL/91140

Cundall & Howlett, 1856, Three Soldiers of the Royal Sappers and Miners, Salted paper print, The Royal Collection, LL/91139

Cundall & Howlett, 1856, Sergeant Robert Glasgow, Salted paper print, The Royal Collection, LL/91138

Cundall & Howlett, 1856, Colour Sergeant William McGregor, Salted paper print, The Royal Collection, LL/91137

Cundall & Howlett, 1856, Sergeant Major Edwards, Salted paper print, The Royal Collection, LL/91136

Cundall & Howlett, 1856, Soldiers of the 17th Light Dragoon (Lancers) who served in the Crimean War, Salted paper print, The Royal Collection, LL/91128

Cundall & Howlett, 1856, Three Soldiers of the Coldstream Guards, Salted paper print, The Royal Collection, LL/91134

Cundall & Howlett, 1856, Heroes of the Crimean War, [Crimean Heroes], Albumen print, Archive Farms, LL/38891

Cundall & Howlett, 1856, Reynolds, Temple and Judd, Scots Fusiliers Guards, [Crimean Heroes], Albumen print, National Army Museum, LL/41361

Cundall & Howlett, 1856, Piper David Muir, 42nd (The Royal Highland) Regiment of Foot, [Crimean Heroes], Albumen print, National Army Museum, LL/41360

Cundall & Howlett, 1856, Heroes of the Crimean War, Albumen print, Nelson-Atkins Museum of Art, LL/80811

Cundall & Howlett, 1856, Sergeant William Knapp, Salted paper print, The Royal Collection, LL/91133

Cundall & Howlett, 1856, Three Soldiers of the Grenadier Guards, Salted paper print, The Royal Collection, LL/91132

Cundall & Howlett, 1856, Colour-Sergeant J Stanton, Royal Sappers and Miners, [Crimean Heroes], Albumen print, National Army Museum, LL/41359

Cundall & Howlett, 1856, Colour Sergeant William Pocock, Salted paper print, The Royal Collection, LL/91131

Cundall & Howlett, 1856, Noble, Dawson and Harper, 72nd (Duke of Albany's Own Highlanders) Regiment of Foot, [Crimean Heroes], Albumen print, National Army Museum, LL/41337

Cundall & Howlett, 1856, Sergeant William Powell, 3rd Battalion, the 1st (or Grenadier) Regiment of Foot Guards, [Crimean Heroes], Albumen print, National Army Museum, LL/41358

Cundall & Howlett, 1856, Company Sergeant William Christie and Sergeant Samuel McGifford, Salted paper print, The Royal Collection, LL/91130

Ettingshausen & Pokorny, 1856, [Botanical study], [Physiotypia plantarum austriacarum], Naturselbstdrucke (nature print), Dorotheum, LL/67497

Ettingshausen & Pokorny, 1856, [Botanical study], [Physiotypia plantarum austriacarum], Naturselbstdrucke (nature print), Dorotheum, LL/67498

Johnson & Henderson, 1856, XXII Mehmans, [The Oriental races and tribes, residents and visitors of Bombay, A Series of Photographs, with Letter-press Descriptions, vol I, Mumbai, India], Albumen print, letterpress, National Gallery of Australia (NGA), LL/45924

Johnson & Henderson, 1856, Vallabhacharya Maharajas, [The Oriental races and tribes, residents and visitors of Bombay, A Series of Photographs, with Letter-press Descriptions, vol I, Page: Pl. IV], Albumen print, letterpress, National Gallery of Australia (NGA), LL/45923

W. & F. Langenheim, 1856, Niagara Falls, Summer View, Table Rock, from Above, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71955

W. & F. Langenheim, 1856, Niagara Falls, Summer View, Suspension Bridge, Side View from American Side, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71954

W. & F. Langenheim, 1856, Trenton Falls, Black River, New York, the High Falls, from the Right Bank, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71956

W. & F. Langenheim, 1856, Trenton Falls, Black River, New York, the Middle Falls, from the Right Bank, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71957

W. & F. Langenheim, 1856, Washington's Tomb, Mount Vernon, Virginia, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71958

W. & F. Langenheim, 1856, Niagara Falls, Summer View, American Falls, from Hogsback, Goat Island, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71953

W. & F. Langenheim, 1856, Girard College, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71952

W. & F. Langenheim, 1856, Doughoregon Manor, Stereographic lantern slide, hand-colored, Philadelphia Museum of Art, LL/71951

Langenheim, Lloyd & Co., 1856, Picture Gallery, Smithsonian Institute., Stereoview, detail, Internet - Original source ill-defined, LL/90022

Langenheim, Lloyd & Co., 1856, Picture Gallery, Smithsonian Institute., Stereoview, Internet - Original source ill-defined, LL/90021

Maull & Polyblank, 1856, Robert Stephenson, Albumen print, Archive Farms, LL/116743

Maull & Polyblank, 1856, Portrait of Professor Richard Owen, [Photographic Portraits of Living Celebrities], Albumen print, from wet collodion on glass negative, Universiteitsmuseum Utrecht, LL/25780

Mayer & Pierson, 1856, Participants at the Treaty of Paris following the Crimean War, 1856, Carte de visite, Private collection of Daniele Buraia, LL/118679

Mayer & Pierson, 1856, Participants at the Treaty of Paris following the Crimean War, 1856, Albumen print, Hungarian National Museum, LL/118680

Mayer & Pierson, 1856, Participants of the Congress of Paris, 1856, Albumen print, The Royal Collection, LL/118681

Robertson, J. & Beato, F., 1856, Fontaine dans la cour de la mosquée de la citadelle, Le Caire, Égypte, Albumen print, Piasa, LL/48165

Southworth & Hawes, 1856, The Niagara Suspension Bridge, Daguerreotype, full plate, George Eastman Museum, LL/6404

London Stereoscopic Company, 1856, Still Life with Stereoscope and Photographs, Stereoview, Rijksmuseum, LL/112395

London Stereoscopic Company, 1856, Still Life with Stereoscope and Photographs, Stereoview, Rijksmuseum, LL/112394

Adolphe Braun, 1856, Camelias and Lilacs, Albumen print, George Eastman Museum, LL/57174

Adrien Tournachon, 1856, Bélier Siebenburg, [Concours agricole, 1856], Salt print, varnished, Ader Nordmann, LL/62372

Adrien Tournachon, 1856, Taureau Gascon, Salt print, varnished with gelatin and tannin from wet collodion negative, Archive Farms, LL/90780

Adrien Tournachon, 1856, Vache Parthenaise, agée de 5 ans, Gelatin-coated salt print (vernis-cuir) from wet collodion negative, Charles Isaacs Photographs, Inc, LL/4188

Adrien Tournachon, 1856, Durham cow and caretaker at agricultural fair, Paris, Salt print, varnished with gelatin and tannin, Bassenge Photography Auctions, LL/82526

Adrien Tournachon, 1856, Taureau du Glane, [Concours agricole, 1856], Salt print, varnished, Ader Nordmann, LL/62370

Adrien Tournachon, 1856, Taureau de Hongrie, [Concours agricole, 1856], Salt print, varnished, Ader Nordmann, LL/62371

Alexander Greenlaw, 1856, Vittala Temple, Gopura and Dipa-stambha, Waxed paper negative, Alkazi Collection of Photography, LL/52980

Alfred Capel Cure, 1856, Blasted Tree at Badger, Albumen silver print, Metropolitan Museum of Art, LL/25985

Alfred Capel Cure, 1856, Oak Struck by Lightning, Badger, 1856, Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/98305

Allevy, 1856, Death Portrait of Doctor Amussat, Daguerreotype, 1/6 plate, George Eastman Museum, LL/40639

Alphonse-Louis Poitevin, 1856, Halles Centrales, a Paris, Vue du pavillon sud-ouest pendant le montage, Poitevin process photolithograph, Archive Farms, LL/55181

Andreas Groll, 1856, View of the Santa Casa within the Loreto, Prague, Albumen print, Bassenge Photography Auctions, LL/67214

Antoine Claudet, 1856, Mrs. Hamilton and her Daughter Frances Mary, Daguerreotype, with applied colour, National Gallery of Canada / Musée des beaux-arts du Canada, LL/6678

Antoine Claudet, 1856, Eliza Hamilton, Daguerreotype, with color application, National Gallery of Canada / Musée des beaux-arts du Canada, LL/112977

Antoine Claudet, 1856, Catherine Maria, Emily Georgina et Caroline Charlotte Hamilton, Daguerreotype, with color application, National Gallery of Canada / Musée des beaux-arts du Canada, LL/112972

Antoine Claudet, 1856, Catherine Margaret Hozier, Daguerreotype, with color application, National Gallery of Canada / Musée des beaux-arts du Canada, LL/112971

Antoine Claudet, 1856, Stereo case, Daguerreotype case, open, Private collection of Jason David Wright, LL/76641

Antoine Claudet, 1856, Lady Mary Haughton Feilden of Feniscowles, Daguerreotype, with color application, National Gallery of Canada / Musée des beaux-arts du Canada, LL/112984

Antoine Claudet, 1856, Mrs. Hamilton and Frances Mary Hamilton, Daguerreotype, with color application, National Gallery of Canada / Musée des beaux-arts du Canada, LL/112983

Antoine Claudet, 1856, James Hozier, Daguerreotype, with color application, National Gallery of Canada / Musée des beaux-arts du Canada, LL/112982

Antoine Claudet, 1856, Major General Sir James Outram 1st Baronet GCB KSI - The Bayard Of India, Daguerreotype, stereo, hand-painted, Private collection of Jason David Wright, LL/76639

Benjamin Maxham, 1856, Henry David Thoreau (July 12, 1817 - May 6, 1862), Daguerreotype, 1/9 plate, National Portrait Gallery, Smithsonian Institution, LL/76470

Benjamin Maxham, 1856, Henry David Thoreau (July 12, 1817 - May 6, 1862), Daguerreotype, 1/9 plate, National Portrait Gallery, Smithsonian Institution, LL/76467

Benjamin Franklin Pease, 1856, Mariscal Ramon Castilla, Daguerreotype, 1/2 plate, Internet - Original source ill-defined, LL/70593

Benjamin Pierce Batchelder, 1856, Sonora, Stereocard, Haggin Museum, LL/90485

Carl Gustav Oehme (1817-1881), 1856, Portrait of Anton Ferdinand Benda (1817-1893), Daguerreotype, 1/2 plate, Bassenge Photography Auctions, LL/59740

Charles Hawes (New Bedford, Massachusetts), 1856, Portrait of a dapper figure, purportedly Capt. George W. Dodge (1830- ?), master of the whaling bark Superior (New Bedford, Massachusetts), Ambrotype, whole plate, Swann Galleries - New York, LL/69029

Charles Meryon, 1856, View of San Francisco [detail, centre], Etching and drypoint, detail, Princeton University Library, LL/91288

Charles Meryon, 1856, View of San Francisco [detail, left], Etching and drypoint, detail, Princeton University Library, LL/91287

Charles Meryon, 1856, View of San Francisco [detail, right], Etching and drypoint, detail, Princeton University Library, LL/91289

Charles Meryon, 1856, View of San Francisco, Etching and drypoint, Princeton University Library, LL/91286

Charles Marville, 1856, Statue of Clovis, Church of Sainte-Clotilde, Paris, Salted paper print, National Gallery of Art, LL/92668

Charles Piazzi Smyth, 1856, Tent scene of Mount Guajara, 8903 feet high, Stereoview, Archive Farms, LL/104296

Charles Piazzi Smyth, 1856, Entrance to the Ice Cavern in The Malpays on the Peak of Teneriffe, Stereoview, Archive Farms, LL/117555

Charles Piazzi Smyth, 1856, Teneriffe Experiment of 1856, Photoglyphed copper plate, National Science and Media Museum, LL/65621

Charles Piazzi Smyth, 1856, Sheepshanks telescope first erected on Mount Guajara, the Peak of Teneriffe in the distance, Stereoview, Archive Farms, LL/104237

Charles Thurston Thompson, 1856, Yews, Merrow Decorus, Surrey, Albumen print, from a wet collodion negative, Museum of Fine Arts, Boston, LL/96646

Domenico Bresolin, 1856, Palazzo Dario [Venice], Salt print, Private collection of Marco C. Antonetto, LL/30888

Édouard Baldus, 1856, Le deluge (The Flood), Salt print, Nelson-Atkins Museum of Art, LL/81640

Édouard Baldus, 1856, Lyon (les Brotteaux), [Inondations du Rhône à Lyon et Avignon], Salt paper print, Ecole nationale des ponts et chaussées, LL/45299

Édouard Baldus, 1856, Les remparts à Avignon, [Inondations du Rhône à Lyon et Avignon], Salt paper print, Ecole nationale des ponts et chaussées, LL/45300

Édouard Baldus, 1856, Avignon, Inondations, No 82, Salt print, Nelson-Atkins Museum of Art, LL/81638

Édouard Baldus, 1856, The Rhône in Flood in 1856, Avignon, [Inondations du Rhône à Lyon et Avignon], Salted paper print from paper negative, Musée d'Orsay, LL/37311

Édouard Baldus, 1856, Architectural Detail, New Louvre, Paris, Salt print, coated, Archive Farms, LL/55323

Édouard Baldus, 1856, Avignon, Inondations, No 81, Salt print, Nelson-Atkins Museum of Art, LL/81637

Édouard Baldus, 1856, Palais de l'Industrie, Exposition Universalle, Paris, Poitevin process photolithograph, Archive Farms, LL/65098

Édouard Baldus, 1856, Pavillon Turgot, Nouveau Louvre, Albumen print, George Eastman Museum, LL/74852

Eliphalet Brown, 1856, Eliphalet M. Brown Jr. shooting Daguerreotypes in Okinawa, Lithograph, detail, Private collection of Rob Oechsle, LL/51267

Eliphalet Brown, 1856, Eliphalet M. Brown Jr. shooting Daguerreotypes in Okinawa, Lithograph, Private collection of Rob Oechsle, LL/51266

Eliphalet Brown, 1856, Temple at Tumai, Lew Chew, Lithograph, Leonard Joel, LL/52388

Emilie Bieber, 1856, Portrait of a Man, Daguerreotype, hand-coloured, Museum für Kunst und Gewerbe / MKG, LL/126251

Etienne Carjat, 1856, Paul Legrand, Lithograph, Archive Farms, LL/116736

Eugène Constant, 1856, Cloister of San Giovanni in Laterano, Albumen print, Princeton University Art Museum, LL/44559

Eugène Mailand, 1856, La Tour de Castel-Vielh, Tirage salé d'après négatif papier, Millon et Associes, LL/78263

Eugène Mailand, 1856, Cour du Cloître de Saint-Bertrand-de-Comminges, Tirage salé-albuminé d'après négatif papier, Millon et Associes, LL/78262

F.W. Hacker, 1856, Portrait of Miss Parson of Hyannis, MA, Daguerreotype, 1/16 plate, Private collection of John S. Rochon, LL/63410

Fortune-Joseph Petiot-Groffier, 1856, Le quai de la Navigation à Chalon-sur-Saône, Calotype, Musée Nicéphore Niépce / Museum of Photography, LL/76210

Francis Bedford, 1856, Hugh Welch Diamond, [Photographic Society Club album], Albumen print, Creative Commons - Wikipedia, LL/66056

Francis Frith, 1856, Kom Ombo, Egypt, Albumen print, from wet collodion negative, uncut stereo pair, Private collection of John Hannavy, LL/31334

Francis Frith, 1856, Karnak, Egypt, Albumen print, from wet collodion negative, Private collection of John Hannavy, LL/31335

Francis Frith, 1856, Philae, Egypt, Albumen print, from wet collodion negative, uncut stereo pair, Private collection of John Hannavy, LL/31341

Frederick Langenheim, 1856, Niagara Falls From Point View, Albumen on glass stereoview, Archive Farms, LL/128331

Frederick Langenheim, 1856, Niagara Suspension Bridge, Stereoview, glass, Private collection of Michael Pecosky, LL/102120

Frederick Scott Archer, 1856, Group of Sacramental Plate Presented by Prelate Katarine Willement to Davington Church in 1849, Salted paper print, from a collodion negative, Archive Farms, LL/122473

Geneviève-Élisabeth Disdéri, 1856, Cimétière de Plougastel, groupe de paysans, [Brest et ses environs], Albumen print, George Eastman Museum, LL/61768

George Washington Wilson, 1856, 18 Linn of Dee, Stereoview, Private collection of Peter Blair, LL/99782

Gustave Le Gray, 1856, Sainte-Adresse beach in Normandy, Albumen print, PatrimonioNacional - Archivo General de Palacio, LL/115270

Gustave Le Gray, 1856, Plage de Sainte-Adresse avec les bains Dumont, Dumont's baths, (Seine-Maritime) [Dumont's baths], Albumen print, Rouillac, LL/67241

Gustave Le Gray, 1856, Effet de soleil dans les nuages - Océan [Sun effects in the clouds over the ocean], Albumen print, Rouillac, LL/67240

Gustave Le Gray, 1856, Brig on the Water, Salt print, National Science and Media Museum, LL/41847

Gustave Le Gray, 1856, Brick - Normandie, dit "Brick au clair de lune" [Brig on the water - Normandy], Albumen print, Rouillac, LL/67239

Gustave Le Gray, 1856, Marine, étude de nuage [Seascape, cloud study], Albumen print, Rouillac, LL/67238

Gustave Le Gray, 1856, Marina with sailboat and tugboat leaving a smoke trail, Albumen print, PatrimonioNacional - Archivo General de Palacio, LL/115264

Gustave Le Gray, 1856, Reflection of the sun on the sea, Albumen print, PatrimonioNacional - Archivo General de Palacio, LL/115268

Gustave Le Gray, 1856, Steamboat, Albumen print, PatrimonioNacional - Archivo General de Palacio, LL/115269

Gustave Le Gray, 1856, Un Effet de Soleil, Ocean no. 23, Albumen print, Israel Museum, Jerusalem, LL/40707

Gustave Le Gray, 1856, Sainte-Adresse beach with the Dumont baths, Albumen print, PatrimonioNacional - Archivo General de Palacio, LL/115271

Gustave Le Gray, 1856, Brig on the Water, Albumen print, Princeton University Art Museum, LL/44636

Gustave Le Gray, 1856, Marine, Albumen print, PatrimonioNacional - Archivo General de Palacio, LL/115272

Gustave Le Gray, 1856, The Empress Eugénie at Prayer, Saint-Cloud [Empress Eugénie on a Prie-dieu], Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/40548

Gustave Le Gray, 1856, Brig on the Water, Albumen print, Swann Galleries - New York, LL/21782

Gustave Le Gray, 1856, Le Soleil Couronné -- Océan, Albumen print, Christie's - London, LL/24270

Gustave Le Gray, 1856, Effet de soleil dans les nuages, océan, Albumen print, Sotheby's - Paris, LL/33739

Gustave Le Gray, 1856, Seascape with clouds, Albumen print, Swann Galleries - New York, LL/57641

Gustave Le Gray, 1856, The Steamboat, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112766

Gustave Le Gray, 1856, The Haloed Sun, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112764

Gustave Le Gray, 1856, Brig on the Water, [Album "Vistas del Mar"], Albumen print, Art Institute of Chicago, LL/112756

Gustave Le Gray, 1856, Effet de soleil - Océan N°23 [Sun effects over the ocean n°23], Albumen print, Rouillac, LL/67242

Gustave Le Gray, 1856, Pifferari, étude de musiciens italiens, Salt paper print, ArtNet, LL/99407

Gustave Le Gray, 1856, Marine, Grande Vague, Sète, Albumen print, Museum Folkwang, LL/40807

Gustave Le Gray, 1856, Brig upon the Water, Salt print, Nelson-Atkins Museum of Art, LL/81692

Gustave Le Gray, 1856, Pifferari, étude de musiciens italiens, Salt paper print, ArtNet, LL/99408

Gustave Le Gray, 1856, The Road to Chailly, Fontainebleau, Albumen print, J. Paul Getty Museum, LL/7338

Gustave de Beaucorps, 1856, Ponte Vecchio, Florence, Paper negative, SFMOMA - San Francisco Museum of Modern Art, LL/34356

Henry Wallis (artist), 1856, The Death of Chatterton, Oil on canvas, Tate Britain, LL/103739

Henry Wallis (artist), 1856, The Death of Chatterton, Oil on canvas, mahogany panel, Birmingham Museum and Art Gallery, LL/103740

Henry White, 1856, Haystacks, Albumen print, Archive Farms, LL/55183

Honoré Daumier, 1856, Nouveau procédé employé pour obtenir des poses gracieuses. [A New Process Used to Achieve Graceful Poses.], Lithograph, National Gallery of Canada / Musée des beaux-arts du Canada, LL/34678

J.A. Whipple, 1856, John Brown, Daguerreotype, vinetted, Massachusetts Historical Society, LL/62714

Jacques Moulin, 1856, "Bechtob et Sacradji, pecheurs Coulouglis", Algeria., Albumen print, Bassenge Photography Auctions, LL/115510

Jacques Moulin, 1856, Groupe de femmes arabes à Biskra, Albumen print, Musée de l'Armée, LL/45111

Jacques Moulin, 1856, Nude, Photograph, J. Paul Getty Museum, LL/104660

Jacques Moulin, 1856, Pierres tumulaires et inscriptions trouvées à Cherchell, Tirage sur papier albuminé d'après négatif sur verre au collodion, Bibliothèque Nationale de France, Département des Estampes et de la Photographie, LL/7062

James Anderson, 1856, The Coliseum, Albumen silver print, J. Paul Getty Museum, LL/104877

James Anderson, 1856, Arch of Constantine, Albumen silver print, J. Paul Getty Museum, LL/104878

James Anderson, 1856, Triton Fountain, Piazza Barberini, Albumen print, from a paper negative, Chiswick Auctions, LL/115699

James Anderson, 1856, Arch of Titus, Rome, Albumen silver print, J. Paul Getty Museum, LL/104879

James Graham, 1856, Carmelite Monastery on Mount Carmel, Palestine, Albumen print, Archive Farms, LL/124629

James McClees, 1856, Butler Mansion House, Philadelphia, Salted paper print, Archive Farms, LL/122400

James Robertson, 1856, Floriana, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91068

James Robertson, 1856, Main Guard, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, and pencil, The Royal Collection, LL/91062

James Robertson, 1856, Strada Teatro, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91061

James Robertson, 1856, Strada Reale, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91060

James Robertson, 1856, Strada St Paulo, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91063

James Robertson, 1856, Porta Reale, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91059

James Robertson, 1856, Entrance to the Great Harbour, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91058

James Robertson, 1856, The Duke of Wellington, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91057

James Robertson, 1856, The Conqueror and Duke of Wellington, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91056

James Robertson, 1856, Part of the Fortifications, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91067

James Robertson, 1856, Strada Mercanti, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91064

James Robertson, 1856, Dockyard Creek, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91055

James Robertson, 1856, Fort St Angelo, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91054

James Robertson, 1856, Queen Adelaide's Church, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91069

James Robertson, 1856, Auberge de Castil, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91065

James Robertson, 1856, Valletta from Fort Manoel, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91070

James Robertson, 1856, Fort Manoel, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91071

James Robertson, 1856, Interior of Fort Manoel, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91072

James Robertson, 1856, Porta Reale, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91073

James Robertson, 1856, Part of the Fortifications, [Photographic views of Malta, taken in 1856, by James Robertson], Salted paper print, from glass negative, The Royal Collection, LL/91066

Jane Martha St. John, 1856, Stone Pines, Villa Pamfili Doria, Rome, Albumen silver print, from paper negative, Metropolitan Museum of Art, LL/50944

Jane Martha St. John, 1856, The Colosseum, detail, Albumen print, Metropolitan Museum of Art, LL/34904

Jane Martha St. John, 1856, The Colosseum, Albumen silver print, Metropolitan Museum of Art, LL/25994

Jeremiah Gurney, 1856, Untitled (Portrait of Man with Painting), Daguerreotype, Art Institute of Chicago, LL/114500

John Leech (artist), 1856, Boy. "I say, Sir - Heave us up to have a look at them pictures!", Cartoon, Internet - Original source ill-defined, LL/76276

John Kirk, 1856, Valonea Oaks behind British Hospital Renkioi, Albumen print, J. Paul Getty Museum, LL/97981

John Kirk, 1856, Pine Trees, Heights above Renkioi with Greek Chapel, Albumen print, J. Paul Getty Museum, LL/97984

John Kirk, 1856, B.H. Renkioi March 1856, Albumen print, J. Paul Getty Museum, LL/97961

John Kirk, 1856, B.H. Renkioi 1856, Albumen print, J. Paul Getty Museum, LL/97979

John Kirk, 1856, Valonea Oak, Renkioi, Albumen print, J. Paul Getty Museum, LL/97978

John Dillwyn Llewelyn, 1856, Birthday Group, Albumen silver print, Metropolitan Museum of Art, LL/69506

John Dillwyn Llewelyn, 1856, Piscator, No. 2, Albumen silver print, Metropolitan Museum of Art, LL/50950

John Beasly Greene, 1856, The Tomb of the Christian, Salt print, Nelson-Atkins Museum of Art, LL/81707

John Beasly Greene, 1856, [Tents, Algeria], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/69342

John Beasly Greene, 1856, [Fragment of an Egyptian Statue in the Museum at Cherchell, Algeria], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/69348

John Beasly Greene, 1856, [Waterfall, Constantine], Salted paper print, from paper negative, Metropolitan Museum of Art, LL/69350

John Beasly Greene, 1856, The Tomb of the Christian, Algeria, Salt print, Nelson-Atkins Museum of Art, LL/81706

John Beasly Greene, 1856, The Tomb of the Christian, Algeria, Salt print, Nelson-Atkins Museum of Art, LL/81705

John Beasly Greene, 1856, Detail of the Tomb of the Christian Woman, Algeria, Salted paper print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/39073

John Beasly Greene, 1856, Burial Mound, Algeria, Salted paper print, from paper negative, Art Gallery of Ontario - AGO, LL/54561

John Wheeley Gough Gutch, 1856, Broad Gauge Railway, Sidmouth, Devon, Salted paper print, from collodion negative, Archive Farms, LL/64899

John William Draper, 1856, Photomicrograph of Algae, Daguerreotype, National Museum of American History, Smithsonian Institution, LL/36187

Joseph Cundall, 1856, Mr Charles Kean (1811-68) as Leontes, Wet collodion negative, The Royal Collection, LL/93020

Joseph Cundall, 1856, Mr Charles Kean (1811-68) as Leontes, Photograph, hand-coloured, The Royal Collection, LL/93021

Joseph Cundall, 1856, Crimean Heroes: William Gardner, Donald McKenzie and George Glen, Albumen print, National Galleries of Scotland, LL/7693

Joseph Cundall, 1856, Highlanders, Albumen silver print, Metropolitan Museum of Art, LL/77949

Joseph Cundall, 1856, Heroes of the Crimean War, Albumen print, Archive Farms, LL/128794

Joseph Cundall, 1856, Crimean Braves, Photogalvanograph, Archive Farms, LL/129165

Joseph James Forrester, 1856, Peasants of the Alto-Douro, Albumen silver print, from glass negative, Metropolitan Museum of Art, LL/79695

Langenheim, 1856, Mount Webster from Willard Mountain, [White Mountains, New Hampshire], Glass stereoview, Jefferson Stereoptics, LL/13792

Leon Auguste Asselineau (artist, 1808-1889), 1856, View of the Port of Boulogne, [La France de Nos Jours], Lithograph, Internet - Original source ill-defined, LL/90851

Leopold Grozelier (artist, 1830-1865) Loyal M. Ives (Loyal Moses, daguerreotypist, 1821-1896), 1856, The sailor's farewell, Lithograph, hand-coloured, Library of the Boston Athenaeum, LL/61343

Louis Rousseau, 1856, View of Reykjavík (Udsigt over Reykjavík), Photograph, mounted on cardboard, Kongernes Samling, LL/120925

Louis Rousseau, 1856, Young Icelandic woman, Photograph, Musée de l'Homme, LL/122441

Louis Jules Duboscq, 1856, Patent illustration - 5th(?) addition (Brevet d'Invention), Patent illustration, French Patent and Trademark Office (INPI), LL/118381

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70065

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70064

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70063

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70062

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70061

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70060

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70066

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70067

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/70068

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/75295

Louis-Camille d'Olivier, 1856, Composition avec nu, Salted paper print, George Eastman Museum, LL/75294

Louis-Pierre-Théophile Dubois de Nehaut, 1856, The Arrival of the Photographers (Dubois de Nehaut and Humbert du Molard), Salt print, Nelson-Atkins Museum of Art, LL/80724

Louis-Pierre-Théophile Dubois de Nehaut, 1856, Grand-Place Bruxelles, Salt print, Nelson-Atkins Museum of Art, LL/81661

Lowden/Scott's (patent), 1856, Stereoscope no.199 on a lacquered-brass and wooden column and turned wooden base, sold by Negretti & Zambra, London, Stereoscope, National Museums Scotland, LL/68400

Ludwig Angerer, 1856, Biserica Sf Dumitru [Bucharest, Romania], Photograph, Creative Commons - Wikipedia, LL/65122

Ludwig Angerer, 1856, Turnul Coltea, Photograph, Creative Commons - Wikipedia, LL/65123

Ludwig Angerer, 1856, St. Anthony's Market [Bucharest, Romania], Photograph, Creative Commons - Wikipedia, LL/65124

Ludwig Angerer, 1856, Podul Mogosoaiei - Vedere panoramica de pe Teatrul National a Bucurestiului [Bucharest, Romania], Photograph, Creative Commons - Wikipedia, LL/65125

Ludwig Angerer, 1856, Mahalaua Antim [Bucharest, Romania], Photograph, Creative Commons - Wikipedia, LL/65126

Ludwig Angerer, 1856, Mahalaua Calicilor [Bucharest, Romania], Photograph, Creative Commons - Wikipedia, LL/65127

Ludwig Angerer, 1856, Teatrul National [Bucharest, Romania], Photograph, Creative Commons - Wikipedia, LL/65128

Maharaja Sawai Ram Singh II, 1856, Maharaja Sawai Ram Singh II of Jaipur, photographer-prince (1833-1880), Self-Portrait, Wet collodion plate, Internet - Original source ill-defined, LL/55116

Marcus Aurelius Root, 1856, Panorama of Philadelphia. Chestnut Street, East of Fifth (Detail showing the Daguerreotype Gallery of M.A, Root) - Collins and Autenrieth (Artists), Lithograph, Archives of Modern Conflict OR National Gallery of Canada, LL/15031

Marcus Aurelius Root, 1856, Panorama of Philadelphia. Chestnut Street, East of Fifth - Collins and Autenrieth (Artists), Lithograph, Archives of Modern Conflict OR National Gallery of Canada, LL/15028

Mark Anthony, 1856, Wild flowers, Salted paper print from a wet collodion negative, Royal Photographic Society, LL/6812

Mathew B. Brady, 1856, John Draper, Ambrotype, 1/2 plate, National Portrait Gallery, Smithsonian Institution, LL/113650

Mathew B. Brady, 1856, John Draper, Ambrotype, 1/2 plate, National Portrait Gallery, Smithsonian Institution, LL/113649

Mendel Diness, 1856, James Graham, Platinum print - modern, Harvard Fine Arts Library, LL/41659

Nadar, 1856, Angus bull and owner at an agricultural fair, Paris, Salt print, coated, The Hyman Collection, LL/54701

Nevil Story-Maskelyne, 1856, Charlton House, near Malmsbury, Wiltshire, Salted paper print, Rijksmuseum, LL/78718

Oscar Gustave Rejlander, 1856, Boy with a Tennis Racquet, Albumen print, Moderna Museet, LL/85548

Oscar Gustave Rejlander, 1856, Ingestre Hall, Albumen print, The Royal Collection, LL/91078

Oscar Gustave Rejlander, 1856, 'The oldest house in Lichfield', Salted paper print, The Royal Collection, LL/91076

Peter Bock-Schroeder, 1856, Dublin, Gelatin silver print, Peter Bock-Schroeder Photographic Estate, LL/106116

Philip Hermogenes Calderon (1833-1898), 1856, Broken Vows, Oil paint on canvas, Tate Britain, LL/68501

Richard Harmer, 1856, Page one of Richard Harmer's 1856 British patent application (No. 2832, "Stereoscopic Pictures") for the bicoloration of stereo photographs, British patent, Private collection of Paula Fleming, LL/83498

Richard Harmer, 1856, Page four of Richard Harmer's 1856 patent application (No. 2832, "Stereoscopic Pictures") illustrating his technique., British patent, Private collection of Paula Fleming, LL/83499

Robert Howlett, 1856, Company Sergeant Christy and Sergeant McGifford, Royal Artillery, [Crimean Heroes], Albumen print, National Army Museum, LL/41365

Robert Howlett, 1856, Sergeant William Russell, 5th Battalion, Royal Artillery, Albumen print, from wet collodion negative, Museum of Fine Arts, Boston, LL/46606

Robert Howlett, 1856, Trumpeters Gritten and Lang, Royal Artillery, [Crimean Heroes], Albumen print, National Army Museum, LL/41366

Robert Murray, 1856, Cleopatra's Needle, Egypt, Albumen print, from a paper negative, Archive Farms, LL/103792

Robert Murray, 1856, Temple of Kom Ombo, Egypt, Albumen print, from a paper negative, Archive Farms, LL/103791

Robert Murray, 1856, Tombs of the Caliphs, Egypt, Albumen print, from a paper negative, Archive Farms, LL/103790

Robert Murray, 1856, Philae, Egypt, Albumen print, from a paper negative, Archive Farms, LL/103793

Robert H. Vance, 1856, [The Great Man Has Fallen], Daguerreotype, Metropolitan Museum of Art, LL/40481

Robert Henry Cheney, 1856, Totnes, Devon, Albumen silver print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/63204

Robert Henry Cheney, 1856, Powis Castle, Albumen silver print, National Gallery of Canada / Musée des beaux-arts du Canada, LL/63207

Robert John Henry, 1856, Loch Long Head, Albumen silver print, Metropolitan Museum of Art, LL/52018

Robertson & Beato, 1856, Ecce Homo Arch, Jerusalem, Albumen print, Klotz / Sirmon Gallery (CLOSED), LL/3361

Roger Fenton, 1856, Balmoral Castle [Aberdeenshire], Albumen print, National Science and Media Museum, LL/41684

Roger Fenton, 1856, Cottages at Balaclava, Salt print, Dominic Winter Book Auctions, LL/82061

Roger Fenton, 1856, Head of Harbour, Balaclava, Salt print, Dominic Winter Book Auctions, LL/82060

Roger Fenton, 1856, Lindisfarne Priory, Lindisfarne, Salt print, Dominic Winter Book Auctions, LL/82032

Roger Fenton, 1856, Roslin Chapel, south side, Roslin, Scotland, Salt print, Dominic Winter Book Auctions, LL/82031

Roger Fenton, 1856, Self-portrait as a Zouave, Salt print, Nelson-Atkins Museum of Art, LL/81652

Roger Fenton, 1856, Major Burton and Officers of the Fifth Division Guards, Salt print, Nelson-Atkins Museum of Art, LL/81651

Roger Fenton, 1856, Roslin Chapel, South Porch [Rosslyn Chapel, South Porch], Salted paper print from glass negative, Metropolitan Museum of Art, LL/40570

Roger Fenton, 1856, Captain Burnaby, Grenadier Guards, & Nubian Servant, Salt print, Dominic Winter Book Auctions, LL/82062

Roger Fenton, 1856, Princess Helena and Princess Louise, Albumen print, National Science and Media Museum, LL/41696

Roger Fenton, 1856, Highland Gillies at Balmoral, Albumen print, National Science and Media Museum, LL/41697

Roger Fenton, 1856, Prince Alfred, Duke of Edinburgh, Albumen print, National Science and Media Museum, LL/41698

Roger Fenton, 1856, Lindisfarne Priory, Holy Isle, Salt print, J. Paul Getty Museum, LL/43660

Roger Fenton, 1856, General Bosquet's Quarters, Salt print, Bassenge Photography Auctions, LL/51877

Roger Fenton, 1856, British Army Officer, Albumen print, Leonard Joel, LL/52372

Roger Fenton, 1856, Lieut. Col. Shadforth & Officers of the 57th, Salt print, Dominic Winter Book Auctions, LL/82059

Roger Fenton, 1856, Major General Garrett & Officers of the 46th, Salt print, Dominic Winter Book Auctions, LL/82063

Roger Fenton, 1856, Men of the 68th Regiment, Salt print, Dominic Winter Book Auctions, LL/82064

Roger Fenton, 1856, Lieutenant Colonel Munro & Officers of the 39th Regiment, Salt print, Dominic Winter Book Auctions, LL/82065

Roger Fenton, 1856, Camp of the 5th Dragoon Guards, Salt print, Dominic Winter Book Auctions, LL/82066

Roger Fenton, 1856, General Bosquet's Quarters, Salt print, Dominic Winter Book Auctions, LL/82067

Roger Fenton, 1856, Rumbling Bridge over the Braan river near Dunkeld, Perthshire Scotland, Salted paper print, George Eastman Museum, LL/35644

Roger Fenton, 1856, Wounded Zouave (au crayon sur le montage), Feb.y 29 th 1856, Photographic print, Musée Condé, LL/33779

Roger Fenton, 1856, Captain Thomas, Photographic print, Musée Condé, LL/33778

Roger Fenton, 1856, Prevost Marshall of Gen. Bosquet's division, Photographic print, Musée Condé, LL/33777

Roger Fenton, 1856, Ismail Pacha and Attendants, Photographic print, Musée Condé, LL/33776

Roger Fenton, 1856, The Sanitary Commission, Salt print, Lee Gallery, LL/3210

Roger Fenton, 1856, York Minster, Photogalvanograph, Archive Farms, LL/126579

Roger Fenton, 1856, Two Sergeants of the 8th Hussars, Salted paper print, Claremont Colleges Library, LL/92111

Roger Fenton, 1856, Drawing by Master of the Pala Sforzesca, Salted paper print, Archive Farms, LL/107347

Roger Fenton, 1856, Major General Lockyer and Two of His Staff, Albumen silver print, MoMA - Museum of Modern Art, New York, LL/103615

Roger Fenton, 1856, Raglan Castle, Porch, Photogravure, Archive Farms, LL/64875

Roger Fenton, 1856, British Officer, Albumen print, Leonard Joel, LL/52373

Roger Fenton, 1856, Interior, Lindisfarne Priory, West End, Albumen silver print, J. Paul Getty Museum, LL/66485

Roger Fenton, 1856, Plateau of Sebastopol, Guerre de Crimée, Albumen print, from wet collodion negative, Ader Nordmann, LL/67322

Roger Fenton, 1856, Hampton Court from the River, Albumen print, National Science and Media Museum, LL/70963

Roger Fenton, 1856, Valley of Inkermann, Albumen silver print, Philadelphia Museum of Art, LL/71732

Roger Fenton, 1856, Photographic Facsimiles of the Remains of the Epistles of Clement of Rome. Made from the Unique Copy Preserved in the Codex Alexandrinus, pl. 16 & 17, Salted paper prints, from glass negatives, Metropolitan Museum of Art, LL/77969

Silas A. Holmes, 1856, New York, Union Square, Salt print, Nelson-Atkins Museum of Art, LL/81673

T.R. Williams, 1856, A still life tableau, Daguerreotype, stereo, National Museums Scotland, LL/68257

T.R. Williams, 1856, Scenes in Our Larder, Stereoview, albumen print, Archive Farms, LL/114261

T.R. Williams, 1856, The Old Larder, depicting a still life of food and wine on a table including two birds, bottles and flasks of wine, a barrel with the initials 'TRW' and baskets of vegetables, Daguerreotype, stereo, National Museums Scotland, LL/68254

T.R. Williams, 1856, Objects of Vertu, depicting a still life showing the reflection of the photographer's studio in a glass dome,containing a Brewster stereoscope, shells and sculpture, Daguerreotype, stereo, National Museums Scotland, LL/68240

T.R. Williams, 1856, Scenes in Our Larder (Onions), depicting a rustic still life with a dead hare, pheasant, birds, and other game, a rake, a lantern, a jar labelled 'Onions' and a sack with a tag, Daguerreotype, stereo, National Museums Scotland, LL/68239

Thomas George Mackinlay (British, 1809-1865), 1856, Study for a Picture, Albumen silver print, Metropolitan Museum of Art, LL/79676

Thomas Easterly, 1856, Public High School, first in St. Louis. Northeast corner of Fifteenth and Olive., Daguerreotype, Missouri Historical Society, LL/67835

Thomas Keith, 1856, Heriot's Hospital from the west [Edinburgh], Paper negative, Edinburgh City Libraries and Information Services, LL/41013

Thomas Keith, 1856, Castle from the Vennel [Edinburgh], Paper negative, Edinburgh City Libraries and Information Services, LL/41009

Thomas Keith, 1856, Castle Wynd from the Esplanade [Edinburgh], Paper negative, Edinburgh City Libraries and Information Services, LL/41010

Thomas Keith, 1856, View from Greyfriars towards Assembly Hall [Edinburgh], Paper negative, Edinburgh City Libraries and Information Services, LL/41011

Thomas Keith, 1856, Royal Scottish Academy [Edinburgh], Paper negative, Edinburgh City Libraries and Information Services, LL/41012

Thomas Sutton, 1856, Jersey, Salted paper print from a calotype negative, George Eastman Museum, LL/33095

Unidentified artist, 1856, The Sailor's Farewell, Lithograph, American Antiquarian Society, LL/67775

Unidentified photographer, 1856, Frederick Douglass, Ambrotype, 1/4 plate, National Portrait Gallery, Smithsonian Institution, LL/127007

Unidentified photographer, 1856, A.P Jackson, Thomaston, Georgia, a 33-year-old mechanic from Georgia with a tumor over the right eye, Daguerreotype, Internet - Original source ill-defined, LL/63092

Unidentified photographer, 1856, Portrait of Sara Emilie Mason holding rabbit, Daguerreotype, 1/9 plate, George Eastman Museum, LL/74691

Unidentified photographer, 1856, A pair of young musicians, Tintype, Private collection of Andrew Daneman, LL/24364

Unidentified photographer, 1856, Moulin de la Galette, Montmartre, Paris, Stereoview, salted paper print, Archive Farms, LL/129521

Unidentified photographer, 1856, Young woman sitting at table, holding a stereoviewer, Albumen print, Hungarian National Museum, LL/61869

Unidentified photographer, 1856, Portrait of Philip Henry Delamotte, Albumen print, National Science and Media Museum, LL/61492

Unidentified photographer, 1856, Euruption Du Vesuve 1856, [Vue D'Italie - Naples], Stereoview, The Film Museum - Dept. for Archives & Digitization, The Danish Film Institute, LL/118077

Unidentified photographer, 1856, Walter Otto Goldschmidt; Jenny Lind, Carte de visite, National Portrait Gallery - NPG, LL/113854

Unidentified photographer, 1856, Mrs. Anne L. Gilles as a young lady 1856, Daguerreotype, 1/6 plate, Private collection of James V. Burke, LL/43605

Unidentified photographer, 1856, Mrs. Anne L. Gilles as a young lady 1856, Daguerreotype, 1/6 plate, Private collection of James V. Burke, LL/43606

Unidentified photographer, 1856, Child with dog with blue-tinted blanket, Daguerreotype, 1/6 plate, Jeffrey Kraus Antique Photographics, LL/10955

Unidentified photographer, 1856, Unknown woman [Saratov, Russia], Daguerreotype, 1/4 plate, hand-tinted, National Museum of Lithuania, LL/58463

Unidentified photographer, 1856, William Charles Windeyer, Daguerreotype, National Portrait Gallery, LL/57620

Unidentified photographer (American), 1856, Peter Neff, Tintype, George Eastman Museum, LL/74419

Unidentified photographer (Pallegoix?), 1856, King Mongkut and Queen Debsirindra [Queen Thepsirin], Daguerreotype, National Anthropological Archives, National Museum of Natural History, Smithsonian Institution, LL/58897

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Man Looking Through a Stereoscope), Daguerreotype, Art Institute of Chicago, LL/114509

Unidentified photographer (USA, 19th century), 1856, Untitled (Portrait of Two Standing Women Holding an American Flag), Daguerreotype, Art Institute of Chicago, LL/114491

Unidentified photographer with a copy by Schloss (467 & 469 Fifth Ave. Bet. 40 & 41 St. N.Y.), 1856, Mrs. Anne L. Gilles as a young lady, Daguerreotype, 1/6 plate with cabinet card copy, Private collection of James V. Burke, LL/43609

Walter B. Woodbury, 1856, Gold digging in Australia, Albumen print, mounted, National Library of Australia, LL/39746

Walter B. Woodbury, 1856, Gold digging in Australia, Albumen print, mounted (detail), National Library of Australia, LL/39747

Wilhelm Breuning, 1856, Dr. Johann Nikolaus Bartels and astronomer Julius Schmidt, director of the Athens observatory in Greece, Daguerreotype, Museum für Kunst und Gewerbe / MKG, LL/113869

William Powell Frith (original artist), 1856, A Stage-Coach Adventure in 1750., Line drawing, Private collection of Paula Fleming, LL/80651

William Bambridge, 1856, Sally [Sarah] Bonetta Forbes (c. 1843-80), Collodion glass plate negative, The Royal Collection, LL/113675

William Bambridge, 1856, "Tableau of The Allies", Albumen print, hand-coloured with watercolour, The Royal Collection, LL/91212

William Bambridge, 1856, Sally [Sarah] Bonetta Forbes (c. 1843-80), Albumen print, The Royal Collection, LL/113674

William Russell Sedgfield, 1856, Kenilworth Castle, Albumen print, from wax paper negative, Private collection of Richard Lee Bland, LL/64345

Johnson & Henderson, 1856 (taken), Vallabháchárya Mahárájas, [The Oriental Races and Tribes, Residents and Visitors of Bombay: A Series of Photographs with Letter-press Descriptions by William Johnson Bombay Civil Service (uncov), no, 23, vl, "Gujarat, Kutch. and Kathiawar", London, 1863], Albumen print, letterpress on card, National Gallery of Australia (NGA), LL/79487

Roger Fenton, 1856 (taken), Roslyn Chapel, Salt paper print, from wet collodion negative, Victoria and Albert Museum, LL/116638

William Lake Price, 1856 (taken) 1857, January (print), Don Quixote in His Study, Photogalvanograph print, hand-coloured, J. Paul Getty Museum, LL/66497

Roger Fenton, 1856 (taken) 1864 (print), Roslin Chapel, Albumen silver print, MoMA - Museum of Modern Art, New York, LL/103616

Alexander Greenlaw, 1856 (taken) 1910 (print), Hampi (Vijayanagar) Bellary District: Shiva Temples., Silver gelatin print, from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36264

Alexander Greenlaw, 1856 (taken) 1910 (print), Hampi (Vijayanagar) Bellary District: Virupaksha Temple Complex, Interior, Eastern Sanctuary., Silver gelatin print, from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36265

Alexander Greenlaw, 1856 (taken) 1910 (print), Hampi (Vijayanagar) Bellary District: Virupaksha Temple, Eastern Gopura., Silver gelatin print, from waxed paper (calotype) negative, Victoria and Albert Museum, LL/36263

Antoine Claudet, 1856, Stereo case, Daguerreotype case, closed, Private collection of Jason David Wright, LL/76640

Antoine Claudet, 1856, Backmark for "Mr. Antoine Claudet, 107, Regent Street." [London], Daguerreotype, back, Private collection of Jason David Wright, LL/76642

Domenico Bresolin, 1856, Domenico Bresolin title label, Label on salt print, Private collection of Marco C. Antonetto, LL/30890

William Russell Sedgfield, 1856, Signature of "W. R. Sedgfield", Signature, signed in pencil, on albumen print, Private collection of Richard Lee Bland, LL/64346

William Russell Sedgfield, 1856, Blind stamp for "H. T. Cooke & Son Fine Art Depository Warwick", Blind stamp, Private collection of Richard Lee Bland, LL/64347

1856, Title page for V. Giuseppe Sella, 1856, Plico del fotografo overo arte pratica e teorica di disegnare uomini e cose sopra vetro, carta, metallo, ecc. col mezzo dell'azione della luce, (Torino: Tipografia Paravia e Comp.), Book title page, Internet - Original source ill-defined, LL/91580

Johnson & Henderson, 1856, Book cover for William Johnson & William Henderson, 1856, The Oriental races and tribes, residents and visitors of Bombay, A Series of Photographs, with Letter-press Descriptions, volume I, (Mumbai, India: Maharashtra), Book cover, National Gallery of Australia (NGA), LL/73459

Johnson & Henderson, 1856, Back cover for William Johnson & William Henderson, 1856, The Oriental races and tribes, residents and visitors of Bombay, A Series of Photographs, with Letter-press Descriptions, volume I, (Mumbai, India: Maharashtra), Book cover, back, National Gallery of Australia (NGA), LL/73460

London Stereoscopic Company, 1856, Christmas and Winter Evening's Enjoyment. Amusement and Instruction for All !, 24 page catalogue, Catalogue, Stereographica - Antique Photographica, LL/42965

Auguste Salzmann, 1856, Title page for Auguste Salzmann "Jerusalem, Etude et reproduction photographique des monuments de la ville sainte depuis l' époque judaique jusqu'à nos jours" (Louis-Désiré Blanquart-Evrard), Title page, Metropolitan Museum of Art, LL/40385

Bland & Long (authors), 1856, Title page for "Illustrated Catalogue of Apparatus & Chemical Preartions used in the Art of Photography; Comprising the Daguerreotype, Calotypeà" (Bland & Long, Opticians, 1856), Title page, Google Books, LL/34640

Charles A. Long (author), 1856, Title page "Practical Photography an Glass and Paper, A Manual" by Charles A. Long (Second edition, London: Bland & Long, Opticians)., Title page, Google Books, LL/34637

Charles Guillain, 1856, Title page for Charles Guillain, [1856], Voyage a la Côte Orientale d'Afrique, exécuté pendant les années 1846, 1847 et 1848, par le Brick le Ducouedic, (Paris: Arthus Bertrand), Title page, Smithsonian Institution Libraries, LL/60337

Charles Guillain, 1856, Title page and contents page for Charles Guillain, [1856], Voyage a la Côte Orientale d'Afrique, exécuté pendant les années 1846, 1847 et 1848, par le Brick le Ducouedic, (Paris: Arthus Bertrand), Title and contents page, Smithsonian Institution Libraries, LL/60319

George Shaw Lefevre, 1856, Book cover for G. Shaw Lefevre, 1856, Photographic Views of Sebastopol taken immediately after The Retreat of the Russians, September 8, 1855, (London: J. Hogarth), Book cover, The Royal Collection, LL/61163

John William Draper, 1856, Title page for John William Draper, 1856, Human Physiology, Statistical and Dynamical; or, the Conditions and Course of the Life of Man., (New York: Harper & Brothers), Book title page, Archive Farms, LL/112624

Marcus Sparling, 1856, Title page for "Theory and Practice of The Photographic Art; including it's Chemistry and Optics" by W. Sparling (London: Houlston and Stoneman, 1856), Title page, Google Books, LL/34873

Philip Henry Delamotte, 1856, Title page of Philip H. Delamotte, "The Oxymel Process in Photography", (London: Chapman & Hall, 1856), Title page, Google Books, LL/40228

Unidentified photographer / artist, 1856, The explorations of Fremont, Book page, Google Books, LL/36160

Unidentified photographer / artist, 1856, Dighton Rock, Google Books, LL/34434

Unidentified photographer / artist, 1856, Head Rests - For enabling the Sitter to keep the Head in one position without fatigue, Catalogue illustration, Google Books, LL/34641

Unidentified photographer / artist, 1856, Tent for working collodion in the open air, Book illustration, Google Books, LL/34638

Unidentified photographer / artist, 1856, A dark tent packed, Catalogue illustration, Google Books, LL/34639

Unidentified photographer / artist, 1856, Morocco Cases, with Gilt Mats, Catalogue illustration, Google Books, LL/34642

Unidentified photographer / artist, 1856, The use of a Daguerreotype to recognise Dn. Angel Herreros de Mora escaping Spain to have freedom of religion, Book page, Google Books, LL/36090

1856, C.E. Clifford - Photography Apparatus and Chemical Warehouse, Advert, Google Books, LL/35354

1856, John Sanford's Price List of the Calotype and Talbotype Papers, Advert, Google Books, LL/35357

1856, Newman's Photographic Colors, Advert, Google Books, LL/35358

1856, Farmer's Photographic Portraits, Brighton, Advert, Google Books, LL/35359

1856, No. 4 Complete Set of Daguerreotype Apparatus, supplied by Bland and Long, London, Advert, Google Books, LL/34636

Whipple & Black, 1856, Daguerreotypes & Crystalotypes by Whipple & Black, at 96 Washington Street, Boston., Book page, Google Books, LL/38256

London Stereoscopic Company, 1856, 10,000 Beautiful Stereoscopic Groups and Scenes - London Stereoscopic Company, Advert, Google Books, LL/35355

London Stereoscopic Company, 1856, Catalogue of Binocular Pictures of the London Stereoscopic Company, Advert, Google Books, LL/34769

London Stereoscopic Company, 1856, Catalogue of Binocular Pictures of the London Stereoscopic Company, Advert, Google Books, LL/34770

London Stereoscopic Company, 1856, Description and Prices of Sir David Brewster's Lenticular Stereoscopes, Advert, Google Books, LL/34771

London Stereoscopic Company, 1856, 10,000 Beautiful Stereoscopic Groups and Scenes - London Stereoscopic Company - Opinions of the Press, Advert, Google Books, LL/35356

London Stereoscopic Company, 1856, The Improved Colour Reflecting Stereoscope, Advert, Google Books, LL/34772

Adrien Tournachon, 1856, Taureau Gascon, Heliogravure, Archive Farms, LL/90781

C.V. Allen, 1856, The Gallery of Art, Book page, Google Books, LL/38257

David Brewster, 1856, Title page for "the Stereoscope its History, Theory and Construction with its Application to the Fine and Useful Arts and to Education" by Sir David Brewster (London: John Murray, 1856), Book title page, Google Books, LL/34768

Eliphalet Brown, 1856, Matsmai Kangasyu, Deputy of the Prince of Matsmay, Lithograph, from a daguerreotype, Archive Farms, LL/112695

Eliphalet Brown, 1856, Japanese Cago, Book illustration, Google Books, LL/35135

Eliphalet Brown, 1856, Kura-Kawa-Kakei, Lithograph, Chrysler Museum of Art, LL/117018

Eliphalet Brown, 1856, Japanese Women, Book illustration, Google Books, LL/35136

Eliphalet Brown, 1856, Title page for "Narrative of the Expedition of an American Squadron to the China Seas and Japan; Performed in the Years 1802, 1853, and 1854, Under the Command of Commodore M. C. Perry, U. S. Navy" (New York : D. Appleton & Co.,1856), Title page, Google Books, LL/35134

Eliphalet Brown, 1856, Kura-Kawa-Kakei, Lithograph, Chrysler Museum of Art, LL/117017

J.A. Whipple, 1856, The Suppression of Counterfeiting, Magazine page, Google Books, LL/34426